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#1
Posted to comp.music.midi,alt.music.midi,rec.audio.opinion,comp.sys.ibm.pc.soundcard.tech,comp.sys.ibm.pc.soundcard.music
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Soundcard-MIDI is *not* obsolete
Hi:
I know I've brought this extremely-off-topic subject up -- and in other groups -- before but I just can't get over it. I apologize profusely to those who might be annoyed. I hate soundfonts, emulations, and sample playback MIDI synths. I request that readers please read this message from began to end until they fully understand it. There are many people who still care about MIDI but unfortunately, these are the sick f--ks who actually like sample playback MIDI synths, emulations, and soundfonts. No offense, but you are SOOOOO wrong when you say MIDI is obsolete. Its just that today's MIDI audio often takes the stinky sample playback MIDI synths, emulations, and soundfonts. I feel like burning all sample playback MIDI synths, emulations, and soundfonts along with their consumers, and their companies. Sick pieces of stinky thick diarrhea human kakaa foam they are. Vaporize all of those involved with nuclear-fusion flames!!!!! I would like to make some replicable magnetic electronic nanobots that will search for sample playback MIDI synths, emulations, and soundfonts in any part of the world and attach to the digital chips of sample playback MIDI synths, emulations, and soundfonts. These nanobots should contain magnetic receivers that will extract any random environmental magnetic audio signals from 2 kHz to 50 kHz [excluding spikes, square-waves, white noise, brown noise, pink noise and bass sounds]. The nanobots then amplify those signals to the point where they would significantly interfere with -- and cause inductive crosstalk in -- the audio signals in the digital electronic chips of the sample playback MIDI synths, emulations, and soundfonts. This will cause sample playback MIDI synths, emulations, and soundfonts to be full of annoying -- and perhaps even frightening -- auditory disruptions from environmental magnetic interference**. That way all companies will be forced to abandon all their sample playback MIDI synths, emulations, and soundfonts. In addition, all listeners will be forced to endure the pollution of sample playback MIDI synths, emulations, and soundfonts. For those who miss their stinky human kakaa foam of soundfonts, emulations, and sample playback synths, well, f--k them! Voila! No more sample playback MIDI. I demand that MIDI either use CMS220, or that MIDI audio not be used at all. Death to MIDI other than Creative Music Synth [220]. All sample playback MIDI synths, emulations, and soundfonts must be burned badly. That way those involved in MIDI audio will not have much choice other than to listen to [or produce]: 1. Creative Music Synth [220] 2. Digital FM synths other than Creative Music Synth [220] 3. *Real* wavetables 4. Other digital synchs [excluding emulations, soundfonts, and sample playback] 5. Analog synths OR, the other option for those sample-playback-loving, soundfont- supporting, emulation-advocating f--kheads is to totally give up on MIDI, get depressed -- due to the absence of sample playback MIDI synths, emulations, and soundfonts, and jump off a cliff!!!! I'll see to it that revenge is mine!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! **Note: The magnetic signals that interfere with those digital chips should be purely-analog. I just love it when purely-analog magnetic signals cause significant disruptions in purely-digital chip-based parts of electronic devices that I don't like. Sample playback MIDI synths, emulations, and soundfonts are an example of digital electronic devices that I don't like so I want to victimize them in this manner -- i.e. via magnetic interferences. Here is my ratings for soundcard MIDI synths: 1. Creative Music Synth [220] 2. Digital hardware FM synths other than Creative Music Synth [220], non-FM digital synths [including *real wavetables*; excluding sample playbacks, soundfonts, and emulations], and analog synths 3. Sample playback synths, soundfonts, and emulations of synths. Die emulators. Die! Die soundfonts. Die! Hope they burn in underworld. Try listening to a sample playback MIDI synth -- such as SoundMax's MIDI synth -- and compare that to Creative Music Synth [220]. You'll *definitely* notice the difference. SoundMax MIDI synth audio is to the ear what stinky thick diarrhea kakaa foam of humans is to the nose. The Crystal soundfont is even worse than SoundMax. Creative Music Synth [220], OTOH, is auditory paradise. I hate FM emulation -- or any audio emulation for that matter. Emulation = stinky thick diarrhea kakaa foam of humans F--k emulation. SB Live stinks like human kakaa. It has no real music synthesis. Its all kakaa-like