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#1
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Alternative to testing a speakers frequency response besides anechoic chamber
What's an alternative to testing a speakers frequency response besides using
an anechoic chamber? Could we use MLS to manage the effects of room reflections What is MLS exactly ? What does it involve? Do we need a special software package that outputs a pulse through the soundcard for the speaker amp, and listens through the mike for a set period, then applies fourier analysis to the wave that comes back from the mike? Would anyone know of the following method: putting a pulse through a speaker, and then gate the mike off after 50 milliseconds, or whatever, before the echos are back. But to use this method we'd need to feed the mike to the sound card and have a fourier analysis software? Anyone ? Thanks for any help, Mark |
#2
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Mark,
putting a pulse through a speaker, and then gate the mike off after 50 milliseconds, or whatever, before the echos are back. You nailed it. And you can do that with the terrific yet reasonably priced ETF software. Go here to learn mo www.acoustisoft.com I use ETF to assess room response. I have not used the gate feature for measuring speakers independent of the room, but it can do that too. --Ethan |
#3
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Mark,
putting a pulse through a speaker, and then gate the mike off after 50 milliseconds, or whatever, before the echos are back. You nailed it. And you can do that with the terrific yet reasonably priced ETF software. Go here to learn mo www.acoustisoft.com I use ETF to assess room response. I have not used the gate feature for measuring speakers independent of the room, but it can do that too. --Ethan |
#4
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On Sun, 16 May 2004 10:00:33 -0400, "mark"
wrote: What's an alternative to testing a speakers frequency response besides using an anechoic chamber? Could we use MLS to manage the effects of room reflections What is MLS exactly ? What does it involve? Also check : http://bofinit.com/Manuals/WinAIRR/WinAIRR.html which sells for $50. The length of time that the listening window stays open affects low frequency measurements, so these still require big rooms or going outdoors. Chris Hornbeck |
#5
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On Sun, 16 May 2004 10:00:33 -0400, "mark"
wrote: What's an alternative to testing a speakers frequency response besides using an anechoic chamber? Could we use MLS to manage the effects of room reflections What is MLS exactly ? What does it involve? Also check : http://bofinit.com/Manuals/WinAIRR/WinAIRR.html which sells for $50. The length of time that the listening window stays open affects low frequency measurements, so these still require big rooms or going outdoors. Chris Hornbeck |
#6
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mark wrote:
What's an alternative to testing a speakers frequency response besides using an anechoic chamber? There really isn't one. Could we use MLS to manage the effects of room reflections What is MLS exactly ? What does it involve? You can minimize the effects of room reflections, but your low end corner is still going to be dependant on the size of the room. If you want low end measurements, you're still going to have to make sure the first room echo doesn't arrive before the end of the first cycle. Do we need a special software package that outputs a pulse through the soundcard for the speaker amp, and listens through the mike for a set period, then applies fourier analysis to the wave that comes back from the mike? Would anyone know of the following method: putting a pulse through a speaker, and then gate the mike off after 50 milliseconds, or whatever, before the echos are back. But to use this method we'd need to feed the mike to the sound card and have a fourier analysis software? Yes, you will need a calibrated laboratory microphone, and doing impulse and MLS testing is going to require a much better microphone than is required for swept sine testing. You can look into the MLSSA software, which seems to be popular in a lot of facilities. It's not magic, but it does make a lot of routine testing much easier than swept sine work. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#7
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mark wrote:
What's an alternative to testing a speakers frequency response besides using an anechoic chamber? There really isn't one. Could we use MLS to manage the effects of room reflections What is MLS exactly ? What does it involve? You can minimize the effects of room reflections, but your low end corner is still going to be dependant on the size of the room. If you want low end measurements, you're still going to have to make sure the first room echo doesn't arrive before the end of the first cycle. Do we need a special software package that outputs a pulse through the soundcard for the speaker amp, and listens through the mike for a set period, then applies fourier analysis to the wave that comes back from the mike? Would anyone know of the following method: putting a pulse through a speaker, and then gate the mike off after 50 milliseconds, or whatever, before the echos are back. But to use this method we'd need to feed the mike to the sound card and have a fourier analysis software? Yes, you will need a calibrated laboratory microphone, and doing impulse and MLS testing is going to require a much better microphone than is required for swept sine testing. You can look into the MLSSA software, which seems to be popular in a lot of facilities. It's not magic, but it does make a lot of routine testing much easier than swept sine work. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#8
