Home |
Search |
Today's Posts |
|
#1
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
Hi RATs!
http://v-cap.com/tefloncapacitors.html never mind the mumbo-jumbo deluxe chatter: These things sound better than her saying this is your lucky night ... sell your Mother down the river and get what you really need: some new capacitors. Happy Ears! Al Marcy PS These sound too good for some people. You know who you are ... |
#2
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
No capacitors sounds as good as no capacitor. It's ALWAYS possible to
modify a circuit to make it fully DC-coupled. wrote in news:1153465184.529998.299200 @i42g2000cwa.googlegroups.com: Hi RATs! http://v-cap.com/tefloncapacitors.html never mind the mumbo-jumbo deluxe chatter: These things sound better than her saying this is your lucky night ... sell your Mother down the river and get what you really need: some new capacitors. Happy Ears! Al Marcy PS These sound too good for some people. You know who you are ... |
#4
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
Hi RATs!
Mom was a hottie ... she was cremated a few years back Why does spending the equivalent of a carton of cigarettes on a really good sounding capacitor become an unholy expense which needs to be guffawed as a crime against humanity by so many? How much money are you planning on taking with you when you die? My kid finished college, so, now I can finish the projects I started in when I was in college. I know, I could send your kid to college, but, then my kid would have to fight him for a job. Sorry. Besides, these caps sound really good ... *really* something, as Rev C. put it. Prices are only exciting once. Quality feels good as long as you can perceive it. Happy Ears! Al Jon Yaeger wrote: Hi Al, Your mother had better be a real hottie to fetch the prices needed for these caps. Say, I thought you'd be the very last one to advocate super-expensive parts. Do they really make your ears that happy? Jon |
#5
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
" wrote: Hi RATs! Mom was a hottie ... she was cremated a few years back Why does spending the equivalent of a carton of cigarettes on a really good sounding capacitor become an unholy expense which needs to be guffawed as a crime against humanity by so many? Because all film capacitors sound the same. The only difference is marketing ********. And purchasers' gullibility. Graham |
#6
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
" wrote: Hi RATs! Mom was a hottie ... she was cremated a few years back Why does spending the equivalent of a carton of cigarettes on a really good sounding capacitor become an unholy expense which needs to be guffawed as a crime against humanity by so many? Why do ppl buy girls' soiled knickers too ? That's what I'd like to know ! Graham |
#7
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
|
#8
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
" wrote: wrote: Why does spending the equivalent of a carton of cigarettes on a really good sounding capacitor become an unholy expense which needs to be guffawed as a crime against humanity by so many? Al: I think you answered your own question using the Cigarette Analogy. Film caps are film caps are film caps.... The rest is smoke, mirrors and profit. LOTS of profit. No crime in it, but the fools are not the producers of these goods. In any case, you are entitled to do as you see fit. There are those who purchase expensive Vodka when the entire point of that particular alcohol delivery system is that it has no taste at all. After a certain level of quality (no keytones, contaminants, residual oils or chemicals), the rest is.... well... profit. Well......... You say that about vodka but I can taste a difference. The best I've ever had was http://www.wyborowa.com/ from Poland It has a truly smooth flavour - not chemical at all like Smirnoff for example. It's actually nice to drink neat and very well chilled. Graham |
#9
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
snip
Well......... You say that about vodka but I can taste a difference. The best I've ever had was http://www.wyborowa.com/ from Poland It has a truly smooth flavour - not chemical at all like Smirnoff for example. It's actually nice to drink neat and very well chilled. Graham Chopin is very good as well. Both potato vodkas. Maybe that's the key. RK |
#10
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
Hi RATs!