emulation. AFAIK, some PCI cards contain something called 'Yamaha FM synth'. I hate it though because it is emulation. Anything kind of 'OPL' a PCI would have, would be emulation. The only 'OPL' any PCI cards have is OPL emulation. Emulation stinks like human diarrhea kakaa foam. I can easily tell the difference between the freshness, brightness, warmth, and liveliness of a *real* synth from the stale, cacophonous -- or rather KAKAA-FOAMous -- fart of emulation. Sample playback MIDI synths, emulations, and soundfonts are the worst audio equipment ever. They are stinky, tickly, itchy, creepy, irritating, farty, hissy, terrifying, foamy, disgusting, and annoying. I like the audio quality of Creative Music Synth [220]. It sounds so warm, fresh, bright, rejuvenating, lively and effervescent. So yes. There plenty of those sample-playback-loving scumbags who still indulge in the evils of sample playback MIDI synths, emulations, and soundfonts!!!!!!!!!!!!!!!!!!! !! Got it????????????????!!!!!!!!!!!!!!!!!!!!!!!!?!?!?!?! ?!?!?!?! There are tons of evil lovers of sample playback MIDI synths, emulations, and soundfonts in the entire world. Try visiting the newsgroups: comp.music.midi and alt.music.midi Majority of those sick f--ks continually hurl insults at Creative Music Synth [220] while praising sample playback MIDI synths, emulations, and soundfonts. I feel like surrounding those scumslimes with superhot flames resulting from localized nuclear fusion. On the Creative website -- forums.creative.com -- I am known as "CMS220" In the above link, is where I take revenge against the following: 1. Creative Technology for no longer making or upgrading Creative Music Synth [220] 2. Customers who like -- or don't mind -- sample playback MIDI synths, emulations, and soundfonts 3. Customers who dislike -- or don't care for - Creative Music Synth [220] On the Creative Technology site, I first asked my questions politely but no one answered me. I then got frustrated and vented all my anger. Now those jerks know how I feel. I lost control of my temper and used very bad words. As a result, any computer with my home IP address cannot access the Creative forums. Also, if I login under the name "CMS220" in any part of the world, the Creative site will automatically ban access to its forums from that network. They've banned access to the forums from three places already because I logged in under CMS220. They've got some auto-ban type of feature, it seems. It started off like this. I asked in the Creative Technology http://forums.creative.com as politely as I could. I waited a couple of weeks. No response. I asked again as politely as I could, waited another few weeks. Again no answers. I tried on the third and last time as politely as I could. AGAIN, no answers!!! I then got impatient and aggressive. I started venting my anger in those forums. I used bad words. As a result, they've permanently banned my IP and I can no longer access their forums. What a buncha jerks. Yes, I did get carried away with the foul language but hey, can ya blame me? So I can no longer sign-in under CMS220. I got a new username "SB16- ISA-FM" and logged in from another network outside my house. I started venting my anger again using colorful language. One of the Creative Technology companymen then sent me a warning note, in which he/she/it threatened to contact my ISP and shut-down my internet connection. What those fools don't realize is that I can log in under any name from any network that I am given access to. It doesn't have to be from my house. Maybe if Creative Technology weren't made up of such jerks, then I wouldn't have started spamming their forums in the 1st place. So its not my fault. I would like a real Creative Music Synth [220]. Doesn't have to be in a sound card. It could be a keyboard, a MIDI box or in any other form. Sadly, its not gonna happen because the mechanism by which Creative Music Synth [220] is kept classified as top-secret by Creative Technology Ltd. CMS220 is no longer made yet the sick @$$ company still keeps the working of CMS220 a secret. Creative Technology is a stubborn piece of crap. F--k those stingy secretive *******s. I hate sick sample playback MIDI synths, emulations, and soundfonts. I just wish the audio communities would revert back to real, non- emulated SB16 FM synthesis and upgrade from there. FM emulation [or any audio emulation for that matter] is sample playback. Sample playback synth = human kakaa SB Live stinks like human kakaa. It has no real music synthesis. Its all kakaa-like emulation. SB16 PCI has the disadvantages of SB16 ISA [e.g. limitation to 16-bit resolution] without the advantages [e.g. *real* FM synthesis]. All SB16 PCIs should be burned in oxyacetylene flames. AFAIK, some PCI cards contain something called 'Yamaha FM synth'. I hate it though because it is emulation. The Avance