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On Sun, 16 May 2004 10:00:33 -0400, mark wrote:
What's an alternative to testing a speakers frequency response besides using an anechoic chamber? Test them outdoors? A grassy field is fairly anechoic. Wind noise might cause a few problems. |
#9
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On Sun, 16 May 2004 10:00:33 -0400, mark wrote:
What's an alternative to testing a speakers frequency response besides using an anechoic chamber? Test them outdoors? A grassy field is fairly anechoic. Wind noise might cause a few problems. |
#10
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"Scott Dorsey" wrote in message ... mark wrote: What's an alternative to testing a speakers frequency response besides using an anechoic chamber? There really isn't one. Could we use MLS to manage the effects of room reflections What is MLS exactly ? What does it involve? You can minimize the effects of room reflections, but your low end corner is still going to be dependant on the size of the room. If you want low end measurements, you're still going to have to make sure the first room echo doesn't arrive before the end of the first cycle. Do we need a special software package that outputs a pulse through the soundcard for the speaker amp, and listens through the mike for a set period, then applies fourier analysis to the wave that comes back from the mike? Would anyone know of the following method: putting a pulse through a speaker, and then gate the mike off after 50 milliseconds, or whatever, before the echos are back. But to use this method we'd need to feed the mike to the sound card and have a fourier analysis software? Yes, you will need a calibrated laboratory microphone, and doing impulse and MLS testing is going to require a much better microphone than is required for swept sine testing. You mean it hasn't been "re-calibrated"? We are using a Earthworks M30 BX microphone. It's calibrated from factory isn't it? And it's new. You'd send it for re-calibration every couple of years, or once a year if you're really really anal retentive. Besides, the peaks and valleys in a speaker span a good number of decibels, and most of the time there's nothing you can do about it; so does it really matter if we we're off by plus or minus 0.2 dB here and there? Can't even hear such subtle differences. Do we still have to consider the room we do the test in. Or should we consider doing it outside? The floor at the back is a cement floor, firmly attached to the planet. All we need is something soft to put under the speaker, like the foam pad? Can we place the speaker box on the cement floor flush with a open garage door and point the speaker box outside? You can look into the MLSSA software, which seems to be popular in a lot of facilities. It's not magic, but it does make a lot of routine testing much easier than swept sine work. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#11
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"Scott Dorsey" wrote in message ... mark wrote: What's an alternative to testing a speakers frequency response besides using an anechoic chamber? There really isn't one. Could we use MLS to manage the effects of room reflections What is MLS exactly ? What does it involve? You can minimize the effects of room reflections, but your low end corner is still going to be dependant on the size of the room. If you want low end measurements, you're still going to have to make sure the first room echo doesn't arrive before the end of the first cycle. Do we need a special software package that outputs a pulse through the soundcard for the speaker amp, and listens through the mike for a set period, then applies fourier analysis to the wave that comes back from the mike? Would anyone know of the following method: putting a pulse through a speaker, and then gate the mike off after 50 milliseconds, or whatever, before the echos are back. But to use this method we'd need to feed the mike to the sound card and have a fourier analysis software? Yes, you will need a calibrated laboratory microphone, and doing impulse and MLS testing is going to require a much better microphone than is required for swept sine testing. You mean it hasn't been "re-calibrated"? We are using a Earthworks M30 BX microphone. It's calibrated from factory isn't it? And it's new. You'd send it for re-calibration every couple of years, or once a year if you're really really anal retentive. Besides, the peaks and valleys in a speaker span a good number of decibels, and most of the time there's nothing you can do about it; so does it really matter if we we're off by plus or minus 0.2 dB here and there? Can't even hear such subtle differences. Do we still have to consider the room we do the test in. Or should we consider doing it outside? The floor at the back is a cement floor, firmly attached to the planet. All we need is something soft to put under the speaker, like the foam pad? Can we place the speaker box on the cement floor flush with a open garage door and point the speaker box outside? You can look into the MLSSA software, which seems to be popular in a lot of facilities. It's not magic, but it does make a lot of routine testing much easier than swept sine work. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#12
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Do we still have to consider the room we do the test in. Or should we