OK, since all wise men know everything in Audio is BS, then anybody who thinks they hear something is crazy. Fair enough. And since all wise men know Vodka cannot have any beneficial effect on your palate, by Law!, it is all BS, too. Good thinking. And Music only sounds good if you think about it properly, just like you do. Sure. That line of reasoning is elegant in its simplicity Now, please explain why we have to ask you what we may or may not hear? Is it because nobody ever can have any fun unless you say so? Great plan. Good luck. If you are the only non-fool, we are mostly fools, so only you know anything useful. I don't mind. Why do you think I care if you do? Happy Ears! Al wrote: Film caps are film caps are film caps.... The rest is smoke, mirrors and profit. LOTS of profit. No crime in it, but the fools are not the producers of these goods. In any case, you are entitled to do as you see fit. There are those who purchase expensive Vodka when the entire point of that particular alcohol delivery system is that it has no taste at all. After a certain level of quality (no keytones, contaminants, residual oils or chemicals), the rest is.... well... profit. Peter Wieck Wyncote, PA |
#11
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
" wrote: Hi RATs! OK, since all wise men know everything in Audio is BS, then anybody who thinks they hear something is crazy. Fair enough. You may be hearing 'something' but you've been brainwashed into thinking it's about some nebulous unspecified kind of 'quality' All capacitors have a tolerance on their value for instance. For film caps used in audio are typically +- 5 or 10% So, a 0.47uF cap may actually be 0.43 or 0.52 uF, worse still for 20% tolerance part. If it's used in an appication that's particularly value sensitive like a filter stage there will indeed be obvious differences in performance ( frequency response most obviously ) that are easily measured such as turnover frequency and slope. Of couse the uneducated hear a difference and jump to the conclusion that their shiny new capacitor is *better*, because they know no better and of course because that's what they've been told to think. And since all wise men know Vodka cannot have any beneficial effect on your palate, by Law!, it is all BS, too. Good thinking. And Music only sounds good if you think about it properly, just like you do. Music can also sound better under the influence of certain substances, proving beyond doubt that all human perception is subjective and fallible on a day to day basis. Sure. That line of reasoning is elegant in its simplicity Now, please explain why we have to ask you what we may or may not hear? Because you might be interested in the underlying science - which I can assure you is the most effective way to first-class reproduction rather than Silly Billy fiddling with components maybe ? Is it because nobody ever can have any fun unless you say so? Great plan. Good luck. If you are the only non-fool, we are mostly fools, so only you know anything useful. I don't mind. Why do you think I care if you do? If you're happy being a gullible fool, more power to you ! Spend more on those magic components ! Graham Pro-audio designer ( that's the stuff that *makes* the recordings you listen to btw ) for 30 years |
#12
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
wrote in message
oups.com... Hi RATs! http://v-cap.com/tefloncapacitors.html never mind the mumbo-jumbo deluxe chatter: These things sound better than her saying this is your lucky night ... sell your Mother down the river and get what you really need: some new capacitors. I have wanted to try a pair because everybody who has raves about them. However, I can't get past the prices. Can someone explain to me why the price goes up so significantly as the cap value increases? For example: a ..10uf costs $49.99 and a .47uf costs $139.99. Thanks. Gerry |
#13
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
GerryE123 wrote: I have wanted to try a pair because everybody who has raves about them. However, I can't get past the prices. Can someone explain to me why the price goes up so significantly as the cap value increases? For example: a .10uf costs $49.99 and a .47uf costs $139.99. Thanks. Gerry All the extra smoke and mirrors that need to be stuffed inside the cap... 4.7 x as many. Peter Wieck Wyncote, PA |
#14
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
GerryE123 wrote
...Can someone explain to me why the price goes up so significantly as the cap value increases? For example: a .10uf costs $49.99 and a .47uf costs $139.99... Nearly 5 times the ufs for less than 3 times the price... what a bargain. Manufacturing time per uf must reduce as size increases. Possibly due to set-up or other dead time per cap. cheers, Ian |
#15
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
"Ian Iveson" said:
...Can someone explain to me why the price goes up so significantly as the cap value increases? For example: a .10uf costs $49.99 and a .47uf costs $139.99... Nearly 5 times the ufs for less than 3 times the price... what a bargain. Uhm....yep ;-) Manufacturing time per uf must reduce as size increases. Possibly due to set-up or other dead time per cap. Simple, really. It takes more naked Balinese virgins to make larger caps at midnight and full moon, as naked Balinese virgins are the only ones who dare touch the fragile silver foil that is gained from an unknow Peruvian silver mine. Any other being touching the foil, as well as any other time than midnight with full moon would ruin the soundstage. A silver mine, mind you, that was supposed to be dried up since the time of the Conquistadores. Imagine the difficulties in exploiting this mine, and the near impossibility to smuggle the pure silver out of Peru and into Bali.......... Yep, these are definitely a bargain. Get them now, before stock is exhausted! My pile of Mundorfs suddenly became worth nothing, I guess I'll just have to use them in my amps, instead of keeping them as a future investment. ( Hi Al, this is all tongue in cheek, in case you don't remember me!) -- "All amps sound alike, but some sound more alike than others". |
#16
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
Sander deWaal wrote in
: Simple, really. It takes more naked Balinese virgins to make larger caps at midnight and full moon, as naked Balinese virgins are the only ones who dare touch the fragile silver foil that is gained from an unknow Peruvian silver mine. Any other being touching the foil, as well as any other time than midnight with full moon would ruin the soundstage. LOL! |
#17
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
GerryE123 wrote: wrote in message oups.com... Hi RATs! http://v-cap.com/tefloncapacitors.html never mind the mumbo-jumbo deluxe chatter: These things sound better than her saying this is your lucky night ... sell your Mother down the river and get what you really need: some new capacitors. I have wanted to try a pair because everybody who has raves about them. However, I can't get past the prices. Can someone explain to me why the price goes up so significantly as the cap value increases? For example: a .10uf costs $49.99 and a .47uf costs $139.99. Thanks. So they can make even more money ripping you off mainly. Graham |
#18
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
Al wrote
Hi RATs! http://v-cap.com/tefloncapacitors.html never mind the mumbo-jumbo deluxe chatter: These things sound better than her saying this is your lucky night ... sell your Mother down the river and get what you really need: some new capacitors. Hi Al, Missed your updates. What else is in your circuit these days? cheers, Ian |
#19
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
Hi RATs!
