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How consistent are studio monitors of the same make and model?
geoff wrote:
And they (and others) still leech off the concept by repeating or emulating the cunning plan of the distinctive white bass drivers, made highly visible in photos from many studio control rooms - most of those buying them thinking that they were there because they sounded so GOOD ! Compared with some of the soffit-mounted monitoring systems of the day they might have seemed like a step up too. I learned to mix on Altec 604s that made the NS-10 top end seem tame and controlled. My god, how much better things are now. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
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