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#201
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Floyd L. Davidson" wrote in message ... It wasn't analog until you ran it through an analog amplifier. More nonsense. Again, the ONLY definitions of "analog" and "digital" which make any sense treat these as distinctions in the form of information encoding being used. If I run EITHER a "digital" or "analog" signal through an amplifier, what comes out can still be interpreted (the information recovered from the signal) ONLY if the encoding intent is understood and the proper decoding applied. A serial stream of digital data still makes sense, whether the amplitude assigned to the "1" or "true" state is 0.1V, 1V, 10V, or 100 kV. But it makes sense ONLY when interpreted AS a serial stream of bits. Similarly, an analog representation of, say, video makes sense only if interpreted AS "analog". No matter how "digital-ish" it might look, if you try to interpret THIS signal as a "digital" stream, you'll get gibberish. Floyd, you would be well advised to stop treating your "definitions" as though they were somehow handed down by God, and instead try to employ arguments that are actually based in something sensible. The NTIA is an authority, and MilStd specifications are also authoritative. That is the reason I cited them. And the *fact* is that you have not and cannot cite any authoritative standards body that does not agree with them. Neither of these - and for that matter, NO standards body - is an Infallible Source of Absolute Truth, and no standard should be looked at as a substitute for good ol' basic theory and experimentation. This is the fundamental flaw with any argument "from authority": wrong is wrong, no matter who writes it down on a piece of paper. God knows I've spent way more than enough time in my career working with various standards organizations (in fact, I am currently chairing one fairly well-known such group), including both "industry" and "government" efforts, and I can tell you from long and painful experience that simply because something appears in a standards document does not make it correct. With the right people paying close attention, these documents can often turn out pretty darn good - but they should NEVER EVER be used as a substitute for some actual thought and understanding of the subject matter at hand. Bob M. |
#202
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Bob Myers" wrote in message ... "Floyd L. Davidson" wrote in message ... If you quantize the magnitude, it is digital. That is by definition. No, you haven't. You merely have a signal at a set of discrete levels. Sheesh! That *is*, by definition a digital signal. Really? Suppose I show you an oscilloscope screen which is displaying a single line of video, which happens to be carrying an 8-level gray-scale pattern. It clearly shows a set of discrete levels. Well it shows what was once a set of discrete levels. Since it is now in the analog domain, there will be rise time, overshoot, tilt, simple inaccuracy, and etc. . Further, since this video happened to be created by a D/A converter with only three bits at the input (our video generator was built on the cheap!), those are the ONLY levels this signal may exhibit. Is this a "digital" signal? It's an analog signal that represents something that was once quantized. Bull**** son. Look it up. I've provided you with quotes from an authoritative reference, twice now. You don't have to take my word for it, that *is* the agreed technical definition of the term. The definitions are fine, it is the misapplication of them that sticks. |
#203
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Floyd L. Davidson" wrote in message ... The signal can be reconverted to an analogue one later by a D to A. It's best to call that a quasi-analog signal... Why? What does that mean, EXACTLY, that isn't already conveyed (and conveyed more accurately) by other, more appropriate terms? What additional information does this "quasi-analog" nonsense bring to the party? Bob M. |
#204
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Floyd L. Davidson" wrote in message ... It is by definition. You can stand there and deny it all you like, but that just makes *you* look damned silly. I've cited impeccable and authoritative sources. You have not and cannnot cite anything that supports your opinion. Well, no, he's cited nothing but evidence and reason. I suppose those are ignorable to anyone who treats mere "definitions" as Holy Writ, but the rest of us somehow find them helpful. Again, I can cite equally acceptable and peer-reviewed sources which use EXACTLY the "definitions" and interpretation of these terms that Don and I and others are using here. Do you really think this sort of think should be decided by "battling authorities"? Tell you what - you present an argument that ISN'T based on an appeal to an authority, one which shows how your notions make rational sense, and I will in turn show you said "authorities" on the other side. Bob M. |
#206
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Floyd L. Davidson" wrote in message ... You don't appear to understand that the limited set of values makes it digital, by definition. PERIOD. More argument from authority. Yawn. Bob M. |
#207
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Floyd L. Davidson" wrote in message ... Wouldn't this make the output of a D/A converter digital by definition? It is in fact! It's a digital PAM signal. Indeed, v.90 modems make use of it. That's funny, so do the analog inputs of a PC monitor. Ya just gotta wonder - how do they KNOW? :-) However, just as you can convert an analog signal to digital, you can indeed convert digital to analog. One method is to produce a digital PAM signal and run it through an analog channel. Floyd, help me out here - is a length of coax an "analog channel" or a "digital channel"? Mine don't seem to be labelled.... Bob M. |
#208
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
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#209
