Home |
Search |
Today's Posts |
#1
Posted to rec.audio.tubes
|
|||
|
|||
About DHTs
That video on YouTube got me thinking about them and why they might have
different characteristics to indirected heated triodes. Clearly the heater/cathode has a voltage gradient across it. Turn the idea 'upside down' and it's equivalent to a grid with a non-equipotential effect over its length. The most similar effect I can think of would be a variable mu valve where the grid spacing varies. Anyway, it occurs to me that a DHT will have a characterisitic similar to the sum ( or composite ) of several triodes with displaced grid potentials. This may possibly make it more linear. I haven't looked into it that far yet but I'm sure it could be readily modelled. Graham |
#2
Posted to rec.audio.tubes
|
|||
|
|||
About DHTs
Eeyore wrote: That video on YouTube got me thinking about them and why they might have different characteristics to indirected heated triodes. Clearly the heater/cathode has a voltage gradient across it. Turn the idea 'upside down' and it's equivalent to a grid with a non-equipotential effect over its length. The most similar effect I can think of would be a variable mu valve where the grid spacing varies. Anyway, it occurs to me that a DHT will have a characterisitic similar to the sum ( or composite ) of several triodes with displaced grid potentials. This may possibly make it more linear. I haven't looked into it that far yet but I'm sure it could be readily modelled. Graham You are thinking that the DHT has a substantial voltage end to end of the cathode with respect to grid bias, ie, Eg-k. but many DHT have ac for heating the cathode, so what is the situation then? With a carefully balanced application of the mains F heating, the DHT is supposed to remain hum free. And what of where the DHT cathode is a zig-zag pattern so that the electron space charge between the g and k remains about constant? Anyway, the issues of cathode gradient have about all been addessed by makers during the last 100 years, some of their conclusions have of course been forgotten in the lurch toward multi element solid state gear. I doubt you will find that just because a triode is a DHT it will be any more linear than a IHT such as 6SL7, 12AX7, or 12AY7. I suggest you test some samples of DHT and IHT using the same linearity checking gear for all samples. The triode data curves given for many old triodes are often rather incorrect and do not agree with real world measurements and the distortion calculated from load line analysis is often a percent or two different to what one may measure, and in fact the measurements often give lower THD than fooling around with a ruler and a set of curves. This simply means that many of the curves given for the tube data that exists in the old books is AN APPROXIMATE INDICATION ONLY of about what to expect from a given tube type. It also all means that the gear used for gaining enough dots on a page to make Ra curves may in fact have not been very linear and before the data was published it was all tidied up by draftsmen/women with a steady hand drawing curves. Examining many data sheets shows that some tube data have implausible looking curves with inexplicable differences in curve shapes where none would actually ever occur. So the real world test of various types of triodes using the same gear is the only way to really find out anything about general comparisons of linearity for the DHT and IHT which followed. My bet is that the DHT are not any more linear than IHT with similar basic Ra, Gm, and µ for the same Ia. Some will argue DHT just sound better. They are welcome to say that, but have any AB tests been done to support the claims? Or is it just nostalgic worshipping of a bygone age when life was simpler, purer, better... ( unless one needed a good dentist or a decent pay packet. ) I have never heard a bad sounding triode amp unless too much was asked of it. Patrick Turner. |
#3
Posted to rec.audio.tubes
|
|||
|
|||
About DHTs
Patrick Turner wrote: Eeyore wrote: That video on YouTube got me thinking about them and why they might have different characteristics to indirected heated triodes. Clearly the heater/cathode has a voltage gradient across it. Turn the idea 'upside down' and it's equivalent to a grid with a non-equipotential effect over its length. The most similar effect I can think of would be a variable mu valve where the grid spacing varies. Anyway, it occurs to me that a DHT will have a characterisitic similar to the sum ( or composite ) of several triodes with displaced grid potentials. This may possibly make it more linear. I haven't looked into it that far yet but I'm sure it could be readily modelled. Graham You are thinking that the DHT has a substantial voltage end to end of the cathode with respect to grid bias, ie, Eg-k. Correct. but many DHT have ac for heating the cathode, so what is the situation then? Effectively it does something similar but the effect has a line frequency modulation involved. With a carefully balanced application of the mains F heating, the DHT is supposed to remain hum free. I follow. Is there some objection to DC heating ? And what of where the DHT cathode is a zig-zag pattern so that the electron space charge between the g and k remains about constant? You'd have to involve some serious modelling to establish the precise effect but once again it's likely to be a composite. Anyway, the issues of cathode gradient have about all been addessed by makers during the last 100 years, some of their conclusions have of course been forgotten in the lurch toward multi element solid state gear. I dare say the considerations we're discussing weren't exactly their primary concerns back then. Graham |
#4
Posted to rec.audio.tubes
|
|||
|
|||
About DHTs
Patrick Turner wrote: Some will argue DHT just sound better. On what basis ? Quasi-Religious belief ? I am at least interested in understanding the underlying physical principles and these will clearly have the answer. Graham |
#5
Posted to rec.audio.tubes
|
|||
|
|||
About DHTs
Eeyore wrote:
With a carefully balanced application of the mains F heating, the DHT is supposed to remain hum free. I follow. Is there some objection to DC heating ? None at all, if you live on a farm without electricity and only have batteries to play your radio. In fact, by clever arrangement of series DC filaments in directly heated tubes you can get the grid bias for one or more tubes "for free". I dare say the considerations we're discussing weren't exactly their primary concerns back then. Well, they address all your concerns, making them rather trivial. See for example RDH4, pages 6, 80, and 560. Your OP was entirely correct in that it all is supposed to average out in the end with AC DHT in the approximations used in class A. They certainly did have more primary concerns, mostly not very relevant today, in the 50's and earlier texts where they talk about A battery lifetime and filament performance and emission as the A battery ran down, and some really clever tricks for doing grid bias and AVC with directly heated DC triodes back when they were common on battery radios. Tim. |
#6
Posted to rec.audio.tubes
|
|||
|
|||
About DHTs
"Eeyore" wrote in
message That video on YouTube got me thinking about them and why they might have different characteristics to indirected heated triodes. For one thing, they are simply different tubes. I see no literature that suggests that a #ZZ tube is a DHT version of the 6C4, or something like it. Clearly the heater/cathode has a voltage gradient across it. Not clear at all. There are many ways to make DHTs, and this is most aparrent when you start looking at transmitting tubes, where the parts are generally large enough that you can see them more clearly. The filament can be a strand that zigs from top to bottom several times. It can be concentric coils. It can be lots of things. Turn the idea 'upside down' and it's equivalent to a grid with a non-equipotential effect over its length. Only in the simpler cases. The most similar effect I can think of would be a variable mu valve where the grid spacing varies. IOW, a tube that is designed to be more nonlinear, but with extended cut-offs. |
#7
Posted to rec.audio.tubes
|
|||
|
|||
About DHTs
Eeyore wrote: Patrick Turner wrote: Eeyore wrote: That video on YouTube got me thinking about them and why they might have different characteristics to indirected heated triodes. Clearly the heater/cathode has a voltage gradient across it. Turn the idea 'upside down' and it's equivalent to a grid with a non-equipotential effect over its length. The most similar effect I can think of would be a variable mu valve where the grid spacing varies. Anyway, it occurs to me that a DHT will have a characterisitic similar to the sum ( or composite ) of several triodes with displaced grid potentials. This may possibly make it more linear. I haven't looked into it that far yet but I'm sure it could be readily modelled. Graham You are thinking that the DHT has a substantial voltage end to end of the cathode with respect to grid bias, ie, Eg-k. Correct. but many DHT have ac for heating the cathode, so what is the situation then? Effectively it does something similar but the effect has a line frequency modulation involved. Yes, but the effect is minimised with a balanced supply of AC to heat the cathode. With a carefully balanced application of the mains F heating, the DHT is supposed to remain hum free. I follow. Is there some objection to DC heating ? In a 300B, the typical grid bias is -70V. If 5Vdc is applied to the cathode to heat it the dc voltage across the cathode has a negligible effect giving rise to more emission at the more positive end of the cathode. So dc applied is OK. And what of where the DHT cathode is a zig-zag pattern so that the electron space charge between the g and k remains about constant? You'd have to involve some serious modelling to establish the precise effect but once again it's likely to be a composite. Anyway, the issues of cathode gradient have about all been addessed by makers during the last 100 years, some of their conclusions have of course been forgotten in the lurch toward multi element solid state gear. I dare say the considerations we're discussing weren't exactly their primary concerns back then. Graham W.E. just wanted simple easy operation for their theatre amps which were leased out, not sold, so the tubes had to be reliable. And the circuitry was kept simple because the 300B didn't need loop FB. And most DHT were operated with ac applied from a floating winding with CT because making dc supplies for low voltage at high current was difficult and was avoided in 1930. Although most theatres had sensitive horn speakers, a pair of 300B were adequate. I don't recall folks complaining about hum... Patrick Turner. |