sound card has 'Avance FM synth', but its also a real stinker as it isn't a real synth. The evil PCI loves to inflict pain on other types of slot -- ISA being the unfortunate victim. PCI cards don't contain real FM synths. Anything kind of 'OPL' a PCI would have, would be emulation. The only 'OPL' any PCI cards have is OPL emulation. Emulation stinks like human diarrhea kakaa foam. I don't understand why a PCI card cannot contain a real FM synth like Creative Music Synth [220]. Is there a technical barrier to this? I can easily tell the difference between the freshness, brightness, warmth, and liveliness of a *real* synth from the stale, cacophonous -- or rather KAKAA-FOAMous -- fart of emulation. Creative Music Synth [220] = SB16 ISA's FM synth = my favorite MIDI synth. I don't care for other MIDI synths. Creative Music Synth [220] is: 1. Real and 2. Digital and 3. Hardware and 4. Real-time All other FM synths are okay. Wavetables are also good. But I don't care for them. Here are my ratings for *soundcard* MIDI synths in the order from best to worst: 1. Creative Music Synth [220] 2. All digital hardware FM synths other than Creative Music Synth [220] 3. Wavetables, non-FM digital synths, analog [non-digital] synths 4. Sample playback synths Sample playback synths are the worst. Sample playback synths STEEEENKS!!!! Sample playback MIDI synths, emulations, and soundfonts are the worst audio equipment ever. They are stinky, tickly, itchy, creepy, irritating, farty, hissy, terrifying, disgusting, and annoying. I like the audio quality of Creative Music Synth [220]. It sounds so warm, fresh, bright, rejuvenating, lively and effervescent. The only thing about Creative Technology that I like is their Creative Music Synth [220]. Other than that, they are a piece of kakaa. Creative Technology is one f--king piece of crap that provides sh--ty customer service. Their tech support is so limited. Creative Technology used to be such a great company 13 years ago. Now there are nothing but stinky-diarrhea-kakaa-foam-of-humans. I've asked them about Creative Music Synth [220] -- through a variety of means, including but not limited to phone, fax, and their online tech support -- only to be totally-ignored. I asked them about this for the past 5 years. Never got a decent answer. In addition, most of their online tech support is pre-written garbage. Creative Technology also uses such f--ked up sickening disgusting sample playback synths in their PCI cards. I wish that a gang of persons who support Creative Music Synth [220] would attack Creative Technology and force them to make hardware versions of Creative Music Synth [220] -- in PCI cards that are compatible with PCI slots and Windows XP -- upgraded from 16-bit to 32- bit and from 44.1 KHz to 192 KHz. And from there, keep on upgrading! When XP and PCI are obsolete then Creative Technology should be forced to make even newer hardware versions of CMS220 -- with even wider bit- resolutions and higher sample-rates -- that are compatible with the newer hardwares and softwares that will exist in that future time. If Creative Technology refuses, I hope the CMS220-advocating gang ties up the people who make up that company and torturously forces them to repeatedly listen to sample playback MIDI synths, emulations, and soundfonts until those Creative personnel are annoyed with burning headaches and are deathly desperate for an escape. Only then will the people of Creative Technology do the right thing -- make upgraded versions of Creative Music Synth [220]. A rich spoiled-rotten company like Creative deserves to be heinously hijacked and forced to do their duties. The least Creative Technology Ltd could do is put a *real* 32-bit, 192 kHz, version of Creative Music Synth [220] in a PCI card. But noooooooooooooooooooooo! They are too f--king lazy. Its not just Creative Technology that's responsible. Its also the fault of self-destructive customers who don't mind paying $$$$$$$$$$$$$ $$$$$$ for those crappy sample playback synths. F--k those customers as well. Masochistic perverts! I don't care if those customers destroy themselves. Though, I sure as f--k don't want them destroying me! Such customers should eat their own stinky diarrhea kakaa foam. If you feed a scum, then you're just as filthy as that scum and I sincerely hope you suffer just as much. I feel like torching the chips of sample playback synths with oxyacetylene flames to distort their audio output. Creative Music Synth [220] is my favorite MIDI synth. Its those sample playback synths that are crap. Sadly most MIDI magazines advertise the kakaa-stinky sample playback as a good thing often referring to them as 'wavetables'. These sick marketers call sample playback synthesis 'realistic sounding'. Sample playbacks synths are nothing more than the sound of a stinky fart emitted from a human colon. I've