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Floyd L. Davidson" wrote in message ... That is, since you seem unable to grasp or investigate it, the web site of the National Telecommunications and Information Administration, a part of the US Federal Department of Commerce, in Boulder Colorado. Which is to say they are next door to and under that same management as the NIST (the National Institute of Standards and Technology), and NOAA (National Oceanic and Atmospheric Administration) which you may also have heard of... Or, to put it another way, you will not find anywhere in the world a valid definition that disagrees with that one. If yours is not in agreement, you are *wrong*. And here, kids, we see the entire heart and soul of Floyd's argument. "My definitions are correct, because they come from a source that I considered to be correct. Any that aren't in agreement with these definition are wrong, since they aren't what I consider correct." Could it possibly GET any more circular than that? By the way, NIST is just up the road from me: I've contributed to (and corrected) several standards that NIST personnel were developing. None of those people, by the way, showed any evidence of halos or made any claims of infallibility. But by Gawd, Floyd will trust them implicitly, because, after all, they're the GUMMINT!!!!!! Logically you are walking the plank. Such technical definitions have nothing to do with logic. At least in your case, this is obvious. It is an arbitrary decision that it means this or it means that. If we all agree on the arbitrary decision then we have a standard, and we can use it knowing that others will understand what it means. Hardly arbitrary. Floyd, have you ever done ANY standards work at all? Erroneous definitions in such standards tend to stand until someone walks in to the committee meetings, notices the problem, and makes a compelling *logical* argument as to what the problem is and how to correct it. Then it gets cleaned up in the next revision. This does NOT mean that the older revision was correct up until the point of change, you know... Bob M. |
#210
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
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#211
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Floyd L. Davidson" wrote in message ... No I'm not. Let me explain with an example. Suppose I have a ramp that changes smoothly from 0 to 1 volt. Now I quantize it in steps of 0.1 volts. I now have a staircase that rises in 0.1V steps from 0 to 1 volt. You just digitized it. You can no longer have a value of 0.15 volts. You can't have a value of 0.15 volts, but it's still an "analog" signal and may be interpreted as such. Consider the example of a gray-scale-bar pattern in an ANALOG video system, mentioned earlier. The levels of the video signal are ANALOGOUS to the desired luminance level, and that's all it takes to be "analog." No. By definition it is not. With an analogue signal you have (technically) an infinite number of values between an input of 0.1 and 0.2. With digital you do not. Well, by Definitions According To Floyd it's not, but by any rational thought process Don is precisely right. And there can never be an "inifinite" number of values available in any signal, digital OR analog, per the Gospel According To St. Shannon. Digital doesn't mean numbers, it means discrete values. Seems like they would've called it "quantized," then, rather than using a term which contained the root word "digit" within it. Oh, wait - people DO use "quantized" whenever THAT word is applicable. Guess you must be confusing the two, huh? Bob M. |
#212
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Floyd L. Davidson" wrote in message ... What you need to get straight is that it is not *my* definition. It is the *standard* technical definition recognized by virtually *every* standards organization. Really? Then I shouldn't be able to find any standards organizations which use a conflicting definition, right? That is a logical fallacy on your part. An "argument from authority" has great weight if it is valid. To be valid it must pass three tests: 1) The authority cited must actually be an authority. 2) All authorities must agree on the topic. 3) The authority cannot be misquoted, taken out of context, or be joking. But ANY argument from authority always takes a back seat to an argument from evidence and reason, since those arguments directly undermine item (1) above. Prior to the very late 19th century, all "authorities" could be quoted as saying that it was impossible to create a heavier-than-air flying machine. They were all wrong. There is a nearly-endless supply of simlar examples. Clearly citing the NTIA and MilStd definition is indeed a *very* strong appeal to authority, and no mere opinion can even come close to invalidating it. Well, it's very strong, I suppose, if you're impressed by something simply being an NTIA or MIL standard; if you've actually seen such things being put together, you tend to lose a lot of reverence for them, and certainly would never consider them to be infallible. Standards also have a tendency to enshrine common but erroneous thoughts, simply because they ARE common and no one stops to question them before they get put into the standard, simply BECAUSE "everyone knows this" or "everyone says it." Arguments from authority have a nasty habit of breeeding more "authority," through cycles of repeated reference to incorrect notions. You know one way to be absolutely positive that your logic is not good is to do a reality check and find that the answer you have is wrong. It this case that is very easy to do, which is why *standard* definitions are quoted from authoritative sources. If you disagree, then clearly you *don't* have the logic right! You sound exactly as one who would be arguing, in early 1904, against investing in those crazy Wright brothers, since it's clear RIGHT HERE IN THIS TEXT that a flying machine is impossible! Anyone who says or even, God forbid, demonstrates otherwise clearly MUST be wrong. (This is the Reality Must Always Change to Conform To Established Thought position.) However, if you like, I can also point to several references which support the definition that Don and I (and So cite even one such valid reference! (You *cannot*, because there are none.) (And recognize that if you think you have one, then there is one of two things clearly true: Either 1) you do not understand that the other definition is not actually different, or 2) your reference is not a valid one.) Once again: "MY references are right, because they agree with me - YOURS simply MUST be wrong, because they don't!" What a wonderfully circular form of argumentation you have there! You are not a valid reference. You don't even come close to being equal to the NTIA. Floyd, who do you think makes up the NTIA or any other standards body? Gods who have come down from Olympus? Bob M. |