#8
Posted to rec.audio.tubes
|
|||
|
|||
About DHTs
Eeyore wrote: Patrick Turner wrote: Some will argue DHT just sound better. On what basis ? Quasi-Religious belief ? Most audiophiles I know do not follow religion other than be cathode followers. Most agree with ppl like Richard Dawkins, and are never seen in a church on sunday. The are seen occasionally soldering things on sunday, and winding coils for crossovers. I am at least interested in understanding the underlying physical principles and these will clearly have the answer. Well sometimes what we measure does not explain the sound we hear. Its pointless being obsessive about THD for example, especially when its below 0.05% and all mainly 2H. But an arrangement of source, preamp, power amp and speakers will usually sound different to a different set of componenents. Especially in a different room as well. But the numbers are important though, and I like amps and all the other bits to make low amounts of THD and IMD, and its the IMD that so easily does the damage. I don't recall hearing too many tube amps that were much improved by lowering the THD from 0.1% to 0.01%, let alone 0.001%, a difficult feat for a tube power amp. And an SS amp won't sound better just because it can get down to 0.001% THD. But nor does it suffer from being constructed so that 0.001% is typical at listening levels; the absense of an OPT allows more FB so it can measure better. Big deal. Some people say they are cold and clinical and lifeless, and one needs triodes to present the real thing that was heard in the studio or concert hall recording session. I don't argue, I just build the amps for them; I try to get the numbers right while maintaining a semblance of simplicity. After awhile one finds out what seems to really work the best, but many varieties of tube circuits work well. Patrick Turner. Graham |
#9
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do something useful, was About DHTs
Eeyore wrote: That video on YouTube got me thinking LOL. about them and why they might have different characteristics to indirected heated triodes. They don't, unless you want to admit that some tubes sound different from others in the same circuit. Do you? Clearly the heater/cathode has a voltage gradient across it. Turn the idea 'upside down' and it's equivalent to a grid with a non-equipotential effect over its length. The most similar effect I can think of would be a variable mu valve where the grid spacing varies. There's something fallacious about this but let's see where it leads you: Anyway, it occurs to me that a DHT will have a characterisitic similar to the sum ( or composite ) of several triodes with displaced grid potentials. This may possibly make it more linear. Oh dear. You don't have the brains to live in ivory tower, Poopie. Climb down off it, inspect the sand at the base. That's the stuff amplification devices are made of, tubes and transistors both. In the particular case of DHTs, no assistance from you is required to make them more linear. Sit down now before you go to my netsite because, given the season, we don't want even you to fall down dead of shock. Now hold onto your chair while you study the linearity of a pair of my Western Electric 300, the actual transfer curves taken off actual tubes, not generic averages. http://members.lycos.co.uk/fiultra/WE300BindivSPEC.jpg See those long, long, long, ruler-straight lines? That's linearity. (And without any bandaid of negative feedback applied, of course.) DHTs need no help from you. But, since you will no doubt insist, there is more information for you to work with at http://members.lycos.co.uk/fiultra/KISS%20190.htm and in particular pay attention to http://members.lycos.co.uk/fiultra/112KISScurves.jpg for the principle of determining a linear operating range that does not need NFB and to http://members.lycos.co.uk/fiultra/1...tingpoints.jpg for a specific example. Standard generic curves are also available from the same illustrations page cited above (I thought I'd give you the piccies first, see how kind I am, and not frighten you off with actual text and math you might balk at). The meaning of it the universe, music, linearity, glee and DHTs is explained a level up, starting at http://members.lycos.co.uk/fiultra/JUTE%20ON%20AMPS.htm and continuing in particular from the KISS index page he http://members.lycos.co.uk/fiultra/T...mp%20INDEX.htm I haven't looked into it that far yet but I'm sure it could be readily modelled. It's clear you haven't looked into it at all. You're merely rambling ignorantly. But don't let us discourage you from modelling DHTs. You will learn lots. It will keep you off the streets. Graham However, you would be far better occupied modelling and trying to improve devices that really need your help, anybody's help, because they are so wretchedly illinear: transistors. I understand: you're feeling unwanted. Now you're trying to say something relevant. But you don't have the brains or the background. Try hitting the RDH sixteen hours a day from now until next March and you might, when you have digested it all, say something that isn't dead wrong. At least you will be prepared to understand in a superficial way the references I have given you above. On the same site you will find http://members.lycos.co.uk/fiultra/J...MPS%20RDH.html which is my famous guide to what you really need to understand in the RDH before you can say anything relevant to tubies. (See, I'm much more complaisant than Patrick, who wants you to learn the whole thing off by heart before we let you into the club.) Andre Jute The trouble with most people is not what they don't know, but what they know for certain that isn't true. ---Mark Twain |
#10
Posted to rec.audio.tubes
|
|||
|
|||
About DHTs
"Patrick Turner" wrote in message
Well sometimes what we measure does not explain the sound we hear. Expand on that. Isolated measurements mean nothing. I measure an object and it is 1/3 the length of my ruler. I say, "It is 33%". My point is that no isolated measurement has any meaning without context. Doesn't matter what it is. Your comment is therefore completely trivial and meaningless. Its pointless being obsessive about THD for example, especially when its below 0.05% and all mainly 2H. Now you contradicted what you just said. You've in effect said that 0.05% 2H is less than that which is audibly significant. Of course, you added context. You've proven my point, which is that what we measure can explain what we hear if we add appropriate context. But an arrangement of source, preamp, power amp and speakers will usually sound different to a different set of componenents. Especially in a different room as well. So what? But the numbers are important though, and I like amps and all the other bits to make low amounts of THD and IMD, and its the IMD that so easily does the damage. Missing context: IMD and THD are both the results of nonlinearity. It is difficult to contrive things so that one does not come without the other. I don't recall hearing too many tube amps that were much improved by lowering the THD from 0.1% to 0.01%, let alone 0.001%, a difficult feat for a tube power amp. If you study the literature and do some experiments, you will find that some place around 0.1% nonlinear distortion, further improvements in linearity tend to be moot, no matter what sort of listening test you try to do. And an SS amp won't sound better just because it can get down to 0.001% THD. Agreed. But nor does it suffer from being constructed so that 0.001% is typical at listening levels; Not necessarily. the absense of an OPT allows more FB so it can measure better. Big deal. Getting rid of the OPT has other benefits. Heck, even tubed amps can benefit from getting rid of the OPT. Some people say they are cold and clinical and lifeless, and one needs triodes to present the real thing that was heard in the studio or concert hall recording session. Some people say the darndest things, especially if they think it will buy them some influence over others. I don't argue, I just build the amps for them; I try to get the numbers right while maintaining a semblance of simplicity. After awhile one finds out what seems to really work the best, but many varieties of tube circuits work well. It is usually a mistake to overdefine the solution. Asking that an amp does not audibly change its input signal under any reasonble operating condition should suffice. |
#11
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do something useful, was About DHTs