Oh, um, yes, I have some bananas ... I had not posted for a year or so. Time flies when you get lost in the instant future Internet Waltz Now using Google Groupies - seems much too cool for an old geek like me. Now Playing in the Audio Dungeon: 80 Hz ehorns with Lambda 15" "Get Out of Khrma Free" and 4.25 mH choke. Sony 400 DVD changer - factory stock, except for the weird discs in the rack. KEF Coda 9.2 Ubid specials. Basically, New Old Stock. Cartons are a bit weathered, but the music is quite something. These cost less than the new caps Amp is Ella, from diyhifisupply.com in Hong Kong. I have changed the tubes. I converted it to triode mode. I snipped the NFB loop. I put an SS diode between each output plate and screen stopper. Cathode toward screen. Then, yesterday, the tftf caps arrived in their silk and mink shipping booties and I soldered them in after snipping the 0.22uF Obbligato Copper out of the circuit. I awoke to Music a bit louder than usual. I think the new caps are breaking in, or the Music is beaking out ... Still sound OK ... Happy Ears! Al PS OK, OK, not really silk and mink booties, just wrapped in sticky bubble wrap in a big box of foam pellets ... Ian Iveson wrote: Hi Al, Missed your updates. What else is in your circuit these days? cheers, Ian |
#20
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
http://v-cap.com/tefloncapacitors.html ** Err - does " tin foil " = aluminium foil, here ?? ....... Phil |
#21
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
??? Tin is a completely different element from aluminum.
Makes for a great non-stick coating on the nice thick pure-copper French cookware you can buy. It's the one good thing to come out of france, besides the recipes. There's even a retinning shop here, where you can take your copper cookware when the tinning wears off and they heat it on the torch and swirl molten tin in it. And tin is a trace element that the body uses anyways. Off-topic enough for ya?! XD "Phil Allison" wrote in news:4ie5gcF36alkU1 @individual.net: http://v-cap.com/tefloncapacitors.html ** Err - does " tin foil " = aluminium foil, here ?? ...... Phil |
#22
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
"Prune" ??? Tin is a completely different element from aluminum. ** Idiot. http://en.wikipedia.org/wiki/Tin_foil |
#23
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
Anyone quoting wikipedia is an idiot. Don't you know any ****tard can edit
articles on that site? I can go and write bull**** on a page as well. Hmm, I should make an article about Phil Allison... "Phil Allison" wrote in news:4ie870F3d7g8U1 @individual.net: "Prune" ??? Tin is a completely different element from aluminum. ** Idiot. http://en.wikipedia.org/wiki/Tin_foil |
#24
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
Prune wrote: Anyone quoting wikipedia is an idiot. Don't you know any ****tard can edit articles on that site? I can go and write bull**** on a page as well. Hmm, I should make an article about Phil Allison... Just because you *can* edit it doesn't mean it happens often. I find it a valuable information resource. If the article is patently wrong then it will soon be noticed and corrected. That gives a level of confidence. Your argument incidentally could also be levelled at idiots with their own websites. As in any ****tard can put their own website online. There is *no* safeguard about these whatever and indeed they pose a greater risk. Graham |
#25
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
|
#26
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
Phil Allison wrote: http://v-cap.com/tefloncapacitors.html ** Err - does " tin foil " = aluminium foil, here ?? Makes you wonder doesn't it ? Graham |
#27
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
Phil Allison wrote:
http://v-cap.com/tefloncapacitors.html ** Err - does " tin foil " = aluminium foil, here ?? ...... Phil No, these use tin, not aluminum. Phil |
#28
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
Phil wrote: No, these use tin, not aluminum. Phil Hi RATs! Subject caps now have 300+ hours of playing time. They are very pleasant. Perhaps more so, as they "burn in", but, let us be fair, it is hard to do double blind testing of the same devices at different points in time. Maybe I am learning to appreciate them more! (But, I am doubtful I am learning anything, at my age ...) I only bought these caps because a neighborhood old audio fool I have learned to believe over the years (and I trust everybody, but, believe nobody, except a few, on occasion...) bought some and was pleased. No one showed me real measurements I wouldn't care if they are cleverly disguised inner chewing gum wrappers rolled into capacitor looking packages. I like how they sound. And, I know someone who has an Audio Precision system in his home. He gives me lots of good advice. He never mentions his toy gives him the insight of God Almighty. Perhaps he is too wise for such silly posturing Changing anything in my Audio Dungeon may affect my perception of Music. I may notice 8^0 Changing nothing in my Audio Dungeon might be good for earnest evaluations of components, but I Ching is a rascally Coyote ... I enjoy Music through cheap SS amps and cheap speakers, too. I do not think they sound the same as my fancy stuff, but, Music hath charms to soothe the savage technoid. I enjoy the Quest. I enjoy the comradery. I suffer the neo-wizards lightly. Forgive them, Father, they just like to talk, too ... just like me. Happy Ears! Al |