been looking hard for true FM synths. No luck. Most PCI cards have OPL emulation. I hate FM emulation. FM emulation -- much like any sample playback synthesis -- is to the ear what human kakaa is to the nose. I want *real* FM synthesis not some stinky trashy out-of-a-human- behind emulation. Those stinky-f==king marketers who refer to sample playback synthesis as 'wavetables' deserve to be thrown into the sewer and made to eat their own crap. There is a world of different between sample playback synthesis and wavetable synthesis. If you still believe the marketer-induced myth that wavetable synthesis and sample playback synthesis are the same thing, then please educate yourself with the hardcore scientific facts presented on the following link: http://www.musicdsp.org/files/Wavetable-101.pdf Wavetable synthesis is so much better than any kakaa-spitting sample playback synth but not nearly as heavenly as *true* FM synthesis. Of all the *true* FM synths, Creative Music Synth [220] is my favorite. If a synth is *not*: 1. *Real* AND 2. *Digital* AND 3. *Real-time* AND 4. *Hardware* then it, STEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEENKS!!!!!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Here is what I would like to do. I would like to make some replicable electronic nanobots that will search for sample playback MIDI synths, emulations, and soundfonts in any part of the world and attach to the digital chips of sample playback MIDI synths, emulations, and soundfonts. These nanobots should contain magnetic receivers that will extract any random environmental magnetic audio signals 2 kHz and 50 kHz [excluding spikes, square-waves, white noise, brown noise, pink noise and bass sounds]. The nanobots then amplify those signals to the point where they would significantly interfere with -- and cause inductive crosstalk in -- the audio signals in the digital electronic chips of the sample playback MIDI synths, emulations, and soundfonts. This will cause sample playback MIDI synths, emulations, and soundfonts to be full of annoying - and perhaps even frightening -- auditory disruptions from environmental magnetic interference. That way all companies will be forced to make *real* synths and the listeners will be forced to adapt to the excellent audio quality of *real* synths. For those who miss their stinky human kakaa foam of sample playback synths, well, f--k them! I try playing Creative Music Synth [220], through my so called 'karaoke voice canceller' -- which inverts the phase of one stereo channel [right or left] and then combines it the other channel -- which results in anything identical in both the left and right channels being removed. I get a mono of what was different in the left and right channels. When I play Creative Music Synth [220] audio through the voice- canceller, it sounds more treble, sharper, brighter, warmer, and crisper than when I don't use the voice canceller. Due to the above, my MIDI synth dream would be a mono, 32-bit, 192 kHz, version of Creative Music Synth [220] based on the signals that were phased differently in the original CMS220. CMS220 is a stereo FM synth who left and right signals are phased differently, this is why I get a different sound when I play throught voice-canceller. The signals of CMS220 that have the same phase for both L and R have a more cheesy sine-wave quality which I don't care for. The signals in CMS220 that are phased differently in L and R tend to resemble a fresher sawtooth-wave quality which I like. That is why I want my version of CMS220 to be based on the sounds that were phased differently in the original CMS220. I want my version to be monoaural because I want all speakers to give out the same signal. Any understanding, cooperation, and assistance is greatly appreciated. Thanks, Radium |
#2
Posted to comp.music.midi,alt.music.midi,rec.audio.opinion,comp.sys.ibm.pc.soundcard.tech,comp.sys.ibm.pc.soundcard.music
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Soundcard-MIDI is *not* obsolete
About the only way to get exactly what you want is to build it
yourself. There are some synth languages available that create synths of different types. Syntth creator, synth edit, and reaktor are available. synth edit is free. I do not know if they have fm ability, but they most likely would have that too. However, I think you should consider your campaign to get what you want, are you really making your best campaign, if you antagonize persons that create both samplers and Fm synths? Some of the manufactures make both, in both hardware, and software, or even these synth languages. Also if your posts become nagging, most people do not like to help. someone that nags, they soon start to ignore the posts. And you just might need the help of persons that use and love samplers with some of these languages that create