Home |
Search |
Today's Posts |
#1
Posted to rec.audio.pro
|
|||
|
|||
Is there any quality loss in these situations?
I've always wanted to know whether there is any true quality loss in the
following circumstances: 1. I burn a 192 kbps mp3 file to CD as a .wav file so that it can play on a CD player. If I re-create an mp3 file at 192 kbps from that same CD, is there any quality loss? 2. I open a 192 kbps mp3 file in Soundforge to edit. Soundforge creates a temporary file for editing. Once I edit the file, I save the new file as a a 192 kbps mp3 file. Is there any quality loss in this process? 3. I run a 192 kbps mp3 file through a normalizing program like Mptrim. If the program makes changes to the file, such as eliminating silence at the beginning of the file and normalizing the volume, is there any quality loss? Thanks |
#2
Posted to rec.audio.pro
|
|||
|
|||
Is there any quality loss in these situations?
Legaldeejay wrote:
I've always wanted to know whether there is any true quality loss in the following circumstances: 1. I burn a 192 kbps mp3 file to CD as a .wav file so that it can play on a CD player. If I re-create an mp3 file at 192 kbps from that same CD, is there any quality loss? Yes 2. I open a 192 kbps mp3 file in Soundforge to edit. Soundforge creates a temporary file for editing. Once I edit the file, I save the new file as a a 192 kbps mp3 file. Is there any quality loss in this process? Yes 3. I run a 192 kbps mp3 file through a normalizing program like Mptrim. If the program makes changes to the file, such as eliminating silence at the beginning of the file and normalizing the volume, is there any quality loss? Yes Use MP3 as nothing but a final product, and even then always keep an uncompressed .wav file for future use. d |
#3
Posted to rec.audio.pro
|
|||
|
|||
Is there any quality loss in these situations?
But in situation 2, I know there may be a quality loss when creating the
Mp3, but how about when editing the Mp3? Programs like Soundforge and CoolEdit will create a temporary file to edit, and once you are done, you save the new .mp3 file. Are you saying no quality loss at all when creating a new .mp3 file from a previous .mp3 file? I also just thought of another situation: When zipping and unzipping mp3 files in Winzip and WinRar, is there any quality loss? I have read that it is lossless. Do you agree? Thanks. "Don Pearce" wrote in message et... Legaldeejay wrote: I've always wanted to know whether there is any true quality loss in the following circumstances: 1. I burn a 192 kbps mp3 file to CD as a .wav file so that it can play on a CD player. If I re-create an mp3 file at 192 kbps from that same CD, is there any quality loss? Yes 2. I open a 192 kbps mp3 file in Soundforge to edit. Soundforge creates a temporary file for editing. Once I edit the file, I save the new file as a a 192 kbps mp3 file. Is there any quality loss in this process? Yes 3. I run a 192 kbps mp3 file through a normalizing program like Mptrim. If the program makes changes to the file, such as eliminating silence at the beginning of the file and normalizing the volume, is there any quality loss? Yes Use MP3 as nothing but a final product, and even then always keep an uncompressed .wav file for future use. d |
#4
Posted to rec.audio.pro
|
|||
|
|||
Is there any quality loss in these situations?
Briefly...
I've always found this a bit strange, as reconverting a file made at a particular bitrate with a particular coder, using the same rate and code (note what I said), should show little or no loss, because the damage has already been done. In other words, if the coder has initially "ignored" (and therefore not coded) certain elements in the original, why should it start attacking the remaining elements on the second coding cycle? I had assumed that such psychoacoustic judgements were absolute, not relative. |
#5
Posted to rec.audio.pro
|
|||
|
|||
Is there any quality loss in these situations?
Legaldeejay wrote:
But in situation 2, I know there may be a quality loss when creating the Mp3, but how about when editing the Mp3? Programs like Soundforge and CoolEdit will create a temporary file to edit, and once you are done, you save the new .mp3 file. Are you saying no quality loss at all when creating a new .mp3 file from a previous .mp3 file? Every time you save even a minor edit, the file is re-encoded, further compromising the quality. That is why when you may be creating multiple generations it is imperative that you save in a lossless manner, like ..wav. If you are really stuck for space (and who is these days?), use lossless compression like flac. I also just thought of another situation: When zipping and unzipping mp3 files in Winzip and WinRar, is there any quality loss? I have read that it is lossless. Do you agree? That is entirely lossless. Those compression systems are designed for bit-perfect recovery. They are also particularly poor at compressing audio files, since these do not contain the kind of patterns they rely on. d |
#6
Posted to rec.audio.pro
|
|||
|
|||
Is there any quality loss in these situations?