#29
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors, and Auricaps or others
" wrote: Phil wrote: No, these use tin, not aluminum. Phil Hi RATs! Subject caps now have 300+ hours of playing time. They are very pleasant. Perhaps more so, as they "burn in", but, let us be fair, it is hard to do double blind testing of the same devices at different points in time. Maybe I am learning to appreciate them more! (But, I am doubtful I am learning anything, at my age ...) I only bought these caps because a neighborhood old audio fool I have learned to believe over the years (and I trust everybody, but, believe nobody, except a few, on occasion...) bought some and was pleased. About the same kind of things get said about Auricaps, that after fitting them they "burn in" and begin to increase the quality of the sound in subjective ways. I replaced regular Wima polyprops in a client's preamp recently and did one channel before the other. We had an AB test with various music recordings in mono to find if he could choose which channel had the Auricaps and which one had the old Wimas ( which presumably were "burned in" ). He could not identify better than 50% of the time or say which channel was better, different, or had the Auricaps or Wimas. I switched between one channel and the other, asking him to identify where the "better" caps were or not, but he just couldn't pick it out accurately. I smiled when he said "that's definately the better one with the auricaps" after switching from Auricaps to Wimas. I heard no changes, it was all fine wine to me. There would have been no point in measuring the thd of the amps with different caps because the thd caused by good quality plastic film coupling caps in high impedance circuits between tubes is almost unmeasurable. "Burn in" when used about capacitors is another phrase which means that an owner has become used to the pain and expense of changeing coupling caps, and has mentally accepted them, like getting used to a new maid, even though she doesn't work any better than the old maid. The same things are said and done with cables and line conditioners and a few other absurd things that ppl like to suggest make a difference. Audiophiles like to credit themselves with super-abilities that us ordinary mortals do not possess. They place their hearing abilities above everyone else. In some cases, a few DO have better hearing, they understand words of opera and songs better than myself or anyone else and can hum along in perfect pitch, and their brain is obviously better connected to the music than most of the rest of the population. They even understand the purposes of the emotional intentions expressed in the music by the composer. But alas in simple AB tests where they are asked to identify equipment changes they don't fare much better than anyone else with supposedly normal hearing. I have no problem challenging their sacred cow beliefs so to find truth and thus be better equipped to build fine systems for such people. I have always enjoyed my above clients system with or without his Auricaps. He has an excellent turntable with hi-end MC which renders vinyl better than most SACD, CD DVD etc, and nevertheless has excellent silver disk replay systems. He is very happy and that's what counts. His system is one of very few I like listening to all night, and I would rate it better than my own, but mainly because the source devices, ie, silver disc and black disc devices are better than anyone else's. Maybe the caps make a difference, but I really doubt it, it could be blind insurance, "put in these acclaimed caps just in case.." Acclaimed by who? where does the BS start? with a bribe of someone in an audio magazine to give a good review? Usually when the guys I know here start raving about capacitor sound they do so WITHOUT A REFERENCE SYSTEM FOR COMPARISONS. So they just change something such as caps without comparing to a second reference system and say they hear better sound. But are they? What is the reality? I give them full permission to fool themselves, but none to fool me. I have two complete systems in my lounge, and many comparisons have been made. The change from having crossover points in a 3 way speaker system from 1kHz and 5 kHz to 250Hz and 3 kHz was astounding once I learnt about LCR theory, applied it, and built a decent measurement system. Later when i changed from cheap asian made speaker drivers to SEAS drivers there was another revelation, and I realised I'd wasted a lot of time on crap made in China. The tighter magnetic gap tolerances and cone materials in Norwegian speakers resulted in clearer and more precise accurtate music. Caps and cables have made imperceptible differences. I tried Allen Wright foil types of interconnects, twisted pairs, no change. Maybe the system was already as good as it was gonna get. I hear little difference between good class A tube amps and my class A mosfet amps. I thought I could here something different until I did the careful AB test, and asked a couple of other folks