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#1
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Noob question about compression...
Forgive the noobness, but I'm slowly learning about compression.
If a default compression setting produces too much "snap" on a snare, but it otherwise very close to what I need... in other words, the first few milliseconds are a bit TOO loud compared to the rest of the trail... what do I tweak? My first instinct is to make the attack a bit longer... am I an idiot? |
#2
Posted to rec.audio.pro
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Noob question about compression...
On Aug 16, 7:04*pm, "Evan Deez" wrote:
Forgive the noobness, but I'm slowly learning about compression. If a default compression setting produces too much "snap" on a snare, but it otherwise very close to what I need... in other words, the first few milliseconds are a bit TOO loud compared to the rest of the trail... what do I tweak? My first instinct is to make the attack a bit longer... am I an idiot? Nope, you're not an idiot but you should increase the ratio and decrease the release time (the length of time the compression is in effect.. If the attack is correct but still a bit loud, increase the ratio from 2.5:1 (or whatever the stock ratio is) to 4:1 and try that. Try something like a 40 msec attack with a 250 msec release time and a ratio of 4:1. Play with any combination of those settings until you find the one you like. |
#3
Posted to rec.audio.pro
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Noob question about compression...
Evan Deez wrote:
Forgive the noobness, but I'm slowly learning about compression. If a default compression setting produces too much "snap" on a snare, but it otherwise very close to what I need... in other words, the first few milliseconds are a bit TOO loud compared to the rest of the trail... what do I tweak? My first instinct is to make the attack a bit longer... am I an idiot? Other way around... reduce the attack time, so that it starts dropping the gain earlier. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#4
Posted to rec.audio.pro
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Noob question about compression...
On Sun, 17 Aug 2008 08:27:50 -0400, Scott Dorsey wrote
(in article ): Evan Deez wrote: Forgive the noobness, but I'm slowly learning about compression. If a default compression setting produces too much "snap" on a snare, but it otherwise very close to what I need... in other words, the first few milliseconds are a bit TOO loud compared to the rest of the trail... what do I tweak? My first instinct is to make the attack a bit longer... am I an idiot? Other way around... reduce the attack time, so that it starts dropping the gain earlier. --scott +1. Regards, Ty Ford --Audio Equipment Reviews Audio Production Services Acting and Voiceover Demos http://www.tyford.com Guitar player?:http://www.youtube.com/watch?v=4RZJ9MptZmU |
#5
Posted to rec.audio.pro
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Noob question about compression...
On Aug 17, 12:04*pm, "Evan Deez" wrote:
Forgive the noobness, but I'm slowly learning about compression. If a default compression setting produces too much "snap" on a snare, but it otherwise very close to what I need... in other words, the first few milliseconds are a bit TOO loud compared to the rest of the trail... what do I tweak? My first instinct is to make the attack a bit longer... am I an idiot? +2 Take your time, proper understanding and use of compression can take a while... |
#6
Posted to rec.audio.pro
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Noob question about compression...
On Sun, 24 Aug 2008 23:32:36 -0700 (PDT), "
wrote: On Aug 17, 12:04*pm, "Evan Deez" wrote: Forgive the noobness, but I'm slowly learning about compression. If a default compression setting produces too much "snap" on a snare, but it otherwise very close to what I need... in other words, the first few milliseconds are a bit TOO loud compared to the rest of the trail... what do I tweak? My first instinct is to make the attack a bit longer... am I an idiot? No, but it's the other way 'round - longer attack means that more of the original (louder) snare transient gets through before the compressor sees it, so MORE "snap". However, as others have implied, it's not quite as 1:1 linear at that, and the results depend a lot on the design of the compressor and the kind of music. To further complicate (and often improve) things, some compressors have multiple or variable attack time constants which can react more appropriately to different kinds of transients. |
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