Andrew Jute McCoy babbled: A bunch of crap proving that it did not read the actual question as posed.... Nor does it understand the first thing about tubes, but merely parrots what it reads elsewhere (and sometimes with hilarious consequences based on its ignorance). The closest thing you got to 'getting it' was when you suggested that different tubes will sound differently in the same circuit. No Sh*t. And two of the 'same' tubes may also sound different based on their peculiar condition at the moment of use. Hence the vast amounts of mythology built around 'matching' and so forth. Patrick Turner hit it dead-on when he discussed the issues based on AC or DC on the filament, and how greater experience and better technology does not necessarily mean better performance in actual use. Tubes are sloppy devices, with parameters wide enough for the QE2 to pass through with great ease relative to solid-state devices. However, that allows relatively simple circuits with due allowances for that sloppiness to perform splendidly, something that SS devices have not achieved to-date and are unlikely ever to do so (based on simplicity, not actual performance as-designed). A tube power amp of say.... 35 watts in PP can get away with perhaps 20 electrical parts in the circuit from the power transformer through the output transformer. I doubt a SS amp could do that with less than 50 parts, or more. And if a triode tube is seen as the functional equivalent of a single transistor, the contrast in complexity becomes even greater (ignore size). Not everyone here is gifted with a mind as rigidly focused and all-knowing as yours. Permit these people to be curious as to them there are still things in this world to be discovered. To something such as yourself which has absorbed all worthwhile knowledge such as there is none more worthwhile to learn, this state of incompleteness may be annoying and fit only for ridicule. But for some it is a way of learning. You remind me of that typical bombastic psuedo-artist/kitchen table engineer type: One that knows more and more about less and less until it knows everything about nothing. Peter Wieck Wyncote, PA |
#12
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do something useful, was About DHTs
Peter Wieck wrote:
Andrew Jute McCoy babbled: A bunch of crap proving that it did not read the actual question as posed.... Nor does it understand the first thing about tubes, but merely parrots what it reads elsewhere (and sometimes with hilarious consequences based on its ignorance). The closest thing you got to 'getting it' was when you suggested that different tubes will sound differently in the same circuit. No Sh*t. And two of the 'same' tubes may also sound different based on their peculiar condition at the moment of use. Hence the vast amounts of mythology built around 'matching' and so forth. Patrick Turner hit it dead-on when he discussed the issues based on AC or DC on the filament, and how greater experience and better technology does not necessarily mean better performance in actual use. Tubes are sloppy devices, with parameters wide enough for the QE2 to pass through with great ease relative to solid-state devices. However, that allows relatively simple circuits with due allowances for that sloppiness to perform splendidly, something that SS devices have not achieved to-date and are unlikely ever to do so (based on simplicity, not actual performance as-designed). A tube power amp of say.... 35 watts in PP can get away with perhaps 20 electrical parts in the circuit from the power transformer through the output transformer. I doubt a SS amp could do that with less than 50 parts, or more. And if a triode tube is seen as the functional equivalent of a single transistor, the contrast in complexity becomes even greater (ignore size). Not everyone here is gifted with a mind as rigidly focused and all-knowing as yours. Permit these people to be curious as to them there are still things in this world to be discovered. To something such as yourself which has absorbed all worthwhile knowledge such as there is none more worthwhile to learn, this state of incompleteness may be annoying and fit only for ridicule. But for some it is a way of learning. You remind me of that typical bombastic psuedo-artist/kitchen table engineer type: One that knows more and more about less and less until it knows everything about nothing. Peter Wieck Wyncote, PA Peter: Although tubes manufactured under a given part number do exhibit some spread in their parameters (gm, rp, u etc.), they exhibit nowhere near the parameter spead inherent in bipolar transistors or FETs. Just take a look in any transistor data book to observe the spreads, for example, in hfe for bipolar devices or in Vp and Idss for FETs. Great care must be taken in fact in the design of solid state circuits to accomodate these variations so that all final product in a production run will meet its specifications. Among the measures that are routinely taken in solid state designs to accomodate these variations are the application of considerable feedback, be it local, global or both. Bipolar devices in fact exhibit such a non-linear transfer characterisitic that they are unviable for audio amplification without these measures being taken. On the other hand, if you were to take as an example a sample of US built 12AX7s and examine their characteristic curves on a curve tracer you would be very surprised at how closely their curves match. I do not know how well their curves would match against Russian or Chinese product, or against that of Telefunken, Amperex, Mullard etc. It is certainly possible to build a solid state amplifier with a similar component count to a tube counterpart. Many bipolar designs from the 70s were very simple. These designs however relied heavily on gobs of global negative feedback to linearize them, and in my humble opinion the sound suffered as a consequence. Regards: Doug Bannard |
#13
Posted to rec.audio.tubes
|
|||
|
|||
About DHTs
Eeyore wrote:
Clearly the heater/cathode has a voltage gradient across it. Turn the idea 'upside down' and it's equivalent to a grid with a non-equipotential effect over its length. The most similar effect I can think of would be a variable mu valve where the grid spacing varies. Some DHT tubes specify which end of the filament is to get the positive end of the filament supply. 7 pin miniature "Battery Radio" tubes were like this, as well as some sub-mini types. Idea being that the grid was built to have the same global characteristic, but differing characteristic from one end of the filament to the other. This could easily be done if the filament was a single strand strung from the top to the bottom of the tube. If AC is used on a DHT, does the effect of the uneven voltage across the filament exactly cancel out over the course of an AC waveform cycle? Maybe there's a V^2 term in the physics. That would cause distortion products that would cycle up and down at 120Hz (100Hz in Europe and such places). |
#14
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do something useful, was About DHTs
Doug wrote: Although tubes manufactured under a given part number do exhibit some spread in their parameters (gm, rp, u etc.), they exhibit nowhere near the parameter spead inherent in bipolar transistors or FETs. Sure. But bipolar transistors and FETs are not hardly the functional equivalent of a standard transistor as stated in the premise. Pick one of the most common output transistors of the early SS era the 2N3055.... That is about the rough (power) equivalent of any-of-several output tubes of similar vintage and may crudely be compared to a triode as if it is used in a low-power/low-distortion application; it will give about as much as a typical triode-connected 6CA7/EL34 or 807 of the period. As I am unfamiliar with the 300B *personally* excepting observing them in Other People's equipment, I will not write to that application other than to pick it as a "typical high performance triode". These days, the 3055 may be replaced with any number of other similar transistors from the 3771-2-3 and on up. But the difference between any two 3055s off the line would be far less than any given two OEM 300Bs. What is made with that number these days is a different beast entirely, as they are by any measure a boutique tube and not even a little bit a production tube as they were 60+ years ago. So, you state clearly that simple SS circuits can be achieved with similar part-counts. But that they suffer as a consequence. We agree absolutely on that point. But the fundamental differences between a given tube (let's stick with triodes for these purposes) and any given transistor that is (very)roughly equivalent to a triode are pretty large. Tubes will "test" 'as new' if above a certain set of parameters. Over time, they will continue to function even well below these parameters but the degredation will be reasonably predictable and take place over time and based on use. Transistors will operate "as new" until they fail. Then they will fail all-at-once. They may *never* fail within a reasonable time measurement, tubes will *always* fail. Again, generally, transistors display a cliff-effect at forward bias. Tubes generally do not. There are many more similarly obvious differences. Again, tubes have parameters that as compared to *similarly functioning* transistors are wide enough for the QE2 to pass through at speed. There are exceptions to every generalization of course. Curve for the 2N3055 and its complement may be found at: http://www.kbt-dc-supplies.com/image...5DataSheet.pdf Curves for the WE300B may be found at: http://www.westernelectric.com/spec_sheets/300B.pdf Peter Wieck Wyncote, PA |
#15
Posted to rec.audio.tubes
|
|||
|
|||
About DHTs
On Wed, 20 Dec 2006 09:58:42 -0500, "Arny Krueger"