around..... Some SS amps are disgraceful though.....no doubt about that. Patrick Turner. No one showed me real measurements I wouldn't care if they are cleverly disguised inner chewing gum wrappers rolled into capacitor looking packages. I like how they sound. And, I know someone who has an Audio Precision system in his home. He gives me lots of good advice. He never mentions his toy gives him the insight of God Almighty. Perhaps he is too wise for such silly posturing Changing anything in my Audio Dungeon may affect my perception of Music. I may notice 8^0 Changing nothing in my Audio Dungeon might be good for earnest evaluations of components, but I Ching is a rascally Coyote ... I enjoy Music through cheap SS amps and cheap speakers, too. I do not think they sound the same as my fancy stuff, but, Music hath charms to soothe the savage technoid. I enjoy the Quest. I enjoy the comradery. I suffer the neo-wizards lightly. Forgive them, Father, they just like to talk, too ... just like me. Happy Ears! Al |
#30
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors, and Auricaps or others
Patrick Turner wrote in
: thd caused by good quality plastic film coupling caps in high impedance circuits between tubes is almost unmeasurable. Not just between tubes. My voltage-output DAC chip is coupled by Auricaps to the JFET buffer gates; I tried DC coupling by shifting the whole DAC power supply with a DC servo, and couldn't hear a difference. |
#31
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors, and Auricaps or others
Patrick Turner wrote:
" wrote: Phil wrote: No, these use tin, not aluminum. Phil Hi RATs! Subject caps now have 300+ hours of playing time. They are very pleasant. Perhaps more so, as they "burn in", but, let us be fair, it is hard to do double blind testing of the same devices at different points in time. Maybe I am learning to appreciate them more! (But, I am doubtful I am learning anything, at my age ...) I only bought these caps because a neighborhood old audio fool I have learned to believe over the years (and I trust everybody, but, believe nobody, except a few, on occasion...) bought some and was pleased. About the same kind of things get said about Auricaps, that after fitting them they "burn in" and begin to increase the quality of the sound in subjective ways. I replaced regular Wima polyprops in a client's preamp recently and did one channel before the other. We had an AB test with various music recordings in mono to find if he could choose which channel had the Auricaps and which one had the old Wimas ( which presumably were "burned in" ). He could not identify better than 50% of the time or say which channel was better, different, or had the Auricaps or Wimas. I switched between one channel and the other, asking him to identify where the "better" caps were or not, but he just couldn't pick it out accurately. I smiled when he said "that's definately the better one with the auricaps" after switching from Auricaps to Wimas. I heard no changes, it was all fine wine to me. There would have been no point in measuring the thd of the amps with different caps because the thd caused by good quality plastic film coupling caps in high impedance circuits between tubes is almost unmeasurable. Remember, Patrick, the A-B double blind test doesn't work in audio, because it fails to achieve its primary purpose, namely the "isolation of a variable." When you switch back and forth, you test two variables, not one, the capacitor, and the ability of the mind to remember audio passages. The Boulder amplifier company noted in a letter to the Audio Critic that when they changed a cap WITHOUT TELLING ANYONE, they would get tons of letters saying "What did you do, this is great?!", and yet they knew from actual trials that in AB comparisons, no one could distinguish between the old and new caps. The letters proved that (1) there was indeed an audible difference, and (2) that their AB trials -- some of them even double-blind -- were incapable of detecting this difference. The reason is obvious: By switching back and forth, you test not only the component, but also the mind's ability to "fill in the gaps," to remember, when hearing the old cap, the information that was learned when listening to the new cap. Perhaps by playing a section of music, say, 6 times in a row, and switching to the new cap at some point unknown to the listener (after the 2nd, OR 3rd, OR 4th, etc. time), you will find that the listener can identify when the switch was made, BUT, you can only play a given piece of music ONCE. Who knows? Perhaps by performing a test that, unlike the standard implementation of the double-blind test, you will be able to identify those componenets that truly are superior -- at least, in combination (use, as some have suggested, a Teflon first, a Mundorf last) -- and then make an amp that is far superior to anything you have made so far. However, note that when a change is indeed detectable, and initially preferable -- perhaps because it provides information unheard before -- that over the long term, a change from a good component to a bad component (or circuit) will result in a less satisfying system, which is not listened to or enjoyed as much, again, even though the change to that component