consider doing it outside? The floor at the back is a cement floor, firmly attached to the planet. All we need is something soft to put under the speaker, like the foam pad? Can we place the speaker box on the cement floor flush with a open garage door and point the speaker box outside? We have no means of powering the equipment outside in a grassy field. The oscilloscope, amp/crossover/speaker, frequency generator, fluke meter, laptop? Besides we have to lug a 2'x2'x4' 18" speaker box. As well as a 2'x2'x2' 8" coaxial speaker box. And amps/crossovers/power supply for both. Should we have a quality soundcard for this test? Is an m-audio 2496 audiophile good enough for this kind of test? "philicorda" wrote in message newsan.2004.05.16.16.40.48.350073@nospnospamspaa mmntlworld.com... On Sun, 16 May 2004 10:00:33 -0400, mark wrote: What's an alternative to testing a speakers frequency response besides using an anechoic chamber? Test them outdoors? A grassy field is fairly anechoic. Wind noise might cause a few problems. |
#13
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Do we still have to consider the room we do the test in. Or should we
consider doing it outside? The floor at the back is a cement floor, firmly attached to the planet. All we need is something soft to put under the speaker, like the foam pad? Can we place the speaker box on the cement floor flush with a open garage door and point the speaker box outside? We have no means of powering the equipment outside in a grassy field. The oscilloscope, amp/crossover/speaker, frequency generator, fluke meter, laptop? Besides we have to lug a 2'x2'x4' 18" speaker box. As well as a 2'x2'x2' 8" coaxial speaker box. And amps/crossovers/power supply for both. Should we have a quality soundcard for this test? Is an m-audio 2496 audiophile good enough for this kind of test? "philicorda" wrote in message newsan.2004.05.16.16.40.48.350073@nospnospamspaa mmntlworld.com... On Sun, 16 May 2004 10:00:33 -0400, mark wrote: What's an alternative to testing a speakers frequency response besides using an anechoic chamber? Test them outdoors? A grassy field is fairly anechoic. Wind noise might cause a few problems. |
#14
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Here's a plan:
Raytron's back | Back alley (East --) | |wall | | | | / |/ / # /sonopan divider --- # / # / |-ledge of garage door # _______________ # | | | # | / # | speaker ) | -- 1 m -- =EX(mike) -------- 5 ---//------ # | (foam under) \ # |_______________| | # # \ | # \ # \sonopan # \ # |\ \ | | | | | | | | | | | | | | ______________________| The third sonopan panel not shown, it's above the speaker and tilted forward. by placing the speaker close to the north end of the garage door, we maximize distance to the south wall. It won't be as much as 5 meters though, but we could place a lot of cardboard boxes tilted at 45 degrees, and covered with blankets. At least it's only one wall to worry about. Other walls and ceiling are 5 meters away or more, so if we gate at 3 mS we're laughing. What the tilted sonopans are doing is reflecting lateral waves away from walls and ceiling, but also away from the mike. Some of the sound will get through them through, but the gating will ignore it anyways. Mostly there to reduce minor reflections from objects closer than the walls and ceiling, rather. "mark" wrote in message ... What's an alternative to testing a speakers frequency response besides using an anechoic chamber? Could we use MLS to manage the effects of room reflections What is MLS exactly ? What does it involve? Do we need a special software package that outputs a pulse through the soundcard for the speaker amp, and listens through the mike for a set period, then applies fourier analysis to the wave that comes back from the mike? Would anyone know of the following method: putting a pulse through a speaker, and then gate the mike off after 50 milliseconds, or whatever, before the echos are back. But to use this method we'd need to feed the mike to the sound card and have a fourier analysis software? Anyone ? Thanks for any help, Mark |
#15
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Here's a plan:
Raytron's back | Back alley (East --) | |wall | | | | / |/ / # /sonopan divider --- # / # / |-ledge of garage door # _______________ # | | | # | / # | speaker ) | -- 1 m -- =EX(mike) -------- 5 ---//------ # | (foam under) \ # |_______________| | # # \ | # \ # \sonopan # \ # |\ \ | | | | | | | | | | | | | | ______________________| The third sonopan panel not shown, it's above the speaker and tilted forward. by placing the speaker close to the north end of the garage door, we maximize distance to the south wall. It won't be as much as 5 meters though, but we could place a lot of cardboard boxes tilted at 45 degrees, and covered with blankets. At least it's only one wall to worry about. Other walls and ceiling are 5 meters away or more, so if we gate at 3 mS we're laughing. What the tilted sonopans are doing is reflecting lateral waves away from walls and ceiling, but also away from the mike. Some of the sound will get through them through, but the gating will ignore it anyways. Mostly there to reduce minor reflections from objects closer than the walls and ceiling, rather. "mark" wrote in message ... What's an alternative to testing a speakers frequency response besides using an anechoic chamber? Could we use MLS to manage the effects of room reflections What is MLS exactly ? What does it involve? Do we need a special software package that outputs a pulse through the soundcard for the speaker amp, and listens through the mike for a set period, then applies fourier analysis to the wave that comes back from the mike? Would anyone know of the following method: putting a pulse through a speaker, and then gate the mike off after 50 milliseconds, or whatever, before the echos are back. But to use this method we'd need to feed the mike to the sound card and have a fourier analysis software? Anyone ? Thanks for any help, Mark |