wrote: There are many ways to make DHTs, and this is most apparent when you start looking at transmitting tubes, where the parts are generally large enough that you can see them more clearly. I believe that this is the largest effect. Large physical size alone gives an easier path to linearity. High voltages give an easier path to linearity. High voltages "cause" cathode poisoning. Cathode poisoning is less of an issue with white-hot "cathodes" than with oxide-coated cathodes. IOW, I believe that the linearity "magic" of the big triodes is mostly a historical artifact. At the time that they were designed linearity was considered important. Oxide-coated cathodes were something WE could do (at 500 volts, anyway), but were challenging even for them. A few decades later, oxide-coated cathodes became the norm for audio power tubes, but linearity wasn't considered important. Operation at 500 volts or slightly less became an important design consideration. OTOH, the directness of direct-heating of filamentary triodes is an unmitigated pain in the ass to folks building amplifiers with them. Hum can be dealt with many ways; search Google in this newsgroup for things like ultra-sonic heating, etc. The difficulties of distributing loading between anode and "cathode" in advanced designs is a real bitch, approaching insurmountable. But some folks *still* consider their virtues to outweigh all of the disadvantages. That's actually my position, that intrinsic linearity matters *that* much. All good fortune, Chris Hornbeck "Too soon oldt; too late schmardt." |
#16
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do something useful, was About DHTs
On 20 Dec 2006 17:51:32 -0800, "Peter Wieck" wrote:
Again, tubes have parameters that as compared to *similarly functioning* transistors are wide enough for the QE2 to pass through at speed. There are exceptions to every generalization of course. No idea what you mean here, but taking the most obvious reading, this is very incorrect. Surely you're not saying that tolerances for semiconductors are lower than tolerances for electron valves? That would be wacky. Much thanks, as always, Chris Hornbeck "Too soon oldt; too late schmardt." |
#17
Posted to rec.audio.tubes
|
|||
|
|||
About DHTs
Chris Hornbeck wrote:
But some folks *still* consider their virtues to outweigh all of the disadvantages. That's actually my position, that intrinsic linearity matters *that* much. Silence is everything. I well remember being abused for recklessly using up my tubes when I admitted to running 300B at 32W (80mA and 480V delivered to the plate for an operating point of 400V with cathode bias); back then the average was 55-60mA and around 300V, with daring experimenters running 300B all the way up to 65mA. Those guys had gotten into a mindset, perhaps from going blind working with little preamp tubes, perhaps from not putting their minds in gear, of thinking that just above the curvature on the Ep-Ia-Eg transfer, and sometimes in the curvature at the extensions, was good enough, The slightest rectification effect when signal was applied would screw their sound over the entire transfer width. But some of them wouldn't or couldn't see that the way to *guarantee* stunning linearity even from famously linear tubes like 300B and the 845 and 211 (and later Svet's late and much lamented late SV-572-3 and -10) was to run them at high voltage and high current into flat (i.e. high primary impedance) loads, thus sacrificing the extra power of the high current and high voltage for exceptional linearity. When you can get linearity like that, you can afford to sneer at feedback as the solution of cheapskates and people who haven't thought about what it is they want from their sound or how much they are willing to pay for it. Interestingly, the cost turned out to be not that much at all. DHT are generally sturdier than most people give them credit for. I ran one set of 300B for 14000 hours at 80mA, using them to break in Lowther drivers. Your average audiophile, by definition a paranoid, would have disposed of them after a couple of thousand hours on the mere suspicion that they were no longer giving their finest. One final, important, aspect of linearity that you didn't touch on. Beyond a not very low level, it is not the amount of noise that is important but its composition. An agreeable composition of noise falls naturally with a Class A1 amp, which is of course the class of operation most DHT fall into naturally, almost axiomatically, when applied for hi-fi. Patrick was saying that he never heard a triode amp with an ugly sound; I would go a smidgen further and say that it is awfully difficult to build a really bad amp with triodes and especially with DHT, simply because they have so much natural goodness going for them (1). Chris Hornbeck "Too soon oldt; too late schmardt." Looks like the Amish version of the NY Jewish saying: The wisdom of age is liking giving a bald man a comb. Andre Jute Visit Jute on Amps at http://members.lycos.co.uk/fiultra/ "wonderfully well written and reasoned information for the tube audio constructor" John Broskie TubeCAD & GlassWare "an unbelievably comprehensive web site containing vital gems of wisdom" Stuart Perry Hi-Fi News & Record Review (1) Of course I phrased that last clause to give undesirables apoplexy. |
#18
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do something useful, was About DHTs
Chris Hornbeck wrote: On 20 Dec 2006 17:51:32 -0800, "Peter Wieck" wrote: Again, tubes have parameters that as compared to *similarly functioning* transistors are wide enough for the QE2 to pass through at speed. There are exceptions to every generalization of course. No idea what you mean here, but taking the most obvious reading, this is very incorrect. Surely you're not saying that tolerances for semiconductors are lower than tolerances for electron valves? That would be wacky. Much thanks, as always, Chris Hornbeck "Too soon oldt; too late schmardt." I noticed Doug trying to educate Worthless, with presumably little effect if you now have to take up the standard. But you're both wasting your breath. It seems to me extremely doubtful that even Worthless can be this ignorant. Check out the sequence of posts in this subthread which I started. It seems clear Worthless went over the top into fantasy-land and outright untruths in his constant attempts to top me. Making a life of commenting on what I say and do was long since proved a wasting disease for too many others; anyone's life must be very dull who thinks that mine is exciting enough to dedicate so much time to as Worthless Wiecky does. Still, I love men tilting at windmills; it is all the proof necessary that there is hope for humanity. And while I'm on about Sancho Panza's master, a super Spanish writer I discovered: Carlos Ruiz Zafon, acute on the O; his The Shadow of the Wind is a must-read, a picaresque, several love stories, several thrillers, a lamentation for the state of literature, a coming-of-age novel, a history of Franco's Spain, an evocation of Barcelona (my second-favorite Spanish city) in the 1950s, and much, much besides, all on an unputdownable rollercoaster. Excellent English translation. Andre Jute The trouble with most people is not what they don't know, but what they know for certain that isn't true. ---Mark Twain |
#19
Posted to rec.audio.tubes
|
|||
|
|||
About DHTs
On 20 Dec 2006 19:57:46 -0800, "Andre Jute" wrote:
One final, important, aspect of linearity that you didn't touch on. Beyond a not very low level, it is not the amount of noise that is important but its composition. An agreeable composition of noise falls naturally with a Class A1 amp, which is of course the class of operation most DHT fall into naturally, almost axiomatically, when applied for hi-fi. Patrick was saying that he never heard a triode amp with an ugly sound; I would go a smidgen further and say that it is awfully difficult to build a really bad amp with triodes and especially with DHT, simply because they have so much natural goodness going for them (1). And by saying "noise" above, let me interject that you mean all artifacts, and that I can agree completely. I have reservations about using the word more inclusively, but I do understand the origins, so can't really quibble. There is some extra "there" there, folks. Gotta follow along in our hymnals, but it's worth the journey. "Too soon oldt; too late schmardt." Looks like the Amish version of the NY Jewish saying: The wisdom of age is liking giving a bald man a comb. Yeah, that's even better. Mine is Pennsylvania Dutch (Deutsch), as remembered from a million years ago. Much thanks, as always, Chris Hornbeck "Too soon oldt; too late schmardt." |
#20
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do something useful, was About DHTs
On 20 Dec 2006 20:32:32 -0800, "Andre Jute" wrote:
snipped What's with you guys? It's OUR newsgroup. Lighten up already. Sheesh. Still, I love men tilting at windmills; it is all the proof necessary that there is hope for humanity. And while I'm on about Sancho Panza's master, a super Spanish writer I discovered: Carlos Ruiz Zafon, acute on the O; his The Shadow of the Wind is a must-read, a picaresque, several love stories, several thrillers, a lamentation for the state of literature, a coming-of-age novel, a history of Franco's Spain, an evocation of Barcelona (my second-favorite Spanish city) in the 1950s, and much, much besides, all on an unputdownable rollercoaster. Excellent English translation. Cool, I'll check it out. A high point of my sorry life was performing in a _Man of LaMancha_. Besides a bit dragging an incredibly beautiful woman offstage by her hair (stage work, of course!) I had some very loud declamatory Guard lines in one performance when the lead (the incredibly beautiful woman's husband, actually) couldn't make call. Ah, fame... Much thanks, as always, Chris Hornbeck "Too soon oldt; too late schmardt." |
#21
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do