or circuit INITIALLY seemed to be an improvement. Perhaps testing listener's reactions when going both from cap A to cap B, AND from cap B to cap A (using different selections for each test, of course, so that you don't wind up accidently, but also stupidly, SHIFTING from a test of the cap, to a test of the mind's ability to "fill in the gaps"), will help to identify the "better" changes. Phil "Burn in" when used about capacitors is another phrase which means that an owner has become used to the pain and expense of changeing coupling caps, and has mentally accepted them, like getting used to a new maid, even though she doesn't work any better than the old maid. The same things are said and done with cables and line conditioners and a few other absurd things that ppl like to suggest make a difference. Audiophiles like to credit themselves with super-abilities that us ordinary mortals do not possess. They place their hearing abilities above everyone else. In some cases, a few DO have better hearing, they understand words of opera and songs better than myself or anyone else and can hum along in perfect pitch, and their brain is obviously better connected to the music than most of the rest of the population. They even understand the purposes of the emotional intentions expressed in the music by the composer. But alas in simple AB tests where they are asked to identify equipment changes they don't fare much better than anyone else with supposedly normal hearing. I have no problem challenging their sacred cow beliefs so to find truth and thus be better equipped to build fine systems for such people. I have always enjoyed my above clients system with or without his Auricaps. He has an excellent turntable with hi-end MC which renders vinyl better than most SACD, CD DVD etc, and nevertheless has excellent silver disk replay systems. He is very happy and that's what counts. His system is one of very few I like listening to all night, and I would rate it better than my own, but mainly because the source devices, ie, silver disc and black disc devices are better than anyone else's. Maybe the caps make a difference, but I really doubt it, it could be blind insurance, "put in these acclaimed caps just in case.." Acclaimed by who? where does the BS start? with a bribe of someone in an audio magazine to give a good review? Usually when the guys I know here start raving about capacitor sound they do so WITHOUT A REFERENCE SYSTEM FOR COMPARISONS. So they just change something such as caps without comparing to a second reference system and say they hear better sound. But are they? What is the reality? I give them full permission to fool themselves, but none to fool me. I have two complete systems in my lounge, and many comparisons have been made. The change from having crossover points in a 3 way speaker system from 1kHz and 5 kHz to 250Hz and 3 kHz was astounding once I learnt about LCR theory, applied it, and built a decent measurement system. Later when i changed from cheap asian made speaker drivers to SEAS drivers there was another revelation, and I realised I'd wasted a lot of time on crap made in China. The tighter magnetic gap tolerances and cone materials in Norwegian speakers resulted in clearer and more precise accurtate music. Caps and cables have made imperceptible differences. I tried Allen Wright foil types of interconnects, twisted pairs, no change. Maybe the system was already as good as it was gonna get. I hear little difference between good class A tube amps and my class A mosfet amps. I thought I could here something different until I did the careful AB test, and asked a couple of other folks around..... Some SS amps are disgraceful though.....no doubt about that. Patrick Turner. No one showed me real measurements I wouldn't care if they are cleverly disguised inner chewing gum wrappers rolled into capacitor looking packages. I like how they sound. And, I know someone who has an Audio Precision system in his home. He gives me lots of good advice. He never mentions his toy gives him the insight of God Almighty. Perhaps he is too wise for such silly posturing Changing anything in my Audio Dungeon may affect my perception of Music. I may notice 8^0 Changing nothing in my Audio Dungeon might be good for earnest evaluations of components, but I Ching is a rascally Coyote ... I enjoy Music through cheap SS amps and cheap speakers, too. I do not think they sound the same as my fancy stuff, but, Music hath charms to soothe the savage technoid. I enjoy the Quest. I enjoy the comradery. I suffer the neo-wizards lightly. Forgive them, Father, they just like to talk, too ... just like me. Happy Ears! Al |
#32
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
" said:
Subject caps now have 300+ hours of playing time. They are very pleasant. Perhaps more so, as they "burn in", but, let us be fair, it is hard to do double blind testing of the same devices at different points in time. Maybe I am learning to appreciate them more! (But, I am doubtful I am learning anything, at my age ...) I once had a Wima MKP burn in on me. Turned out it had some 350 V across it, where only 250 was allowed. It lasted for a couple of hours, though. ;-) Otherwise, just enjoy what's in your amp, enjoy the tinkering, and forget about double blind testing and other scientific stuff, they only serve to take the pleasure out of your hobby. -- "Due knot trussed yore spell chequer two fined awl miss steaks." |