synths. Therefore you might re-consider just how you run your campaigne to get what you want. A lot of use would like to see some realy good synths made in hardware on a card. Something that might have all types of synth methods buildt into it. Also have it come with a program that created randomly instruments at the press of a button like those good old fm synth editor programs of the past could do. I think a more sucessfull plan would be to get one of these better languages, put together a team to brainstorm just what should the synth have on it, and then attempt to create it. Also do the art work of how you want the control panel to it to appear. Do as much of the design as you can, and if you get stuck, attempt to hire someone thats more expert than you in the language to solve what your having a problem with. Campaigns can have tattics, both white hat guy tatics, and black hat. Black hat tatics might have worked on your parents when they just give you what you want to shut you up, but when you try it on the public, they usually ban you, ignore you, or take some other action to get rid of you, and they do not behave like an indulgent parent, and usually have a lot less patience with such behaviour. Try white hat guy tatics for a while and I think you might get some place whith your campaign. Its when you figure out how to create a win win situation for both you, and the manufacture or others, that your more likely to get what you want. If you can create a popular synth with the language, and then take it before a hardware manufacture, and suscessfully interest them in making it on a card, then your in a win win situation. You need to show the manufacture or software publisher how they are going to profit from doing what you want., or maybe just publish it yourself as a software synth. Some study of salesmanship books would also help you in your campaign, as they teach you how to make the best pitch and show the other person the value to them of what your attempting to get across |
#3
Posted to comp.music.midi,alt.music.midi,rec.audio.opinion,comp.sys.ibm.pc.soundcard.tech,comp.sys.ibm.pc.soundcard.music
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Soundcard-MIDI is *not* obsolete
On Feb 27, 10:09 am, "notejam" wrote:
About the only way to get exactly what you want is to build it yourself. There are some synth languages available that create synths of different types. Syntth creator, synth edit, and reaktor are available. synth edit is free. I do not know if they have fm ability, but they most likely would have that too. However, I think you should consider your campaign to get what you want, are you really making your best campaign, if you antagonize persons that create both samplers and Fm synths? Some of the manufactures make both, in both hardware, and software, or even these synth languages. Also if your posts become nagging, most people do not like to help. someone that nags, they soon start to ignore the posts. And you just might need the help of persons that use and love samplers with some of these languages that create synths. Therefore you might re-consider just how you run your campaigne to get what you want. A lot of use would like to see some realy good synths made in hardware on a card. Something that might have all types of synth methods buildt into it. Also have it come with a program that created randomly instruments at the press of a button like those good old fm synth editor programs of the past could do. I think a more sucessfull plan would be to get one of these better languages, put together a team to brainstorm just what should the synth have on it, and then attempt to create it. Also do the art work of how you want the control panel to it to appear. Do as much of the design as you can, and if you get stuck, attempt to hire someone thats more expert than you in the language to solve what your having a problem with. Campaigns can have tattics, both white hat guy tatics, and black hat. Black hat tatics might have worked on your parents when they just give you what you want to shut you up, but when you try it on the public, they usually ban you, ignore you, or take some other action to get rid of you, and they do not behave like an indulgent parent, and usually have a lot less patience with such behaviour. Try white hat guy tatics for a while and I think you might get some place whith your campaign. Its when you figure out how to create a win win situation for both you, and the manufacture or others, that your more likely to get what you want. To be honest, I've tried "white hat guy" tactics for along time in many forums [such as the Creative Labs forums] and have either been ridiculed, ignored, or given wrong information [on purpose]. As for hiring someone to make a card, its going to cost $$billions and even then they still might do a shabby job. Like most