On Wed, 27 Aug 2008 07:14:28 -0400, Legaldeejay wrote:
3. I run a 192 kbps mp3 file through a normalizing program like Mptrim. If the program makes changes to the file, such as eliminating silence at the beginning of the file and normalizing the volume, is there any quality loss? Certain operations can be carried out on an MP3 without loss of quality. Cutting off tops and tails is one of those operations, and the other is "scaling" where the volume level of the whole file can be adjusted but only in fairly coarse steps. I don't know Mptrim but there's a chance it can do this. Cases 1 and 2 always involve quality loss, and please heed all the other advice that you should process and archive everything in linear PCM format e.g. .WAV files (disk space is cheap enough now...) and only use MP3 for final distribution/playback, if it's needed in that format. -- Anahata ==//== 01638 720444 http://www.treewind.co.uk ==//== http://www.myspace.com/maryanahata |
#7
Posted to rec.audio.pro
|
|||
|
|||
Is there any quality loss in these situations?
"Legaldeejay" wrote in message ... But in situation 2, I know there may be a quality loss when creating the Mp3, but how about when editing the Mp3? Programs like Soundforge and CoolEdit will create a temporary file to edit, and once you are done, you save the new .mp3 file. Are you saying no quality loss at all when creating a new .mp3 file from a previous .mp3 file? I also just thought of another situation: When zipping and unzipping mp3 files in Winzip and WinRar, is there any quality loss? I have read that it is lossless. Do you agree? WinZip uses a compression system that ensures not a single bit is lost...uncompressing generates the *exact* same file you started with. It's lossless. mp3 is like jpg...in order to achieve compression the system throws out data it feels is unnecessary. Uncompressing DOES NOT give you the same thing you started with. It's lossy. Think of mp3 (and jpg) as a VHS copy. Each time you open and resave as mp3, you make another generation of that tape. It eventually gets so bad there's nothing left. The first couple generations might not be too bad, but after that.... Also, the highest bitrates throw away less of the original data. This is true of all lossy compression schemes with variable compression settings. If your mp3s are higher than 192 you have more room for subsequent generations before the loss gets unbearable. But that's all relative. As Don said....mp3 is a final format, not an intermediate step--if you have any sense of or need for audio quality. -John O |
#8
Posted to rec.audio.pro
|
|||
|
|||
Is there any quality loss in these situations?
Legaldeejay wrote:
1. I burn a 192 kbps mp3 file to CD as a .wav file so that it can play on a CD player. If I re-create an mp3 file at 192 kbps from that same CD, is there any quality loss? Why not try it and listen for yourself? Or are you concerned that there will be a loss that you can't here but someone else will, and then you'll be subject to great mockery and derision? Why are you worried about quality loss of an MP3 file anyway? Nearly all the damage that can be done has already been done by the data thrown away by the data reduction process of creating the MP3. Now if you were to ask if you got an identical file back from the CD, I suspect not, in fact I'm quite sure of it. But this is easy enough to verify with the computer doing all the work - no ears required. 2. I open a 192 kbps mp3 file in Soundforge to edit. Soundforge creates a temporary file for editing. Once I edit the file, I save the new file as a a 192 kbps mp3 file. Is there any quality loss in this process? Probably none that you'd notice, but again, listen and tell us what YOU think. 3. I run a 192 kbps mp3 file through a normalizing program like Mptrim. If the program makes changes to the file, such as eliminating silence at the beginning of the file and normalizing the volume, is there any quality loss? Absolutely. But then you might gain overall "listenability" because it's louder and has less uninteresting junk in it. If you're really worried about quality, work with WAV files and make the conversion to MP3 as the final step. Then you'll be assured a loss of quality, but only one time. -- If you e-mail me and it bounces, use your secret decoder ring and reach me he double-m-eleven-double-zero at yahoo -- I'm really Mike Rivers ) |
#9
Posted to rec.audio.pro
|
|||
|
|||
Is there any quality loss in these situations?
Legaldeejay wrote:
I know there may be a quality loss when creating the Mp3, but how about when editing the Mp3? Programs like Soundforge and CoolEdit will create a temporary file to edit, and once you are done, you save the new .mp3 file. You don't simply "save" a new MP3 file, you convert the temporary PCM file (probably WAV) to MP3. Every time you do that, there's some data thrown away, so there will be some loss of quality. But you're probably not talking about a severe enough loss to worry about. It's not like you were converting it to 32 kbps or reducing the PCM file to 8 bits or 11 kHz sample rate. I also just thought of another situation: When zipping and unzipping mp3 files in Winzip and WinRar, is there any quality loss? I have read that it is lossless. Do you agree? ZIP is a lossless data compression process, so it's completely reversible without data loss. Unlike MP3, which throws away data that the program doesn't think you can hear, ZIP only looks for repeated data and writes a shorthand representation of it. I don't know how much data compression you get when ZIPping an MP3 file, but you don't save too much by space ZIPping a WAV file. -- If you e-mail me and it bounces, use your secret decoder ring and reach me he double-m-eleven-double-zero at yahoo -- I'm really Mike Rivers ) |
#10
Posted to rec.audio.pro
|
|||
|
|||
Is there any quality loss in these situations?