#33
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
wrote: Hi RATs! http://v-cap.com/tefloncapacitors.html never mind the mumbo-jumbo deluxe chatter: These things sound better than her saying this is your lucky night ... sell your Mother down the river and get what you really need: some new capacitors. Happy Ears! Al Marcy PS These sound too good for some people. You know who you are ... Yeah, I get these dudes saying this and that cap sounds the best, they say they like teflon, then they move to oilers, film this that then foilers and then finally Auricaps and Hovelands and Jensen et all and they don't ever keep an identical system with reference caps to see if the cap change was worth all the expense and soldering. Whener I have changed a capacitor I have heard nothing different, and was unable to get a reliable preference made by a customer more than random 50% chance would predict; Ie, I ask someone to identify which channel has cap X or Y and nobody chooses correctly better than 50% of choices. But nevertheless, if directed, I will solder in whatever caps ppl want. I just cannot see what the heck is so special about teflon, except that its great in frying pans. But Hi Al!!! you have been missing for a long time you old son of a gun! And my mother is priceless. The world's least said sentence:- "Just you come over here sonny, these fancy caps are cheap." The world's second least said sentence:- "Jus youse lie down here luvvy, it won't costyer anyfink". Patrick Turner. |
#34
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
Patrick Turner wrote in
: teflon, then they move to oilers I don't get the oil thing at all, seems inconsistent to me -- oil has a high dielectric constant, just the opposite of what the reasoning for using Teflon seems to be (and of course the dielectric constant of polypropylene is even lower than Teflon). The only thing that makes sense is that foil would be better than film, for the same reason Vishay makes metal foil resistors along their metal film line (they have a white paper explaining why it matters, to what extent it's just marketing I can't judge). |
#35
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
Prune wrote: Patrick Turner wrote in : teflon, then they move to oilers I don't get the oil thing at all, seems inconsistent to me -- oil has a high dielectric constant, just the opposite of what the reasoning for using Teflon seems to be (and of course the dielectric constant of polypropylene is even lower than Teflon). The only thing that makes sense is that foil would be better than film, for the same reason Vishay makes metal foil resistors along their metal film line (they have a white paper explaining why it matters, to what extent it's just marketing I can't judge). Foil is used for high currents to avoid internal heating. Graham |
#36
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
I was talking about this:
http://www.vishay.com/docs/49435/49435.pdf Much of it is marketing, of course, but Table 1 is interesting and they say these are measured results of this current noise (as opposed to the regular thermal noise) they are talking about. Eeyore wrote in : Prune wrote: Patrick Turner wrote in : teflon, then they move to oilers I don't get the oil thing at all, seems inconsistent to me -- oil has a high dielectric constant, just the opposite of what the reasoning for using Teflon seems to be (and of course the dielectric constant of polypropylene is even lower than Teflon). The only thing that makes sense is that foil would be better than film, for the same reason Vishay makes metal foil resistors along their metal film line (they have a white paper explaining why it matters, to what extent it's just marketing I can't judge). Foil is used for high currents to avoid internal heating. Graham |
#37
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
Oops, my mistake, not table 1 but the numbers in the headings on the
subsequent pages. Prune wrote in 4.76: I was talking about this: http://www.vishay.com/docs/49435/49435.pdf Much of it is marketing, of course, but Table 1 is interesting and they say these are measured results of this current noise (as opposed to the regular thermal noise) they are talking about. Eeyore wrote in : Prune wrote: Patrick Turner wrote in : teflon, then they move to oilers I don't get the oil thing at all, seems inconsistent to me -- oil has a high dielectric constant, just the opposite of what the reasoning for using Teflon seems to be (and of course the dielectric constant of polypropylene is even lower than Teflon). The only thing that makes sense is that foil would be better than film, for the same reason Vishay makes metal foil resistors along their metal film line (they have a white paper explaining why it matters, to what extent it's just marketing I can't judge). Foil is used for high currents to avoid internal heating. Graham |
#38
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