Doug wrote: Although tubes manufactured under a given part number do exhibit some spread in their parameters (gm, rp, u etc.), they exhibit nowhere near the parameter spead inherent in bipolar transistors or FETs. Just take a look in any transistor data book to observe the spreads, for example, in hfe for bipolar devices or in Vp and Idss for FETs. Great care must be taken in fact in the design of solid state circuits to accomodate these variations so that all final product in a production run will meet its specifications. With respect to bipolar transistors that spead in hfe hardly presents any great problems and certainly doesn't require 'great care' etc...... You simply design to accomadate the lowest hfe you're likely to meet and in most cases everythings fine. Designing hfe senstive circuitry is to be deprecated. In all other respects the parameters are highly consistent. Graham |
#22
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do
Doug wrote: Many bipolar designs from the 70s were very simple. These designs however relied heavily on gobs of global negative feedback to linearize them, and in my humble opinion the sound suffered as a consequence. I rather doubt that nfb was the problem per se. Graham |
#23
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do
Chris Hornbeck wrote: On 20 Dec 2006 17:51:32 -0800, "Peter Wieck" wrote: Again, tubes have parameters that as compared to *similarly functioning* transistors are wide enough for the QE2 to pass through at speed. There are exceptions to every generalization of course. No idea what you mean here, but taking the most obvious reading, this is very incorrect. Surely you're not saying that tolerances for semiconductors are lower than tolerances for electron valves? That would be wacky. Do explain why. Graham |
#24
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do something useful, was About DHTs
"Doug" wrote in message
ups.com Although tubes manufactured under a given part number do exhibit some spread in their parameters (gm, rp, u etc.), they exhibit nowhere near the parameter spead inherent in bipolar transistors or FETs. This would be in some alternative universe where tubes never degrade because they simply wear out? Just take a look in any transistor data book to observe the spreads, for example, in hfe for bipolar devices or in Vp and Idss for FETs. Just take a look at what happens to tubes when you put old ones into a tube checker. Great care must be taken in fact in the design of solid state circuits to accomodate these variations so that all final product in a production run will meet its specifications. Great care must be taken in fact in the design of tubed circuits to accomodate the normal performance variations over the life of a tube, so that all product in actual use will meet its specifications as the tubes degrade. This is problematical in certain common circuits such as the classic twin-triode RIAA preamp. The tubes used often have barely enough gain to maintain predictable operation at low frequencies when they are new. Among the measures that are routinely taken in solid state designs to accomodate these variations are the application of considerable feedback, be it local, global or both. The essence of negative feedback is a basic amplifier stage that has enough surplus gain so that this gain can be sacrificed so that the circuit operates predictably and stably even with normal variation in the parameters of active components. It is relatively easy and economical to build solid-state circuits that have considerable excess gain that can be sacrificed this way. Because of the size and cost of tubes and associated power supplies, etc. it has been less common for tubed circuits to be overbuilt to a comparable extent. Bipolar devices in fact exhibit such a non-linear transfer characterisitic that they are unviable for audio amplification without these measures being taken. Historically, solid state products have had vastly lower amounts of distortion than their tubed predecessors. On the other hand, if you were to take as an example a sample of US built 12AX7s and examine their characteristic curves on a curve tracer you would be very surprised at how closely their curves match. I do not know how well their curves would match against Russian or Chinese product, or against that of Telefunken, Amperex, Mullard etc. Ironically, preamps built with 12AX7s have never come close to providing the low distortion operation that we take for granted with their solid state predecessors. Admittedly, tubed equipment can have low enough distortion that the higher measured levels of nonlienar distortion is not necessarily an audible problem. However, truly low distortion operation with tubes was more likely to be reserved for premium-priced products. For example, compare the measured performance of a Dyna Mark III with a McIntosh 75 after a year of use. As many McIntosh clinics showed, McIntosh amplifiers as a rule could maintain less than 0.25% THD 20-20 KHz year after year without renewal of tubes, while Dyna and Eico amps often needed new tubes after a year or less of regular operation. McIntosh amplifiers were well-known for their heavy use of negative feedback, both local and loop. It is certainly possible to build a solid state amplifier with a similar component count to a tube counterpart. Component count is a very narrow way to evaluate the performance of an amplifier. For example, a Mc 75 has 9 tube functions handling the signal (mostly triodes) while a Dyna Mark III had only 4, only one of which was a triode. Many bipolar designs from the 70s were very simple. These designs however relied heavily on gobs of global negative feedback to linearize them, and in my humble opinion the sound suffered as a consequence. An opinion that feedback hurts sound quality is contrary to the generally-accepted principles of audio engineering, and therefore can never be considered to be "humble". Both local and loop feedback was heavily-used in tubed audio production equipment, for example. LPs were frequently cut using McIntosh amplifiers that featured heavy use of local and loop feedback. It needs to be explained why the laws of electrical engineering would be different for recording versus playback equipment. |
#25
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do
Arny Krueger wrote: This is problematical in certain common circuits such as the classic twin-triode RIAA preamp. The tubes used often have barely enough gain to maintain predictable operation at low frequencies when they are new. Note the recent thread about RIAA time constants. It becomes very difficult indeed to create an accurate eq curve when you're short of open loop gain. It is relatively easy and economical to build solid-state circuits that have considerable excess gain that can be sacrificed this way. There's a simple 'rule of thumb' - in fact it's really quite accurate that a single transistor common emitter stage can offer 20 x the supply voltage worth of gain. So with a once popular 18V supply the voltage gain without feedback will be ~ 360x. Using a high-voltage transistor such as MPSA42 with a 250V supply would offer a remarkable 5,000x gain ! Using local feedback to reduce this to a more tube-like 25x would use 46dB ( 200x ) voltage feedback, thus reducing THD from say 5% to 0.025%. Graham |
#26
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do something useful, was About DHTs
"Eeyore" wrote in message ... : : : Arny Krueger wrote: : : This is problematical in certain common circuits such as the classic : twin-triode RIAA preamp. The tubes used often have barely enough gain to : maintain predictable operation at low frequencies when they are new. : : Note the recent thread about RIAA time constants. It becomes very difficult : indeed to create an accurate eq curve when you're short of open loop gain. : : : It is relatively easy and economical to build : solid-state circuits that have considerable excess gain that can be : sacrificed this way. : : There's a simple 'rule of thumb' - in fact it's really quite accurate that a : single transistor common emitter stage can offer 20 x the supply voltage worth : of gain. : : So with a once popular 18V supply the voltage gain without feedback will be ~ : 360x. : : Using a high-voltage transistor such as MPSA42 with a 250V supply would offer a : remarkable 5,000x gain ! Using local feedback to reduce this to a more tube-like : 25x would use 46dB ( 200x ) voltage feedback, thus reducing THD from say 5% to : 0.025%. : : Graham true, using fb will smooth all performance parameters. there is a school of thought, any amplification stage should start out with as little distortion as possible, before fb is applied, where somewhat lower gain combined with lower fb can then give impressive results also. Av=25 with 0.025 % is not particularly hard to accomplish with tubes , eg. in the hybrid circuit thread i gave the example of using a PABC80 's triode doing 0.1 % at Av=400, with a B+ of 130V, so that beats the MPSA42 at least 8 times, hehe. pushing the envelope Rudy |
#27
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do something useful, was About DHTs
Chris Hornbeck wrote: Surely you're not saying that tolerances for semiconductors are lower than tolerances for electron valves? That would be wacky. Not at all. Semi tolerances are much tighter than those for tubes (Parameters wide enough for the QE2 at speed does not suggest tight tolerances). But also of an entirely different nature. Best analogy that comes to mind is that a tube does function similarly to a valve, a transistor similarly to a switch. Similarly.... Not Exactly. But the differences in performance are manifest. Were they not so, there would be no need for (or fun in) tubes. Peter Wieck Wyncote, PA |
#28
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do something useful, was About DHTs
Andy, you are near-enough brain-dead as not to matter.
