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How did they create that sound on "Mercy Mercy Me"?
Steve King wrote:
"philicorda" wrote in message ... On Fri, 08 Apr 2011 10:28:45 -0500, Steve King wrote: snip The 'ping' sound was made by heavily eqing the reverb return. Put a band pass after the reverb, preferably a steep synth filter type. It doesn't really matter too much what the played sound source is. Did you have in mind any analogue EQs of the time that are capable of what you describe? Things like the Moog 914 filter bank were around by that time. What was more common is a passive high/low pass. I have seen in pictures of old studios a passive high/low pass filter, in a rack with two big knobs on the front. I can't remember which companies made them, but I think they date back to the 50's. I don't think it was Pultec, but rather folk like Eckmiller, Neumann or Siemens. Pultec did make a high-low pass filter. Very popular through the 70s. So did a few others. Steve King There are modern recreations of those, too. For example: http://www.retroinstruments.com/2a3.html -- shut up and play your guitar * http://hankalrich.com/ http://armadillomusicproductions.com/who'slistening.html http://www.sonicbids.com/HankandShai...withDougHarman |
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