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Newness
Do you ever sit down to listen and find yourself getting bored with it,
unless it is one of your all time favorite recordings? Have you ever auditioned a few other people's systems, or gone around at an audio show, and been amazed at first but unamazed later? I have been saying that the reproduction problem is less about accuracy and more about acoustics, and I think these observations are a subset of that principle. You know that there is no system that can be made to sound exactly like the real thing, because if it is an acoustic problem then you just cannot get away from the problem of the smaller space. It is not long before your ears "glom on" to your acoustic situation between your speakers and room, and the suspension of disbelief gets messed with because you realize that you are not in Symphony Hall or the Concertgebeauw. So you make a few adjustments, tweek something, change something, if only to put on a new recording. But soon.... well, you see what I mean. But this is the source of this whole industry called The High End. They convince you to try all these silly tweeks, real or imaginary, and you go along with it happily just to change something. Not me any more, thanks to double blind testing and learning what matters and what doesn't, but still it is good to get away from audio for a couple of weeks and then when you turn it on again it sounds so... so fresh, new and amazing! The best deal for me is when I go travelling, maybe listen to a few other people's rigs, then come back home to "the real thing" and enjoy mine all the more for the comparison - and the seeming newness! We thrive on variety and change, and I wonder if one could become bored even listening in the same concert hall every time? Any thoughts on that? Do you always sit in the same seat, or do you like to move around a little? Maybe if a hall is good enough, you could never get bored with it and the suspension of disbelief problem of course does not exist in the live situation, so the principle doesn't apply live. I mean, sitting there you never even question fidelity or imaging or balance or volume or anything that most of us consider hi fi problems. Your brain just knows that it is real and live, so you stop worrying about capacitors and channel balance and enjoy the music! I think I am getting old and sounding like Bert White. Gary Eickmeier |