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#1
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Size of stereo MP3s & mono the same?
Because stereo wavs take up more space than mono, I've always tended to
email mono files if the file is from a mono source (eg voice-over). This has affected how my projects are set up, which panning law I use etc. I just discovered that MP3s of the same content are the same size, mono OR stereo. Huh? Now this I could perhaps understand if there is no difference in the content of each channel (still a mono source) but it seems to be the case even if there originally is stereo content. |
#2
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Size of stereo MP3s & mono the same?
How have you specified the MP3 compression? If it's bits per second, a
mono version *will* be identical in size to the stereo version. Also, I believe MP3 uses a mid/side representation, since (as in FM stereo) you can assume that most of the information is actually in the mid so side can be compressed more agressively. If so, a mono signal encoded as a stereo MP3 is all mid, no side -- and the genuinely mono MP3, again, would be essentially the same data. So that's two possible explanations for your observation. |
#3
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Size of stereo MP3s & mono the same?
"Joe Kesselman" wrote in message ... How have you specified the MP3 compression? If it's bits per second, a mono version *will* be identical in size to the stereo version. Also, I believe MP3 uses a mid/side representation, since (as in FM stereo) you can assume that most of the information is actually in the mid so side can be compressed more agressively. If so, a mono signal encoded as a stereo MP3 is all mid, no side -- and the genuinely mono MP3, again, would be essentially the same data. So that's two possible explanations for your observation. I think that the Apple iTunes encoder refers to this as "Joint Stereo" encoding. If I understand correctly how it works, the encoder optimizes the file size whenever it can by looking for the mono component of the file. dave |
#4
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Size of stereo MP3s & mono the same?
The size of an MP3 file depends on the bit rate such as 128 kb/sec for
CBR or constant bit rate encoding. Note that this is very different from the sample rate like 44.1 kHz or 48 kHz which is function of how the analog signal is digitized. You can raise or lower the bit rate to trade off quality and file size. Note that if you don't change the bit rate, the mp3 file size will be the same for mono or stereo. However, you should be able to reduce the bit rate somewhat for mono and have the equivalent quality of a stereo file at the higher bit rate. This will not necessarily be a 2:1 relationship, however, because of the existing correlation between the two channels improves the sound quality relative to file size. |
#5
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Size of stereo MP3s & mono the same?
Karl Engel wrote:
Because stereo wavs take up more space than mono, I've always tended to email mono files if the file is from a mono source (eg voice-over). This has affected how my projects are set up, which panning law I use etc. I just discovered that MP3s of the same content are the same size, mono OR stereo. Huh? Now this I could perhaps understand if there is no difference in the content of each channel (still a mono source) but it seems to be the case even if there originally is stereo content. When you encode an MP3, you tell the encoder how much actual bandwidth you have available to send it. Then, the encoder throws stuff away so that the signal can fit in that bandwidth. If you have a stereo signal that you want to fit through a given pipe, and a mono signal you want to fit through the same pipe, the encoder will throw away a lot more data from the stereo signal, in order to make it fit. That's why it's called "lossy encoding" and the amount of loss that you get depends on the data rate you tell the encoder you have. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
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