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#121
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theckmaaah @ dumb****sRtheckmaaaaah . com wrote in message
... Trever wrote: "Firstly no-one can ever do it completely, and Thekma would be the last who could do it" I never assumed to know your capabilities so DON't make ASSumptions about mine! Nobody is assuming anything. A simple deduction, from reading your posts, is that you are incapable of writing the DSP code for the imaginary expander that's under discussion. By your own admission, you are unable to read numbers, and you don't understand what "1 + 1 = 2" means. Not assumptions, but rather your own posts. And despite years of patient (sometimes) explanation, you still have no idea of the issues involved with compression. You keep coming back here to confirm that point: you don't get it, and you never will. And Gurgle Group's dumbed-down newsgroup interface for dummies is something that's incomprehensible to your. So it's a certainty that you will not be creating the expander. No assumptions. Clear deduction from reading your posting history, which seems to be specifically designed to prove that you're a dumb****. The notion that you'd create an expanders is hilarious, li'l buddy. |
#122
Posted to rec.audio.pro
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wrote in message
... Trevor wrote: "Since there are free news servers, why would you want to use GG at all? " Name THREE 'free' ones. Why the **** would you need three? And why do you think you deserve it for free? It wouldn't matter, you would definitely find a way to be too stupid to figure it out. |
#123
Posted to rec.audio.pro
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chrissie-go-sickie @ vomit.com wrote in message
news:f0cc22d4-6605-403d-a36f- "Pulling the strings?" I know who's pulling the strings Trevor. You mentioned them broadly toward the end of your reply. They include artists, producers, and labels. Are you an engineer(mix or mastering) or a label rep? You always circle back to this dumb****ery and vomit it up here. One of the clearest proofs that you are utterly unable to understand is that, even after years of patient explanation, understanding never lasts for more than a second or two, before you're right back where you started, a slack-jawed retard in a dunce cap. |
#125
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On Friday, April 29, 2016 at 7:40:53 PM UTC-4, None wrote:
chrissie-go-sickie @ vomit.com wrote in message news:f0cc22d4-6605-403d-a36f- "Pulling the strings?" I know who's pulling the strings Trevor. You mentioned them broadly toward the end of your reply. They include artists, producers, and labels. Are you an engineer(mix or mastering) or a label rep? You always circle back to this dumb****ery and vomit it up here. One of the clearest proofs that you are utterly unable to understand is that, even after years of patient explanation, understanding never lasts for more than a second or two, before you're right back where you started, a slack-jawed retard in a dunce cap. Scott did bring a decent point about controlling recorded spikes, say, caused by a drummer, where you remove those spikes and change increase the RMS value, but also increase tape noise. THAT, is when a professional recording engineer would stop the recording and resolve it then, rather than fix that problem, while creating another, after the fact. Jack |
#126
Posted to rec.audio.pro
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JackA wrote: "Scott did bring a decent point about controlling recorded spikes, say, caused by a drummer, where you remove those
spikes and change increase the RMS value, but also increase tape noise. THAT, is when a professional recording engineer would stop the recording and resolve it then, rather than fix that problem, while creating another, after the fact. " Start with the drummer. A good one controls his/her intensity. |
#127
Posted to rec.audio.pro
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On Tuesday, May 3, 2016 at 8:27:13 PM UTC-4, wrote:
JackA wrote: "Scott did bring a decent point about controlling recorded spikes, say, caused by a drummer, where you remove those spikes and change increase the RMS value, but also increase tape noise. THAT, is when a professional recording engineer would stop the recording and resolve it then, rather than fix that problem, while creating another, after the fact. " Start with the drummer. A good one controls his/her intensity. True! Buddy Rich is my favorite *wink*. OT: Anyway, found a Bob Seger CD set at Wall-Mart, it's "exclusive". What caught my ear was the studio talk preceding Ramblin' Gamblin' Man. Sadly, the waveform is a bit brick-walled throughout, plus drop-outs in audio. Never did think much of Capitol Records LLC, or whatever its name, always flawed recordings. They should demolish that Capitol building in Calif. and put a burger stand there. Nothing of value anymore. Jack |
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