people, I don't have anywhere near the amount of money necessary to get someone to make a customized MIDI synth for me. Am I better off building own FM synth chip design myself after learning about how it works? I mean, I just don't have the money necessary to make someone do it for me. Its so very unlikely that anyone will be willing to do it for me because that person already has billions in his/her account and has nothing to lose by refusing me or building the FM chip in a defective manner, no matter how kind and patient I am. Hell, such rich folks have nothing to lose by attaching a dynamite to it and then laughing sadisticaly as my room catches fire when I turn the synth on. For these dudes, its do all at your own risk, nothing guaranteed at all. These guys just don't care. All they want is money, but they already have too much of it. So there is no incentive for them to build me a professional, upgraded version of CMS220. Even if I was the richest and friendliest individual on earth, I'd still be taking a *huge* risk in requesting anyone to build any customized hardware for me. Cuz they still wouldn't give a f--- If you can create a popular synth with the language, and then take it before a hardware manufacture, and suscessfully interest them in making it on a card, then your in a win win situation. You need to show the manufacture or software publisher how they are going to profit from doing what you want., or maybe just publish it yourself as a software synth. Some study of salesmanship books would also help you in your campaign, as they teach you how to make the best pitch and show the other person the value to them of what your attempting to get across |
#4
Posted to comp.music.midi,alt.music.midi,rec.audio.opinion,comp.sys.ibm.pc.soundcard.tech,comp.sys.ibm.pc.soundcard.music
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Soundcard-MIDI is *not* obsolete
Hi Radium,
You are getting too much attention already, but here's another option: step away from PCI. Real synthesis can be found in real non-PCI hardware synthesizers, like the MiniMoog or Alesis Andromeda. I hope you can do more research on this, instead of posting your anger to the people I guess can do too little to help you. Good luck on this! Ben Radium wrote: Hi: I know I've brought this extremely-off-topic subject up -- and in other groups -- before but I just can't get over it. I apologize profusely to those who might be annoyed. I hate soundfonts, emulations, and sample playback MIDI synths. Next post, try not to repeat yourself (or some letter, e.g. 'E') and make your point in no more than, say, three paragraphs. Thanks. Any understanding, cooperation, and assistance is greatly appreciated. Thanks, Radium |
#5
Posted to comp.music.midi,alt.music.midi,rec.audio.opinion,comp.sys.ibm.pc.soundcard.tech,comp.sys.ibm.pc.soundcard.music
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Soundcard-MIDI is *not* obsolete
On Mar 4, 3:35 pm, Ben wrote:
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EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE EEEEEEEEEEEEEEEEEEEENK |
#6
Posted to comp.music.midi,alt.music.midi,rec.audio.opinion,comp.sys.ibm.pc.soundcard.tech,comp.sys.ibm.pc.soundcard.music
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Soundcard-MIDI is *not* obsolete
In comp.music.midi Radium wrote:
Hi: I know I've brought this extremely-off-topic subject up -- and in other groups -- before but I just can't get over it. Time to start taking your meds again. Erik -- ----------------------------------------------------------------- Erik de Castro Lopo ----------------------------------------------------------------- "An older MS internal whitepaper from August 2000 on switching Hotmail, which MS acquired in 1997, from front-end servers running FreeBSD and back-end database servers running Solaris to a whole farm running Win2K, reads like a veritable sales brochure for UNIX" -- http://www.theregister.co.uk/content/4/28226.html |
#7
Posted to comp.music.midi,alt.music.midi,rec.audio.opinion,comp.sys.ibm.pc.soundcard.tech,comp.sys.ibm.pc.soundcard.music
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Soundcard-MIDI is *not* obsolete
Green Xenon [Radium] wrote:
Erik de Castro Lopo wrote: In comp.music.midi Radium wrote: Hi: I know I've brought this extremely-off-topic subject up -- and in other groups -- before but I just can't get over it. Time to start taking your meds again. Erik WTF? You're responding to a thread I posted almost a year ago!!!! you got what you wanted yet? |
#8
Posted to comp.music.midi,alt.music.midi,rec.audio.opinion,comp.sys.ibm.pc.soundcard.tech,comp.sys.ibm.pc.soundcard.music
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Soundcard-MIDI is *not* obsolete
You have WAAAAAAAAAAAAY too much time on your hands mate
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