Legaldeejay wrote:
I've always wanted to know whether there is any true quality loss in the following circumstances: 1. I burn a 192 kbps mp3 file to CD as a .wav file so that it can play on a CD player. If I re-create an mp3 file at 192 kbps from that same CD, is there any quality loss? Yes. Re-encoding is always a bad thing to do, and some arguments have been made that successive re-encoding steps are worse sonically than the first one. Skip Pizzi did a lot of experiments back when perceptual encoding systems were new, though i don't know how well his tests apply to more modern encoders. 2. I open a 192 kbps mp3 file in Soundforge to edit. Soundforge creates a temporary file for editing. Once I edit the file, I save the new file as a a 192 kbps mp3 file. Is there any quality loss in this process? Yes, for the same reason. 3. I run a 192 kbps mp3 file through a normalizing program like Mptrim. If the program makes changes to the file, such as eliminating silence at the beginning of the file and normalizing the volume, is there any quality loss? If Mptrim is what I think it is, the answer is no, because it does not decode and re-encode the file. The problem with editing Mp3s without decoding them is that you can only cut on a block boundary, which limits your possible edit points. You can't normalize very effectively either, you can just change the gain at which it's played back. For the most part, perceptually encoded files are not acceptable for production work. Create a normal, unencoded file, keep all your work files unencoded, and only compress down to mp3 for the actual release. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#11
Posted to rec.audio.pro
|
|||
|
|||
Is there any quality loss in these situations?
William Sommerwerck wrote:
I've always found this a bit strange, as reconverting a file made at a particular bitrate with a particular coder, using the same rate and code (note what I said), should show little or no loss, because the damage has already been done. It doesn't. In other words, if the coder has initially "ignored" (and therefore not coded) certain elements in the original, why should it start attacking the remaining elements on the second coding cycle? I had assumed that such psychoacoustic judgements were absolute, not relative. It doesn't. And what is REALLY interesting is that making an analogue dub between two machines using perceptual encoding systems can actually sound BETTER than a digital one, because of the slight level changes involved. Look up some of Skip Pizzi's tests. He had a couple AES conference papers, and a bunch of articles in Radio World in the early nineties. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#12
Posted to rec.audio.pro
|
|||
|
|||
Is there any quality loss in these situations?
On Aug 27, 7:22*am, Don Pearce wrote:
snip 3. *I run a 192 kbps mp3 file through a normalizing program like Mptrim. *If the program makes changes to the file, such as eliminating silence at the beginning of the file and normalizing the volume, is there any quality loss? Yes Use MP3 as nothing but a final product, and even then always keep an uncompressed .wav file for future use. d Actually, there are programs that claim to change mp3 volume losslessly. The spectral magnitudes can be scaled without fully decoding and re-encoding the signal. |
#13
Posted to rec.audio.pro
|
|||
|
|||
Is there any quality loss in these situations?
jwvm wrote:
Actually, there are programs that claim to change mp3 volume losslessly. The spectral magnitudes can be scaled without fully decoding and re-encoding the signal. Right. ALL you can do is fixed gain adjustment, and editing on block boundaries, but this is really quite enough for rough assembly work. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#14
Posted to rec.audio.pro
|
|||
|
|||
Is there any quality loss in these situations?
Legaldeejay wrote:
I've always wanted to know whether there is any true quality loss in the following circumstances: 1. I burn a 192 kbps mp3 file to CD as a .wav file so that it can play on a CD player. If I re-create an mp3 file at 192 kbps from that same CD, is there any quality loss? It would depend on the encode and decode of the .mp3. I have done round trips with LAME at -V 1 (highest rate VBR ) and there's no loss the second time. IOW, for my tests, LAME has proven to be deterministic. I only did this because a remote client wanted delivery in .mp3 rather than waiting for a CD. 2. I open a 192 kbps mp3 file in Soundforge to edit. Soundforge creates a temporary file for editing. Once I edit the file, I save the new file as a a 192 kbps mp3 file. Is there any quality loss in this process? Try it. Add a slate mark ( a single sample pulse) to a full-rate .wav, encode, realign and subtract the two vectors. Decode, repeat, lather, rinse. 3. I run a 192 kbps mp3 file through a normalizing program like Mptrim. If the program makes changes to the file, such as eliminating silence at the beginning of the file and normalizing the volume, is there any quality loss? No idea. In general, only encode once. Then there's no problem. Thanks -- Les Cargill |
#15
Posted to rec.audio.pro
|
|||
|
|||
Is there any quality loss in these situations?
William Sommerwerck wrote:
Briefly... I've always found this a bit strange, as reconverting a file made at a particular bitrate with a particular coder, using the same rate and code (note what I said), should show little or no loss, because the damage has already been done. In other words, if the coder has initially "ignored" (and therefore not coded) certain elements in the original, why should it start attacking the remaining elements on the second coding cycle? I had assumed that such psychoacoustic judgements were absolute, not relative. The question becomes "over what domain of settings is a given encoder deterministic", and the answer is "it depends." For VBR -V 1, LAME appears to be - for a very small sample set. -- Les Cargill |
Reply |
Thread Tools | |
Display Modes | |
|
|
Similar Threads | ||||
Thread | Forum | |||
Mixing down to Audacity - any sound quality loss? | Pro Audio | |||
Wireless speakers - loss of sound quality? | Tech | |||
Loss of quality during digital copying ?? | Pro Audio | |||
Loss of quality during digital copying ?? | Pro Audio |