#213
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Floyd L. Davidson" wrote in message ... Floating point is analog, integer is digital. This will be news to anyone designing floating-point processors.... Bob M. |
#214
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Floyd L. Davidson" wrote in message ... You can repeat that all you like, but you are wrong every time you do. By *definition* it is a digital signal. quantization: A process in which the continuous range of values of an analog signal is sampled and divided into nonoverlapping (but not necessarily equal) subranges, and a discrete, unique value is assigned to each subrange. Funny, I don't see the word "digital" in there. Perhaps you could point it out? No one is arguing that "quantized" does not mean the above - but you seem to be arguing that "quantized" is precisely equivalent to "digital," while none of the definitions you provide say that. If you do not stay with standard definitions it is impossible to discuss anything rationally. Yes, you have made that quite evident. QUANTIZATION: A process in which the continuous range of values of an analog signal is sampled and divided into nonoverlapping (but not necessarily equal) subranges, and *a* *discrete*, *unique* *value* *is* *assigned* to each subrange. Yes, you said that again; you repeat it as though it were a mantra that would somehow make your particular odd misunderstandings correct. Again, please show me the word "digital" IN THIS DEFINITION. No matter how dense you want to be about it, that government "expert" happens to be right. And you cannot find *any* expert that will disagree. No one that you will accept as an "expert," at least, since apparently "by definition," an "expert" is someone who agrees with your position, and no one who disagrees could possibly be an "expert." Or can you please tell us some OTHER criteria that you would use to judge "expertise," so that we can search for "experts" that you would find authoritative? That is the *standard* definition, and virtually *everyone* agrees that it is correct. Since there are numerous respondants in this thread who apparently do NOT agree with your claim that this is the "standard definition," that statement is prima facie incorrect. Bob M. |
#215
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
On 8/20/07 11:30 PM, in article , "Floyd L.
Davidson" wrote: Don Bowey wrote: On 8/20/07 10:19 PM, in article , "Floyd L. Davidson" wrote: Don Bowey wrote: On 8/20/07 8:14 PM, in article , "Floyd L. Davidson" wrote: Of course if you then run that digital PAM signal through virtually any analog channel, it no longer has a limited set of values... Including a two foot piece of cable, or two inches with a small cap. Nope. It would take a fair sized cap. Keep in mind that that is *exactly* what a V.90 modem puts on a regular twisted pair telephone cable, and it works just fine for a couple miles at least, sometimes even much farther. And that signal is digital, and is processed as a digital signal by the receiving modem. Digital data CSUs and T1 transmitter line signals are digital and look similar to distorted square waves. An all 1's signal looks like a distorted sinewave . Your point is? (Besides the poor description? They don't look like distorted square waves. The look like only slightly distorted sine waves!) Have you looked at a DSX-1 envelope lately? Yes. I've got the specs right here! :-) Literally, I have had a graph on my web site for several years now that I drew up to illustrate something I wrote once upon a time http://www.apaflo.com/floyd_davidson/t1pulse.jpg (snip) The pulse for which you provided the link, is not DSX-1, because it will not fit within the DSX-1 envelope. I posted the DSX-1 template, and a representative pulse within it (MS Word), on a.b.s.e. The pulse shown was from equipment that generated the pulse using an analog method. As you can see from the envelope, other pulses, specifically, those generated digitally, could be much more "square" if given enough processing time. Numeric points for plotting the template to a spreadsheet are available if anyone wants them, but I will be away until next Saturday. |
#216
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Floyd L. Davidson" wrote in message ... (Again, that is the nature of arbitrary definitions, this time of what "encode" and "modulate" mean.) Definitions are arbitrary only to those who don't truly understand them. Bob M. |
#217
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Floyd L. Davidson" wrote in message ... Your opinion of standard definitions is worthless. ....because it disagree's with Floyd's opinion, and Floyd has somehow been granted Infallibility by the Gods of Technology. Or does that only apply when you are wearing the big white hat and formally speaking ex cathedra? Bob M. |
#218
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Floyd L. Davidson" wrote in message ... Again, not really true. Quantized is necessarily digitized. Why? And please, for a change, try to cite a REASON, not merely a definition. After all, if you have the level of understanding of this topic that you implicitly claim, you should easily be able to do that. Bob M. |
#219