Try to use what is left of your grey cells amongst the neurofibrillary tangles to follow what is written vs. harkening only to your own fantasies. Peter Wieck Wyncote, PA |
#29
Posted to rec.audio.tubes
|
|||
|
|||
About DHTs
Arny Krueger wrote: "Patrick Turner" wrote in message Well sometimes what we measure does not explain the sound we hear. Expand on that. I have no intentiong of "expanding" on this. Its all been said before. Isolated measurements mean nothing. I measure an object and it is 1/3 the length of my ruler. I say, "It is 33%". My point is that no isolated measurement has any meaning without context. Doesn't matter what it is. Your comment is therefore completely trivial and meaningless. Its pointless being obsessive about THD for example, especially when its below 0.05% and all mainly 2H. Now you contradicted what you just said. You've in effect said that 0.05% 2H is less than that which is audibly significant. Of course, you added context. You've proven my point, which is that what we measure can explain what we hear if we add appropriate context. But an arrangement of source, preamp, power amp and speakers will usually sound different to a different set of componenents. Especially in a different room as well. So what? But the numbers are important though, and I like amps and all the other bits to make low amounts of THD and IMD, and its the IMD that so easily does the damage. Missing context: IMD and THD are both the results of nonlinearity. It is difficult to contrive things so that one does not come without the other. I don't recall hearing too many tube amps that were much improved by lowering the THD from 0.1% to 0.01%, let alone 0.001%, a difficult feat for a tube power amp. If you study the literature and do some experiments, you will find that some place around 0.1% nonlinear distortion, further improvements in linearity tend to be moot, no matter what sort of listening test you try to do. And an SS amp won't sound better just because it can get down to 0.001% THD. Agreed. But nor does it suffer from being constructed so that 0.001% is typical at listening levels; Not necessarily. the absense of an OPT allows more FB so it can measure better. Big deal. Getting rid of the OPT has other benefits. Heck, even tubed amps can benefit from getting rid of the OPT. Getting rid of the OPT in tubed power amps usually means the tubes must be run in low bias current class aB condition which least suits their natural linearity. Usually OTL amps have an appallingly bad load match, and even with gobs of loop NFB they fail to be as linear or act low enough Rout compared to transformer coupled tubes. The OPT has earned itself a bad name from anti-tubists mainly because there have been so many very poor OPT around foisted on an unsuspecting public. But decent OPT don't have a detectably deleterious effect on music. If an OPT isn'r wanted, then my advice is to use lots a power mosfets, they are like pentoads on steroids. In short, tube amps DO NOT benefit from removing the OPT. You know how many EL34 in triode it takes to get a 5K : 8 ohm load match without an OPT? Its 625 x EL34. But the amp will then make about 3,000 watts at 4% THD, and at 2 watts THD is rather low.... Rout = Ra / 625 = about 2 ohms. But with an OPT and ONE EL34 you can 2 watts and low enough THD and Rout 1ohm, and with triode operation and with only 12 dB of loop NFB. I've built 50 watts class A amps with mosfet outputs and bjt driver circuits with faily low open loop gain and only a total of 22 dB of loop NFB and they could NOT be discerned to have had an OPT within unless the listener is told about it before hand. The OPT allows a splendid variety of load matches, and there is no possibility of speaker damage if a mosfet ****s itself to a short circuit to save a fuse from blowing which all too often happens with solid state amps; my shed has a continuous flow of SS amps on the bench which have pooped themselves. The OPT allows NPN or PNP devices to be used on each side of the PP circuit. So natural matching is possible. The OPT can be an auto transformer, and is simple to wind compared to an interleaved multi turn tube OPT. But at least whatever is allowed out of my shed gives OPTs a good name, and shows what can be done without bean counter influence. Some people say they are cold and clinical and lifeless, and one needs triodes to present the real thing that was heard in the studio or concert hall recording session. Some people say the darndest things, especially if they think it will buy them some influence over others. Well all the hundrreds of tube haters who say the opposite to me don't stop so many people banging on my door. I don't argue, I just build the amps for them; I try to get the numbers right while maintaining a semblance of simplicity. After awhile one finds out what seems to really work the best, but many varieties of tube circuits work well. It is usually a mistake to overdefine the solution. Asking that an amp does not audibly change its input signal under any reasonble operating condition should suffice. From your last statement many things you might say don't necessarily follow. Patrick Turner. |
#30
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do
Ruud Broens wrote: "Eeyore" wrote in message : Arny Krueger wrote: : : This is problematical in certain common circuits such as the classic : twin-triode RIAA preamp. The tubes used often have barely enough gain to : maintain predictable operation at low frequencies when they are new. : : Note the recent thread about RIAA time constants. It becomes very difficult : indeed to create an accurate eq curve when you're short of open loop gain. : : : It is relatively easy and economical to build : solid-state circuits that have considerable excess gain that can be : sacrificed this way. : : There's a simple 'rule of thumb' - in fact it's really quite accurate that a : single transistor common emitter stage can offer 20 x the supply voltage worth : of gain. : : So with a once popular 18V supply the voltage gain without feedback will be ~ : 360x. : : Using a high-voltage transistor such as MPSA42 with a 250V supply would offer a : remarkable 5,000x gain ! Using local feedback to reduce this to a more tube-like : 25x would use 46dB ( 200x ) voltage feedback, thus reducing THD from say 5% to : 0.025%. : : Graham true, using fb will smooth all performance parameters. there is a school of thought, any amplification stage should start out with as little distortion as possible, before fb is applied, where somewhat lower gain combined with lower fb can then give impressive results also. Av=25 with 0.025 % is not particularly hard to accomplish with tubes , eg. in the hybrid circuit thread i gave the example of using a PABC80 's triode doing 0.1 % at Av=400, with a B+ of 130V, so that beats the MPSA42 at least 8 times, hehe. Hey, if you're going to use a hybrid I'll use a compound pair. The THD with that arrangement is vanishingly small. Easily in the 0.003 % area. Graham |
#31
Posted to rec.audio.tubes
|
|||
|
|||
SS Gain and Linearity, phono amps, was Educating Poopie, etc,...do
Eeyore wrote: Doug wrote: Although tubes manufactured under a given part number do exhibit some spread in their parameters (gm, rp, u etc.), they exhibit nowhere near the parameter spead inherent in bipolar transistors or FETs. Just take a look in any transistor data book to observe the spreads, for example, in hfe for bipolar devices or in Vp and Idss for FETs. Great care must be taken in fact in the design of solid state circuits to accomodate these variations so that all final product in a production run will meet its specifications. With respect to bipolar transistors that spead in hfe hardly presents any great problems and certainly doesn't require 'great care' etc...... You simply design to accomadate the lowest hfe you're likely to meet and in most cases everythings fine. Designing hfe senstive circuitry is to be deprecated. In all other respects the parameters are highly consistent. Graham In a recent precious period of 2 weeks of sparse spare time between frantic customer repairs before Xmas, I designed and built a phono preamp for moving coil use using all solid state devices. There are 3 stages of basically common source and common emitter stages each with local current FB in the source/emitter circuits. stage 1 which is 3 paralleled 2SK369 j-fets, stage 2 is a kind of bootstrapped follower stage using j-fet and bjt follower, stage 3 is a similar kind of bootstrapped follower using two darlington pairs. All stages are single ended. No loop FB is used and the RIAA eq is done with two passive networks. after stg 1 there is 3180 and 318 uS time constant eq, and after stg 2 there