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#81
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Are modern recordings so bad that they would sound the same if recorded on a cassette?
dave weil wrote:
On Thu, 6 May 2004 09:12:20 -0400, "Arny Krueger" wrote: dave weil wrote: On Thu, 6 May 2004 06:03:11 -0400, "Arny Krueger" wrote: One has to question the ears of someone who would keep it in use. When dealing with inherently flawed media such as cassette, first install the figurative nose clips. This deck is primarily used to transcribe pre-recorded cassettes. Why would you use this instead of decks that could optimize the sound of such deficient cassettes? Because I have other, far more flexible and powerful tools for optimizing sound quality of prerecorded tapes during the transcription process. But why use something that doesn't measure as good as other decks that you use? Because I've compared results. Why not at least start with the best source? "practically as good as" suffices. One of the advantages of your Tascam 122 is HX. HX does nothing for pre-recorded tapes and tapes from your archives. And your point is? That's only one "advantage". Agreed, but... The main advantage to me was getting a very good rack-mountable and highly adjustable deck for less than $150. Plus, it's easy to get worked on and adjusted here in Nashville, since they are almost the standard for record companies (probably one of the two or three most popular transcription decks). I've also heard that it's far easier to work on than the newer models. I look at the total system. |
#82
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Are modern recordings so bad that they would sound the same if recorded on a cassette?
dave weil wrote:
On Thu, 06 May 2004 09:50:18 -0500, dave weil wrote: The main advantage to me was getting a very good rack-mountable and highly adjustable deck for less than $150. Plus, it's easy to get worked on and adjusted here in Nashville, since they are almost the standard for record companies (probably one of the two or three most popular transcription decks). I've also heard that it's far easier to work on than the newer models. What I meant by this is that this particular deck *was* virtually the standard for many years (probably not so much now as if cassettes are needed, they likely have the Mk3 or one of the nice Naks) and is extremely well-known by every tech in town. They can work on this thing in their sleep and will continue to be able to do so for years to come. I have no problems with the Tascam 122. At one point I seriously considered getting one of my own, same source. Then I looked at the practical perforamnce of the Tascam at hand. |
#83
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Are modern recordings so bad that they would sound the same if recorded on a cassette?
dave weil wrote:
On Thu, 6 May 2004 09:23:35 -0400, "Arny Krueger" wrote: if you want to see specs on a nice machine, check out the pp 17-18 of http://www.tascam.com/products/122mk...III_manual.pdf . This looks nice on paper but the devil is in the details and the larger context. For example the flutter and wow numbers systematically ignore many kinds of FM & AM distortion that are there. The FR numbers are taken at an unrealistic -20 dB level. the SNR numbers include some pretty agressive filtering. Not to detract from the fact that it is a fine cassette deck. But its still just a cassette deck. I just quoted those specs myself in a previous post. I'm guessing that they're very close to the original 122. Not a lot has changed in cassette technology over many years but the digital enhancements I covered in another post. This Tascam seems to ignore them. How are the wow and flutter specs *any* different that the specs quoted for the Sony? We don't know for sure since the test conditions are not fully stated. How do the SNR measurements differ than the Sony in terms of how you can verify the filter impact? We don't know for sure since the test conditions are not fully stated. Yes, it's still just a cassette deck. But it's clearly better than the Sony. No argument if you're talking about my Sony. Sony does have some new machines that look interesting, if one can muster serious interest in cassette as a recording medium. I can't. For someone interested in making the best cassettes that they can, this deck is a good choice. The relevant word is: "making". At the moment, my interest in making the best cassettes possible is zero. Making the best cassettes possible is like making the best candles possible. Interesting in the artistic sense, but no practical day-to-day use for just about everybody. No, it's not a Dragon, but it doesn't cost nearly as much either. It's not clear that the Dragon was THAT much better. No HX AFAIK. BTW, the Dragon seems to have that despised auto-reverse feature... And if you're willing to "settle" for an original 122, they are plentiful and dirt cheap for what you get. ....if you want to make your own cassettes for some serious use. |
#85
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Are modern recordings so bad that they would sound the same if recorded on a cassette?
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#86
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Arny Krueger is insane, as well as a ***BAD SCIENTIST***
"George M. Middius" wrote in message ... UnionPac2001 said to The Big ****: Apparently you are the expert on "pathetic". What makes you so sure that MY life is pathetic? Just because I may be misinformed on this topic is no cause to call my life pathetic. I'm reasonably sure there are some topics that I may be more knowledgeable about than you are, but that doesn't make YOUR life pathetic, does it? Heck no. Krooger's life is pitiable, mostly because of his mental incapacity, but for several other weighty factors as well. UnionPac2001, Join Trevor Wilson and Robert Morein in the elite group of Kreuger [sic] labeled mental defectives. ANYONE who disagrees with him immediately acquires the label. As George Middius points out, I was very late to pick up the fact that Kreuger is insane. He talks a slick pater until the insanity pops out like a "big log". Krueger's personality is dysfunctional and his science laughable. *****BAD SCIENTIST ALERT***** |
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