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Floyd L. Davidson" wrote in message ... Look up the definition of "quantization" again. It simply makes no difference. If an analog signal is quantized, the result is a digital signal. That is by definition, and you cannot escape that with mumbo-jumbo and faulty logic. But of course, you haven't yet even posted a definition which says that, let alone provided any reasoning which would support such a definition. Bob M. |
#220
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Floyd L. Davidson" wrote in message ... Note, for example, that an analog current is quantized in units of the charge on the electron. No, in fact it is not. Electrons do not necessarily all move at the same speed... Ummmm - now you have a problem with the definition of the units used to quantify current? An Ampere (the standard unit of current) is defined as 1 Coulomb of charge passing a given point per second, and the Coulomb is most definitely defined in terms of the fundamental unit of charge (which equals the magnitude of charge on a single electron). Nothing in this requires all the electrons to be moving at the same speed, any more than a flow of 10 gallons/hour of water requires that I move each ounce of water at the same rate. Geeze, Floyd, which is it? Either definitions are important, or they're not. Bob M. |
#221
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
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#222
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
Floyd L. Davidson wrote:
Jerry Avins wrote: Arny Krueger wrote: ... Yet another *eggspurt* who has never looked at the output of a good DAC with a scope. Scope? SCOPE? isn't that an analog device? True digital work is don with pencil, paper, and calculator. Theory rules! And you, like Arny, probably have no idea what you'd see on a decent scope anyway. I'd like Arny to explain how he can look at a scope and tell if a single cycle of a sine wave is an analog signal representing one cylce of a pure tone, or is just a digital signal that represents 8000 different bytes of data from a digital image. If it comes down a wire, it's analog. You wrote that yourself at one point. Jerry -- Engineering is the art of making what you want from things you can get. ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ |
#223
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
Floyd L. Davidson wrote:
Jerry Avins wrote: Floyd L. Davidson wrote: (Don Pearce) wrote: ... You have cited a source that is describing something else. It is a Bull**** Don, that is abjectly stupid to claim. source that you claim is authoritative and impeccable. Kindly go and read what it has to say on the Nyquist rate and come back and repeat that claim without blushing. Actually I'm betting you won't blush because you won't understand the problem. Nyquist rate: The reciprocal of the Nyquist interval, i.e., the minimum theoretical sampling rate that fully describes a given signal, i.e., enables its faithful reconstruction from the samples. Note: The actual sampling rate required to reconstruct the original signal will be somewhat higher than the Nyquist rate, because of quantization errors introduced by the sampling process. So, quantization error is the reason one has to sample faster than the Nyquist rate! If you believe that, there's a bridge I want to sell you. If you don't understand what they said, you probably do have a bridge that somebody sold you... Maybe I didn't understand. Please clarify "The actual sampling rate required to reconstruct the original signal will be somewhat higher than the Nyquist rate, *because of quantization errors introduced by the sampling process"* (emphasis added). Jerry -- Engineering is the art of making what you want from things you can get. ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ |
#224
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
Don Bowey wrote:
On 8/21/07 8:02 AM, in article , "Jerry Avins" wrote: Arny Krueger wrote: ... Yet another *eggspurt* who has never looked at the output of a good DAC with a scope. Scope? SCOPE? isn't that an analog device? True digital work is don with pencil, paper, and calculator. Theory rules! Jerry Since I see no smiley face to let us know you are jesting, I have to believe you really mean it. In which case I have to believe you aren't as bright as you were sounding. A final test of applied theory is..... Does it work as intended? Where's my scope? Sorry, Don. I thought the sarcasm would be obvious. Jerry -- Engineering is the art of making what you want from things you can get. ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ |
#225
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Arny Krueger" wrote:
"Floyd L. Davidson" wrote in message ... Jerry Avins wrote: Arny Krueger wrote: ... Yet another *eggspurt* who has never looked at the output of a good DAC with a scope. Scope? SCOPE? isn't that an analog device? True digital work is don with pencil, paper, and calculator. Theory rules! And you, like Arny, probably have no idea what you'd see on a decent scope anyway. (1) A decent scope gives a pretty close approximation of what theory predicts. True. Theory predicts that you cannot look at a scope and tell what kind of information, digital or analog, is carried by a signal. So one wonders why you want to talk about scopes. (2) I was probably working with decent scopes before you were born. Nobody made a "decent" scope for several years after I was born. Bringing up the distraction of looking at such signals with a scope clearly indicates that you do not understand it. You *cannot* distinguish between digital and analog signals with a scope. (See below, for a very good example of why that is true.) I'd like Arny to explain how he can look at a scope and tell if a single cycle of a sine wave is an analog signal representing one cylce of a pure tone, or is just a digital signal that represents 8000 different bytes of data from a digital image. I've seen both kinds of data many times. Imaging data almost never looks like sine waves. It *commonly* does. Every time anyone fires up a v.90 modem and downloads *anything*, the waveform on the signal from the telco to the subscriber's v.90 modem looks like sine waves. That is true whether it is imaging data, text, voice, or whatever else you can think of. But in fact those "sine waves" are as much as 8000 bytes per second digital signaling. And if you put your scope on the line and look at them, and then hang up the phone and make a voice call, you will not be able to see *any* difference between the analog voice signal and the v.90 protocol digital signal! The reason is because there absolutely is no difference at all. Both signals are generated in exactly the same way by the exact same CODEC in the line card at the telco. They necessarily will look identical on a scope. -- Floyd L. Davidson http://www.apaflo.com/floyd_davidson Ukpeagvik (Barrow, Alaska) |