is 75us and 3 uS time constant eq. Rail voltages are +35V and -35V. The amp is capable of 10Vrms at any F between 4 Hz and 32 kHz without severe saturation distortions, ie, unlike many other phono amps this one does not begin to maul the signal above 2Vrms at 5kHz. THD is less than 0.01% at 2Vrms, 1 kHz. Overall gain in most sensitive MC choice is about 60dB for 1 kHz. Care was taken to choose the drain loads for the j-fet stages to be about 6.4k ohms because with Id = 5 mA, and Ed = +11V, there was a load where the 2H dropped to zero. below and above this load value the 2H was of differing phase. When this load was used the 3H was about 20dB lower than the 2H, so I can say i have found a "magical" load value which results in naturally low THD. the 2SK369 is like a pentode with µ = 3,200, Rd = 80,000 ohms and Gm = 0.04Amps per volt. This is like a pentode on steroids, or like about four high Gm signal pentodes such as 6EH7 all paralleled. Of course the j-fets give a 20 dB better SNR than any normal tube, which is why I have used them. I will be publishing the full schematic of this circuit later for the ppl who like QUIET and LINEAR behaviour from SS preamps without reliance on 60db of loop NFB around an opamp. This should give folks something to get their teeth into, and be a great teaching lesson about basic behaviours. I am not aware of a "magical" load value for BJTs where the 2H virtually dissappears. The last stage of the phono amp has a gain of 27X which is the open loop gain of around 1,500X reduced by simple local current FB. I though there was no need to find the magic load, knowing that a lot of local current NFB was to be applied, so whatever the THD od the stage was, it would be reduced to better than triode proportions, ie, the same 10Vrms from a triode output stage with gain = 27X would give more rhater than less THD. The Gm of the gain bjt used was effectively about 0.15A/V for Ic = 5mA, and this may vary considerably between samples of bjt. But the voltage gain is determined by the local current FB and the final gain after FB is set mainly by the ratio of the Re to Rc load, and just how I loaded the bjt to get an open loop gain of 1,500 approx is a secret you will all have to wait for when i publish. But the stage design is very like a typical bootstrapped follower stage using two triodes, except that i am using 4 bjts to make two darlington pairs to use in place of two triodes. Those not familiar with fine functioning bootstrapped follower triode stage should go to my schematic for the 'Rocket' preamp at http://www.turneraudio.com.au/preamp...hono-2005.html See V2 - V3. But without the local emitter R current NFB the bjt is very non linear in its voltage amplifying ability even though the Ib to Ic ratio is a substantially linear character for any bjt. Graham is right about designing for lowest hfe, but hfe isn't everything, and for best operation darlington pairs should be routinely chosen because the connection gives HIGH INPUT RESISTANCE, ie, the total hfe is the product of the hfe of the two bjts, and hfe is largely banished as something one needs to worry about when designing simple discrete bjt stages. Without any huge current draw in the base circuit the bjts involved can better get on with business without the output interacting with input in untoward ways. For even better-in-some-ways darlington operation one can use a j-fet direct connected to the bjt to make the darlington pair. Biasing becomes easier with darlingtons, and there is an absense of rectification effects which can grossly affect THD/IMD as the output voltage rises above a trifle. In effect, the darlington allows a simple common emitter stage to act like a tube stage with its beneficial zero current input, or very high input resistance. Oh, and final SNR with respect to 0.5V output was excellent. Not a stitch of global NFB was used as is normally done by the bucketfull in nearly all other SS amps. Bucket loads of NFB is also used in tube amps such as ARC, CJ, etc, and rather excessively, and obsessively, IMHO. Some of these are over complex, and with too much hybridisation so they end up being over engineered IMHO. I continued with having fun with bits and peices when i re-built a wien bridge oscillator that uses all tubes, and the two necessary global loops of feedback, one is positive, the other is negative. Now methinks that if I wanted less than the 0.04% THD that I ended up with at 1 kHz, i should perhaps use a gyrator circuit to mimic an inductance, and bypass it with a cap to make an inductorless LC parallel resonant circuit, and with a Q of say 12, and then the THD would be a lot lower. Now why would this occur, bearing in mind that the wien bridge Q is very low????? Let us see who is asleep or not!!! Patrick Turner. |
#32
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do
Eeyore wrote: Ruud Broens wrote: "Eeyore" wrote in message : Arny Krueger wrote: : : This is problematical in certain common circuits such as the classic : twin-triode RIAA preamp. The tubes used often have barely enough gain to : maintain predictable operation at low frequencies when they are new. : : Note the recent thread about RIAA time constants. It becomes very difficult : indeed to create an accurate eq curve when you're short of open loop gain. : : : It is relatively easy and economical to build : solid-state circuits that have considerable excess gain that can be : sacrificed this way. : : There's a simple 'rule of thumb' - in fact it's really quite accurate that a : single transistor common emitter stage can offer 20 x the supply voltage worth : of gain. : : So with a once popular 18V supply the voltage gain without feedback will be ~ : 360x. : : Using a high-voltage transistor such as MPSA42 with a 250V supply would offer a : remarkable 5,000x gain ! Using local feedback to reduce this to a more tube-like : 25x would use 46dB ( 200x ) voltage feedback, thus reducing THD from say 5% to : 0.025%. : : Graham true, using fb will smooth all performance parameters. there is a school of thought, any amplification stage should start out with as little distortion as possible, before fb is applied, where somewhat lower gain combined with lower fb can then give impressive results also. Av=25 with 0.025 % is not particularly hard to accomplish with tubes , eg. in the hybrid circuit thread i gave the example of using a PABC80 's triode doing 0.1 % at Av=400, with a B+ of 130V, so that beats the MPSA42 at least 8 times, hehe. Hey, if you're going to use a hybrid I'll use a compound pair. The THD with that arrangement is vanishingly small. Easily in the 0.003 % area. Graham Describe the circuit in more detail. Please. But an LTP with a pair of triodes is surprisingly linear at signal voltage levels..... And with matched triodes its even more surprising. Patrick Turner. |
#33
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do something useful, was About DHTs
"Eeyore" wrote in message ... : : : Ruud Broens wrote: : : "Eeyore" wrote in message : : Arny Krueger wrote: : : : : This is problematical in certain common circuits such as the classic : : twin-triode RIAA preamp. The tubes used often have barely enough gain to : : maintain predictable operation at low frequencies when they are new. : : : : Note the recent thread about RIAA time constants. It becomes very difficult : : indeed to create an accurate eq curve when you're short of open loop gain. : : : : : : It is relatively easy and economical to build : : solid-state circuits that have considerable excess gain that can be : : sacrificed this way. : : : : There's a simple 'rule of thumb' - in fact it's really quite accurate that a : : single transistor common emitter stage can offer 20 x the supply voltage worth : : of gain. : : : : So with a once popular 18V supply the voltage gain without feedback will be ~ : : 360x. : : : : Using a high-voltage transistor such as MPSA42 with a 250V supply would offer a : : remarkable 5,000x gain ! Using local feedback to reduce this to a more : tube-like : : 25x would use 46dB ( 200x ) voltage feedback, thus reducing THD from say 5% to : : 0.025%. : : : : Graham : : true, using fb will smooth all performance parameters. : there is a school of thought, any amplification stage should start out : with as little distortion as possible, before fb is applied, : where somewhat lower gain combined with lower fb : can then give impressive results also. : Av=25 with 0.025 % is not particularly hard to accomplish : with tubes , eg. in the hybrid circuit thread i gave the example : of using a PABC80 's triode doing 0.1 % at Av=400, with a B+ of 130V, : so that beats the MPSA42 at least 8 times, hehe. : with a 130V, Rc=33K, 2mA, rE being 12.5 Ohm, the MPSA42 will do 33000/12.5 for Av about 2700 with typical hfe of 100, input impedance is a rather unusable 1.2K.. : Hey, if you're going to use a hybrid I'll use a compound pair. The THD with that : arrangement is vanishingly small. Easily in the 0.003 % area. : : Graham hmm, you should really go read that hybrid thread :-) with 36V supply, flipper got this (6GM8, 'current loop config.') : "Holy Hannah, spice says I'm getting an Av of 325 with 2'nd -92dB" well, spiced, anyway ;-) Rudy into the socket |