Prune wrote: Eeyore wrote in : Prune wrote: Patrick Turner wrote in : teflon, then they move to oilers I don't get the oil thing at all, seems inconsistent to me -- oil has a high dielectric constant, just the opposite of what the reasoning for using Teflon seems to be (and of course the dielectric constant of polypropylene is even lower than Teflon). The only thing that makes sense is that foil would be better than film, for the same reason Vishay makes metal foil resistors along their metal film line (they have a white paper explaining why it matters, to what extent it's just marketing I can't judge). Foil is used for high currents to avoid internal heating. Graham I was talking about this: http://www.vishay.com/docs/49435/49435.pdf Much of it is marketing, of course, but Table 1 is interesting and they say these are measured results of this current noise (as opposed to the regular thermal noise) they are talking about. That's about resistors though, not caps. Using good quality resistors especially in the critical locations is critical to first class performance. I'm happy with metal film for those applications. Mind you, there's good metal film and cheap and nasty too ! Graham can I encourage you not to top-post btw ? |
#39
Posted to rec.audio.tubes,rec.audio.pro,sci.electronics.design
|
|||
|
|||
Vishay talk ******** - was Teflon Film Tin Foil capacitors
Prune wrote: I was talking about this: http://www.vishay.com/docs/49435/49435.pdf Much of it is marketing, of course, but Table 1 is interesting and they say these are measured results of this current noise (as opposed to the regular thermal noise) they are talking about. Having read it in more detail now, I'm inclined to complain to Vishay about some of it's content which is plainly incorrect ! They can't even spell Boltzmann correctly ( as in his constant ). http://www-history.mcs.st-andrews.ac...Boltzmann.html http://en.wikipedia.org/wiki/Ludwig_Boltzmann http://en.wikipedia.org/wiki/Boltzmann's_constant They fail to mention carbon film which is very widely used. Instead they mention only the truly miserable carbon composition which is long obsolete and today unobtainable, I guess to make their product look fancier in comparison. Some 'authenticity nuts' like to use carbon composition of course, which says a lot about their mental condition ! They make claims anbout 'noise free resistors' when such things don't even exist. And several other example of total ******** such as " The major objection to wirewounds, however, is the inductance that chops the peaks and fails to replicate the higher frequencies of the second and third harmonics." I'd question their figures for metal film too. Definitely written by the marketing dept and a poor show on Vishay's part. Graham |
#40
Posted to rec.audio.tubes
|
|||
|
|||
Teflon Film Tin Foil capacitors
Prune wrote: Patrick Turner wrote in : teflon, then they move to oilers I don't get the oil thing at all, seems inconsistent to me -- oil has a high dielectric constant, just the opposite of what the reasoning for using Teflon seems to be (and of course the dielectric constant of polypropylene is even lower than Teflon). The only thing that makes sense is that foil would be better than film, for the same reason Vishay makes metal foil resistors along their metal film line (they have a white paper explaining why it matters, to what extent it's just marketing I can't judge). The dielectric constant is an issue with caps. But not in coupling caps in tube amps where the charge across a cap remains virtually unchanged while the amp is running. A 0.47uF feeding a 220k grid bias R forms an impedance divider network with the cap having maximum Z at LF. At 100Hz the ZC = 3.4k. So where you have 100Vrms across the 220k the current = 0.45mA, and so there is 1.5Vrms across the cap at 100Hz. If the distortion in the cap is 0.01% which is all you'd ever expect to measure, it could be 10 times less, then the distortion voltage = 1.5 x 0.0001 = 0.00015vrms, and this is a tiny fraction of the 100Vrms across the 220k, and the cap caused distortion would be 1.5uV, about - 116bD, well below the noise floor of the amp. The worst case scenario for distortion numbers does indicate that any old cap will do for coupling. Perhaps there is something I have missed here about what makes caps have a different sound. But all the guys who say caps make a difference will not subject themselves to AB tests where they are required to identify which amp has what caps. They just like to believe pretty and expensive caps make a difference. Its a bit neurotic. Christmas is a time for celebration of Christ's birth. Having the best Christmas lights on a christmas tree does not celebrate Christmas any better; the lights merely celebrate idiotic shopping habits. Some people like to celebrate Christmas in July in a day or two and some like to replace caps more often than underpants. I leave them to happily enjoy their truths as they believe in. My best wishes. Patrick Turner. |
Reply |
|
Thread Tools | |
Display Modes | |
|
|
Similar Threads | ||||
Thread | Forum | |||
Comparing quality on vinyl with Digital | High End Audio | |||
MKT foil capacitors | High End Audio | |||
FS- AXIAL POLYPROPYLENE CAPACITORS | Marketplace | |||
FS- RADIAL POLYPROPYLENE CAPACITORS | Marketplace | |||
Why DBTs in audio do not deliver (was: Finally ... The Furutech CD-do-something) | High End Audio |