#226
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Bob Myers" wrote in news:faf4co$co5$1
@usenet01.boi.hp.com: Really? Then I shouldn't be able to find any standards organizations which use a conflicting definition, right? The nicest thing about standards is that there are so many from which to choose. -- Scott Reverse name to reply |
#227
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Bob Myers" wrote:
"Floyd L. Davidson" wrote in message ... "Analog" != "continuous," even though most commonly "analog" signals are also continuous in nature. Analog signals are by *definition* continous. Nonsense. You don't believe it is possible to sample an "analog" signal and have it remain analog? I didn't say that an analog signal is always present. I said the value representation is by definition continuous. If you cannot understand these simple things without it being spelled out in detail what they mean... You have misunderstood what that means though. The analog value of a signal is continuous, Well, THAT certainly makes it clearer.... And of course you had no idea until now that that is what we've always been talking about, right? The fact that this sort of trivial detail has to be explained to you certainly indicates just how uninformed you are on this topic. You should not be arguing with anyone about it, but asking questions and learning. Since you seem to be so hung up on definitions, Floyd, try this one on for size: Continuous: unchanged or uninterrupted: continuing without changing, stopping, or being interrupted in space or time. Now apply that to the value of an analog signal, and you too can have a good understanding of the definitions used to distinguish between analog and digital. Please note that a non-existent signal cannot be either analog or digital. Hence when you try to weasel out of valid definitions for a signal by claiming that pulsed samples are not continuous, it might seem cute to you, but it is trivially childish. The definition does not say that the signal's *existence* is continuous, it says that the *value* of the signal is continuous for analog while digital has a finite set of discrete values. Note that this does not say anything at all about the range of possible values being "continuous" (which is what you seem to be trying to say in the above). True, it doesn't say anything at all about the definitions of digital and analog, so one wonders why you would bring up such a childish and trivial attempt at obfuscation. Other than the obvious fact that it has finally dawned on you that the definitions provided are in fact rigorously correct... -- Floyd L. Davidson http://www.apaflo.com/floyd_davidson Ukpeagvik (Barrow, Alaska) |
#228
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Arny Krueger" wrote:
"Floyd L. Davidson" wrote: Regardless, the idea that you think looking at a signal with a scope will tell you if it is digital or analog suggests that you weren't paying attention when you studied basic signal theory, if you ever did. I aced "Signals And Systems Analysis" and placed high in "Linear Stochastic Optimal Control" - probably the heaviest signals trips I ever took. Then you *should* know that you cannot look at signals on a scope and tell if they are analog or digital. How do you explain the conflict between what you claim your education is and the practical level your previous post demonstrated? -- Floyd L. Davidson http://www.apaflo.com/floyd_davidson Ukpeagvik (Barrow, Alaska) |
#229
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Questions about equivalents of audio/video and digital/analog.
"Bob Myers" wrote:
"Floyd L. Davidson" wrote in message ... If you quantize the magnitude, it is digital. That is by definition. No, you haven't. You merely have a signal at a set of discrete levels. Sheesh! That *is*, by definition a digital signal. Really? Do you need the definitions repeated? If the values are discrete and from a finite set, that is defined as digital. Crawl into a corner and deny standard definition of terms if you like, but it means that nothing you say about the topic is credible. Suppose I show you an oscilloscope screen which is displaying a single line of video, which happens to be carrying an 8-level gray-scale pattern. It clearly shows a set of discrete levels. It shows no such thing. You cannot tell from looking at it how many levels it could possibly have. You can't actually tell (just from looking at it) how many levels it has at any given instant. The scope simply does not tell you that sort of information. It only shows you what currently exists, and over a period of time you can (perhaps) get an idea of at least some of the possible range of variations. But you *cannot* tell if the variations are or are not discrete or continuous. Only if you already know absolutely what the format is, can you determine what part of the format you are seeing. Further, since this video happened to be created by a D/A converter with only three bits at the input (our video generator was built on the cheap!), those are the ONLY levels this signal may exhibit. Is this a "digital" signal? You have said nothing that makes it necessary one or the other. Bull**** son. Look it up. I've provided you with quotes from an authoritative reference, twice now. You don't have to take my word for it, that *is* the agreed technical definition of the term. Ah, Floyd - argument from authority again, huh? Ah, Bob... that is very clearly a *valid* appeal to authority. The quotes are indeed from an expert, virtually *all* experts agree with what that particular one said, and the quotes were in context and meant to be what I claim they are. Look it up in any reference work on logic, and you'll find that is precisely what makes such an argument valid. You, on the other hand, have a totally worthless opinion, with nothing at all to support it. And that's why you continue to make such gross errors! -- Floyd L. Davidson http://www.apaflo.com/floyd_davidson Ukpeagvik (Barrow, Alaska) |