#34
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do something useful, was About DHTs
"Ruud Broens" wrote in message
in the hybrid circuit thread i gave the example of using a PABC80 's triode doing 0.1 % at Av=400, with a B+ of 130V, so that beats the MPSA42 at least 8 times, hehe. Apparently you like to invent tube specs out of thin air, Ruddy. The PABC80 is speced by its producers to have a maximum Av of 60 and 0.3% THD. http://tubedata.tigahost.com/tubedat...4/e/EABC80.pdf The impedances required to do this are very high, high enough to make good AF response questionable. |
#35
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do
Ruud Broens wrote: with a 130V, Rc=33K, 2mA, rE being 12.5 Ohm, the MPSA42 will do 33000/12.5 for Av about 2700 with typical hfe of 100, input impedance is a rather unusable 1.2K.. But you don't usually need an Av of 2700. Add an emitter R of 1k and you've got a rather more useful Av of 33x and Zin is 100k or so. Of course a darlington arrangement will increase it quite happily by far more. : Hey, if you're going to use a hybrid I'll use a compound pair. The THD with : that: arrangement is vanishingly small. Easily in the 0.003 % area. : : Graham hmm, you should really go read that hybrid thread :-) with 36V supply, flipper got this (6GM8, 'current loop config.') : "Holy Hannah, spice says I'm getting an Av of 325 with 2'nd -92dB" Maybe he'd like to post that circuit arrangement ? Graham |
#36
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do something useful, was About DHTs
"Arny Krueger" wrote in message . .. : "Ruud Broens" wrote in message : : : in the hybrid circuit thread ~ i gave the : example of using a PABC80 's triode doing 0.1 % at Av=400, with a : B+ of 130V, so that beats the MPSA42 at least 8 times, : hehe. : : Apparently you like to invent tube specs out of thin air, Ruddy. : : The PABC80 is speced by its producers to have a maximum Av of 60 and 0.3% : THD. : : http://tubedata.tigahost.com/tubedat...4/e/EABC80.pdf : : The impedances required to do this are very high, high enough to make good : AF response questionable. Don't worry, Army, some surplus GogglesT may await you, under that tree vacuum impregnated, no less ;-) ~there Rudy |
#37
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do something useful, was About DHTs
"Eeyore" wrote in message ... : : : Ruud Broens wrote: : : with a 130V, Rc=33K, 2mA, rE being 12.5 Ohm, the MPSA42 : will do 33000/12.5 for Av about 2700 : with typical hfe of 100, input impedance is a rather unusable 1.2K.. : : But you don't usually need an Av of 2700. Add an emitter R of 1k and you've got a : rather more useful Av of 33x and Zin is 100k or so. : : Of course a darlington arrangement will increase it quite happily by far more. : : : : Hey, if you're going to use a hybrid I'll use a compound pair. The THD with : : that: arrangement is vanishingly small. Easily in the 0.003 % area. : : : : Graham : : hmm, you should really go read that hybrid thread :-) : with 36V supply, flipper got this (6GM8, 'current loop config.') : : "Holy Hannah, spice says I'm getting an Av of 325 with 2'nd -92dB" : : Maybe he'd like to post that circuit arrangement ? : : Graham http://flipperhome.dyndns.org/TubeCurrentLoop.htm was the first implementation. cheers, R. |
#38
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do something useful, was About DHTs
"Ruud Broens" wrote in message
"Eeyore" wrote in message ... Ruud Broens wrote: with a 130V, Rc=33K, 2mA, rE being 12.5 Ohm, the MPSA42 will do 33000/12.5 for Av about 2700 with typical hfe of 100, input impedance is a rather unusable 1.2K.. But you don't usually need an Av of 2700. Add an emitter R of 1k and you've got a rather more useful Av of 33x and Zin is 100k or so. Of course a darlington arrangement will increase it quite happily by far more. Hey, if you're going to use a hybrid I'll use a compound pair. The THD with that: arrangement is vanishingly small. Easily in the 0.003 % area. Graham hmm, you should really go read that hybrid thread :-) with 36V supply, flipper got this (6GM8, 'current loop config.') : "Holy Hannah, spice says I'm getting an Av of 325 with 2'nd -92dB" Maybe he'd like to post that circuit arrangement ? Graham http://flipperhome.dyndns.org/TubeCurrentLoop.htm was the first implementation. I strongly suspect you could get far more undistorted output from those 4 transistors if you left out the thermionic nonlinear distortion generator and energy sink. |
#39
Posted to rec.audio.tubes
|
|||
|
|||
Educating Poopie. Come on, fellows, it's Christmas, pitch in, do something useful, was About DHTs
"Arny Krueger" wrote in message . .. : "Ruud Broens" wrote in message : : "Eeyore" wrote : in message ... : : : Ruud Broens wrote: : : with a 130V, Rc=33K, 2mA, rE being 12.5 Ohm, the MPSA42 : will do 33000/12.5 for Av about 2700 : with typical hfe of 100, input impedance is a rather : unusable 1.2K.. : : But you don't usually need an Av of 2700. Add an emitter : R of 1k and you've got a rather more useful Av of 33x : and Zin is 100k or so. : sure. the point would be, you desperately *need* nfb there to get something useful - not so for the hybrid :-) there you mainly need it to decrease input sensitivity and bring distortion down ~even further~ : Of course a darlington arrangement will increase it : quite happily by far more. : : : Hey, if you're going to use a hybrid I'll use a : compound pair. The THD with that: arrangement is : vanishingly small. Easily in the 0.003 % area. : : Graham : : hmm, you should really go read that hybrid thread :-) : with 36V supply, flipper got this (6GM8, 'current loop : config.') : "Holy Hannah, spice says I'm getting an Av : of 325 with 2'nd -92dB" : : Maybe he'd like to post that circuit arrangement ? : : Graham : : http://flipperhome.dyndns.org/TubeCurrentLoop.htm : was the first implementation. : : I strongly suspect you could get far more undistorted output from those 4 : transistors if you left out the thermionic nonlinear distortion generator : and energy sink. : i say, go for it. show us the circuit, Arry ;-) R. eealitycheck |
#40
Posted to rec.audio.tubes
|
|||
|
|||
About DHTs
"Patrick Turner" wrote in message
Arny Krueger wrote: Getting rid of the OPT in tubed power amps usually means the tubes must be run in low bias current class aB condition which least suits their natural linearity. Usually OTL amps have an appallingly bad load match, and even with gobs of loop NFB they fail to be as linear or act low enough Rout compared to transformer coupled tubes. The OPT has earned itself a bad name from anti-tubists mainly because there have been so many very poor OPT around foisted on an unsuspecting public. But decent OPT don't have a detectably deleterious effect on music. Seems like. If an OPT isn'r wanted, then my advice is to use lots a power mosfets, they are like pentoads on steroids. Nothing wrong with BJTs. In short, tube amps DO NOT benefit from removing the OPT. Let's see how you justfiy that, Patrick. You know how many EL34 in triode it takes to get a 5K : 8 ohm load match without an OPT? Who in heaven's name would use El34s in a OPT-less power amp? Aren't tubes like the 6C33 which modern OTL power amp builders seem to use a lot, more to the point? Its 625 x EL34. Let's see how you justfiy that, Patrick. But the amp will then make about 3,000 watts at 4% THD, and at 2 watts THD is rather low.... Rout = Ra / 625 = about 2 ohms. Sounds like a bad choice of output devices. Is this sort of weirdness typical of your engineering technique, Patrick? But with an OPT and ONE EL34 you can 2 watts and low enough THD and Rout 1ohm, and with triode operation and with only 12 dB of loop NFB. Seems like you've totally missed the point, and just want to pull together some justification for a prejudice against OTL tubed power amps, Patrick. Are these guys lying? http://members.aol.com/aria3/zout6c33.htm Looks like maybe 16 6C33 output devices would make a failrly nice power OTL amp. 16 625. Obviously, if money and practicality were the goal, we'd go SS, but given that we want to use modern tube technology to its fullest, why use an OPT tube that is designed for high voltages and high impedances in a low impedance circuit? |