#230
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Arny Krueger" wrote:
"Bob Myers" wrote in message ... "Floyd L. Davidson" wrote in message ... If you quantize the magnitude, it is digital. That is by definition. No, you haven't. You merely have a signal at a set of discrete levels. Sheesh! That *is*, by definition a digital signal. Really? Suppose I show you an oscilloscope screen which is displaying a single line of video, which happens to be carrying an 8-level gray-scale pattern. It clearly shows a set of discrete levels. Well it shows what was once a set of discrete levels. Since it is now in the analog domain, there will be rise time, overshoot, tilt, simple inaccuracy, and etc. . That has no relevance to whether it represents a discrete set of values. Further, since this video happened to be created by a D/A converter with only three bits at the input (our video generator was built on the cheap!), those are the ONLY levels this signal may exhibit. Is this a "digital" signal? It's an analog signal that represents something that was once quantized. It could also be a digital signal. You simply cannot tell from looking at a scope. Bull**** son. Look it up. I've provided you with quotes from an authoritative reference, twice now. You don't have to take my word for it, that *is* the agreed technical definition of the term. The definitions are fine, it is the misapplication of them that sticks. Oh, are we back to the idea that the NTIA had never heard of PCM when they came up with those definitions? In fact, *you* are not able to apply them, as is obvious from what you said above. -- Floyd L. Davidson http://www.apaflo.com/floyd_davidson Ukpeagvik (Barrow, Alaska) |
#231
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
Floyd L. Davidson wrote:
No, you haven't. You merely have a signal at a set of discrete levels. Sheesh! That *is*, by definition a digital signal. Maybe you should go back to look at the root of the word "analogue". It is the same as "analogy". And, usually, it means that a physical entity is represented (by analogy) by an other physical entity. For example, a mercury thermometer uses the "length", a physical entity, to represent the "temperature", an other physical entity. The analogy is "inches" ("millimeters") to "degrees". A pressure gauge uses "angle degrees" as analogy for "pascal". So it does an analog volt meter. On the other side we have digital, where a number is used to represent a physical entity. And this is a just plain number, so the signal represented has no physical energy, only statistical. A digital thermometer shows directly the temperature as a number. All this has nothing to do with sampled, discreet, quantized, continuous an so on. Sometimes the analogy is one to one (length for length, for example), but the concept is the same. bye, -- piergiorgio |
#232
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Floyd L. Davidson" wrote in message ... Except that "absence of noise" is a condition which doesn't exist, even in theory. Apparenlty Claude Shannon didn't agree with you on that. And apparently you don't understand what was meant in the above. It is theoretically impossible for any real-world communications channel to be noise-free or possessed of infinite bandwidth. Do you disagree with this statement? If so, please show the error. This does not prevent a noise-free channel from being IMAGINED, and used as the basis for a mathematical analysis, which is what Shannon did. But Shannon most definitely did NOT expect any such thing to be realized, and fully understood why it could not be. Have you even read Shannon's paper? In section V (27), Shannon makes virtually the same statement I gave earlier re the notion of "infinite" levels: "This means that to transmit the output of a continuous source with *exact recovery* [emphasis Shannon's] at the receiving point requires, in general, a channel of infinite capacity (in bits per second). Since ordinarily channels have a certain amount of noise, and therefore a finite capacity, exact transmission is impossible." Gee, here's another puzzler for you - throughout his paper, Shannon discusses channel capacity in terms of "bits per second." Does this mean that his work is applicable only to digital systems? If not, why not? Bob M. |
#233
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Radium" wrote in message oups.com... On Aug 20, 8:47 am, "Bob Myers" wrote: You can also reduce the temporal frequency in the case of motion video. That's what I was talking about. Reducing the temporal frequency of the video w/out low-pass filtering or increasing the length of the movie. And THAT is simply using a lower frame rate in the first place. No "filtering" involved, per se, but it can have some undesired results in terms of the portrayal of motion, etc.. Bob M. |
#234
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Arny Krueger" wrote:
"Floyd L. Davidson" wrote: "Arny Krueger" wrote: "Floyd L. Davidson" wrote: Well, analog amplifiers generally have upper limits for frequencies that they will pass. Actually, they all do. However, if the upper limit is more than 2 or 3 times higher than the frequency spectrum of the signal, in effect they don't. Nope, the phase shift is appreciable down to Fc/10. Ever hear of Bode plots? "Appreciable" is not specific... The point is that in practical applications there are few effects at Fc/2 which are unreasonable. Measurable? Sure, but so what. For example... A typical voice channel provided by the telecommunications industry is often stated as a 4Khz wide channel. In fact of course it is not. The lower limit is determined by high pass filters designed to reduce 60Hz power line interference. Cutoff filters are usually at about 80 Hz for that. The high end is limited in digital systems by the need to avoid aliasing of frequencies above 4000Hz, so the LP filters generally have a cutoff between 3750 and 3850. Essentially that provides a 80-3750Hz channel, maximu. The industry only guarantees that they will provide 400-2800 Hz of bandwith over the Public Switched Telephone Network. Much of the reason for that is that phase shifts and envelop delay at frequencies from 3000 to 3750 are sometimes (but not always) high enough to be a problem (which would require special conditioning to correct for). You are saying the effects are "appreciable" down to 375 Hz, which means the _entire_ 400-2800Hz bandwidth is suffers "appreciable" effects. It can be measured, but it does *not* cause appreciable effects. The point is we are *not* talking about wideband amplifiers and narrow band signals, we are talking about practical applications where the two are very closely matched. Most digital audio is brick walled at 0.95 * Fs/2 or about 21 KHz. Most power amps are pretty flat up to about 50 KHz. So, as I've stated... your example shows that the filters are placed at 0.95 times the maximum possible frequency that can traverse the channel. And those filters are on the *input* to the channel. The fact that the power amp, the last part active of the system, actually has a greater bandwidth (even then, only 2x), is insignificant. What about the bandwidth of the output stages of the D to A converter... That is where it makes the most difference in regard to conversion of digital to quasi-analog to analog without appreciable artifacts. But secondarily, the speakers are also an important part of the overall channel... and ultimately the point at which a digital signal is absolutely converted to analog (perhaps artifacts and all). There's all sorts of phase distortion which occurs when the frequency response drops off. Usually, its pretty simple. Sure it is... That's why there are complete books published on what happens? For people who don't already know? You said it was simple. Apparently you should read up on the topic. That may not affect your ability to understand speech that is amplified through such a device, but it does have a really significant effect on other devices. For example, it makes an analog signal out of a digital PAM signal. Nope, the output of good DAC is generally even more severely band-limited Limited by the sampling rate. Well, by the brick wall filter which is usually set as stated above. The brick wall filtering is on the channel *input*, to prevent aliasing. It does not limit what could show up on the output, as if it were not there the frequencies that it removes would be folded at the output anyway. The absolute upper limit (at which point it generates 100 percent distortion) is Fs/2, for input bandwidth. than that of a good amplifier. That's why they call the filtering in DACs "brick wall filters". That is to prevent aliasing though, DACs can't alias. Only ADCs can alias. Improperly filtered DACs may produce images. Okay... if you want to limit this to separating the ADC from the DAC, the DAC doesn't have the brick wall filter, the ADC does. How do you get an image out of a DAC, if it wasn't produced at the ADC? Improperly filtered channel output might have artifacts from the sampling though, but no HP output filtering is necessary to remove any signal resulting from the input signal. and is actually a higher frequency cutoff than what is required to affect the resulting output. And they are used on the *input*, not on the output. The input side of a digital system is called an ADC, not a DAC as you just said. They are both part of a "digital channel", and *that* is what I am talking about. Nothing else makes sense in this context. -- Floyd L. Davidson http://www.apaflo.com/floyd_davidson Ukpeagvik (Barrow, Alaska) |
#235
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
On Tue, 21 Aug 2007 07:00:57 -0800, (Floyd L.
Davidson) wrote: Nyquist's theorem: A theorem, developed by H. Nyquist, which states that an analog signal waveform may be uniquely reconstructed, without error, from samples taken at equal time intervals. The sampling rate must be equal to, or greater than, twice the highest frequency component in the analog signal. Synonym sampling theorem. Go ahead and defend. Claude Shannon proved it mathematically in the late 1940's. You are free to dispute Shannon... I don't dispute Shannon and he didn't write the above. Show me how sampling at a rate equal to twice the highest frequency works. It is there quite explicitly. Could you not even spot that? The entire clause "must be equal to" is incorrect. But I forget, this is authoritative so it must be right. Shame Shannon got it wrong all those years ago, isn't it? d -- Pearce Consulting http://www.pearce.uk.com |
#236
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Questions about equivalents of audio/video and digital/analog.
"Radium" wrote in message ps.com... Actually I don't want other parts to be unchanged. What I would like is the temporal frequencies [of all parts of the video] to be decreased but without decreasing the speed of the video signal. And here's where you need to be clearer, and very likely do some more thinking about what you're after - exactly what do you mean by "speed" of the video signal? Bob M. |
#237
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
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#238
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Questions about equivalents of audio/video and digital/analog.
On Tue, 21 Aug 2007 07:06:03 -0800, (Floyd L.
Davidson) wrote: (Don Pearce) wrote: On Mon, 20 Aug 2007 22:36:22 -0800, (Floyd L. Davidson) wrote: (Don Pearce) wrote: On Mon, 20 Aug 2007 16:35:14 -0800, (Floyd L. Davidson) wrote: A "quantized analogue signal" is digital by definition. No, you haven't. You merely have a signal at a set of discrete levels. Sheesh! That *is*, by definition a digital signal. If you put that signal through an analogue amplifier, it will be amplified. That makes it an analogue signal. It wasn't analog until you ran it through an analog amplifier. Really? Suppose that having put it through the amplifier (somehow converting it to an analogue signal, it now appears), I now put it through an attenuator, dropping it back to its original size. It is now identical to what went into the amplifier. Has the attenuator converted it back to a digital signal, or is it still analogue? Think about this carefully please. It really is at the heart of what we are talking about. Well, analog amplifiers generally have upper limits for frequencies that they will pass. There's all sorts of phase distortion which occurs when the frequency response drops off. That may not affect your ability to understand speech that is amplified through such a device, but it does have a really significant effect on other devices. For example, it makes an analog signal out of a digital PAM signal. Bull****. Unless of course you are claiming that all digital signals have perfectly flat tops and vertical edges. Is that your claim, Floyd? You are no longer waving, but drowning. Just admit you have this all wrong and bow out with as much grace as you can manage. Phase may not affect your ears much, but it does affect the data. It has nothing to do with flat tops and vertical edges, which seem to be something you can't get around. I know you don't understand that, but everything else seems hard for you too. Floyd, you have just claimed (in public!, this really is pricelessly funny) that an amplifier is a D to A converter. I would like to know if an attenuator is an A to D converter. If you think about the above for awhile, you're in for a big surprise. All of a sudden he has no answer. Come on Floyd - it is your claim that an amplifier is a D to A converter. Now put up or shut up. Defend it or admit you have screwed up. My point is that there is a lot more to a practical amplifier than just simple gain. Sorry that you missed the point, again. No. You said that a signal that goes into an amplifier digital will come out analogue. Now justify that piece of **** or go away. d -- Pearce Consulting http://www.pearce.uk.com |
#239
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Questions about equivalents of audio/video and digital/analog.
"Floyd L. Davidson" wrote in message ... "Arny Krueger" wrote: "Floyd L. Davidson" wrote in message ... Jerry Avins wrote: Arny Krueger wrote: ... Yet another *eggspurt* who has never looked at the output of a good DAC with a scope. Scope? SCOPE? isn't that an analog device? True digital work is don with pencil, paper, and calculator. Theory rules! And you, like Arny, probably have no idea what you'd see on a decent scope anyway. (1) A decent scope gives a pretty close approximation of what theory predicts. True. Theory predicts that you cannot look at a scope and tell what kind of information, digital or analog, is carried by a signal. So one wonders why you want to talk about scopes. Not true. Theory predicts the scope pattern that various kinds of signals will produce. (2) I was probably working with decent scopes before you were born. Nobody made a "decent" scope for several years after I was born. Yeah, sure. Bringing up the distraction of looking at such signals with a scope clearly indicates that you do not understand it. You *cannot* distinguish between digital and analog signals with a scope. As a rule, I can. Been doing it for about half a century, more or less. (See below, for a very good example of why that is true.) I'd like Arny to explain how he can look at a scope and tell if a single cycle of a sine wave is an analog signal representing one cylce of a pure tone, or is just a digital signal that represents 8000 different bytes of data from a digital image. I've seen both kinds of data many times. Imaging data almost never looks like sine waves. It *commonly* does. Every time anyone fires up a v.90 modem and downloads *anything*, the waveform on the signal from the telco to the subscriber's v.90 modem looks like sine waves. You've picked a situation where *everything* including no data at all looks like sine waves. What you see on a modem line is not the actual data, you see that data modulating sine waves. That is true whether it is imaging data, text, voice, or whatever else you can think of. So what? But in fact those "sine waves" are as much as 8000 bytes per second digital signaling. So what? And if you put your scope on the line and look at them, and then hang up the phone and make a voice call, you will not be able to see *any* difference between the analog voice signal and the v.90 protocol digital signal! So what? The reason is because there absolutely is no difference at all. Both signals are generated in exactly the same way by the exact same CODEC in the line card at the telco. They necessarily will look identical on a scope. So what? |
#240
Posted to sci.electronics.basics,rec.video.desktop,comp.dsp,rec.audio.tech,rec.photo.digital
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Questions about equivalents of audio/video and digital/analog.
"Don Bowey" wrote in message ... On 8/21/07 8:36 AM, in article , "Floyd L. Davidson" wrote: Jerry Avins wrote: Arny Krueger wrote: ... Yet another *eggspurt* who has never looked at the output of a good DAC with a scope. Scope? SCOPE? isn't that an analog device? True digital work is don with pencil, paper, and calculator. Theory rules! And you, like Arny, probably have no idea what you'd see on a decent scope anyway. I'd like Arny to explain how he can look at a scope and tell if a single cycle of a sine wave is an analog signal representing one cylce of a pure tone, or is just a digital signal that represents 8000 different bytes of data from a digital image. At this point I need to say "who cares how it was generated?" It sure won't need to be passed through any analog channel to make it analog. It is analog by the time it gets off the board that generating it. At some level every signal is analog. The digital nature of a signal comes from how it is coded and decoded. |
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