#16
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Here's a plan:
Raytron's back | Back alley (East --) | |wall | | | | | / # / sonopan divider --- # / # / |-ledge of garage door # _______________ # | | | # | / # | speaker ) | -- 1 m -- =EX(mike) -------- 5 m ---//------ # | (foam under) \ # |_______________| | # # \ | # \ # \sonopan # \ # | \ | | | | | | | | | | | | | | _____________________| The third sonopan panel not shown, it's above the speaker and tilted forward. by placing the speaker close to the north end of the garage door, we maximize distance to the south wall. It won't be as much as 5 meters though, but we could place a lot of cardboard boxes tilted at 45 degrees, and covered with blankets. At least it's only one wall to worry about. Other walls and ceiling are 5 meters away or more, so if we gate at 3 mS we're laughing. What the tilted sonopans are doing is reflecting lateral waves away from walls and ceiling, but also away from the mike. Some of the sound will get through them through, but the gating will ignore it anyways. Mostly there to reduce minor reflections from objects closer than the walls and ceiling, rather. "mark" wrote in message ... What's an alternative to testing a speakers frequency response besides using an anechoic chamber? Could we use MLS to manage the effects of room reflections What is MLS exactly ? What does it involve? Do we need a special software package that outputs a pulse through the soundcard for the speaker amp, and listens through the mike for a set period, then applies fourier analysis to the wave that comes back from the mike? Would anyone know of the following method: putting a pulse through a speaker, and then gate the mike off after 50 milliseconds, or whatever, before the echos are back. But to use this method we'd need to feed the mike to the sound card and have a fourier analysis software? Anyone ? Thanks for any help, Mark |
#17
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Here's a plan:
Raytron's back | Back alley (East --) | |wall | | | | | / # / sonopan divider --- # / # / |-ledge of garage door # _______________ # | | | # | / # | speaker ) | -- 1 m -- =EX(mike) -------- 5 m ---//------ # | (foam under) \ # |_______________| | # # \ | # \ # \sonopan # \ # | \ | | | | | | | | | | | | | | _____________________| The third sonopan panel not shown, it's above the speaker and tilted forward. by placing the speaker close to the north end of the garage door, we maximize distance to the south wall. It won't be as much as 5 meters though, but we could place a lot of cardboard boxes tilted at 45 degrees, and covered with blankets. At least it's only one wall to worry about. Other walls and ceiling are 5 meters away or more, so if we gate at 3 mS we're laughing. What the tilted sonopans are doing is reflecting lateral waves away from walls and ceiling, but also away from the mike. Some of the sound will get through them through, but the gating will ignore it anyways. Mostly there to reduce minor reflections from objects closer than the walls and ceiling, rather. "mark" wrote in message ... What's an alternative to testing a speakers frequency response besides using an anechoic chamber? Could we use MLS to manage the effects of room reflections What is MLS exactly ? What does it involve? Do we need a special software package that outputs a pulse through the soundcard for the speaker amp, and listens through the mike for a set period, then applies fourier analysis to the wave that comes back from the mike? Would anyone know of the following method: putting a pulse through a speaker, and then gate the mike off after 50 milliseconds, or whatever, before the echos are back. But to use this method we'd need to feed the mike to the sound card and have a fourier analysis software? Anyone ? Thanks for any help, Mark |
#18
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mark wrote:
What's an alternative to testing a speakers frequency response besides using an anechoic chamber? Could we use MLS to manage the effects of room reflections What is MLS exactly ? What does it involve? Do we need a special software package that outputs a pulse through the soundcard for the speaker amp, and listens through the mike for a set period, then applies fourier analysis to the wave that comes back from the mike? Would anyone know of the following method: putting a pulse through a speaker, and then gate the mike off after 50 milliseconds, or whatever, before the echos are back. But to use this method we'd need to feed the mike to the sound card and have a fourier analysis software? Anyone ? Thanks for any help, Mark Don't you really want to test them in the room? If you're building speakers, why not use a chamber, or at least approximate one. -- Les Cargill |
#19
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mark wrote:
What's an alternative to testing a speakers frequency response besides using an anechoic chamber? Could we use MLS to manage the effects of room reflections What is MLS exactly ? What does it involve? Do we need a special software package that outputs a pulse through the soundcard for the speaker amp, and listens through the mike for a set period, then applies fourier analysis to the wave that comes back from the mike? Would anyone know of the following method: putting a pulse through a speaker, and then gate the mike off after 50 milliseconds, or whatever, before the echos are back. But to use this method we'd need to feed the mike to the sound card and have a fourier analysis software? Anyone ? Thanks for any help, Mark Don't you really want to test them in the room? If you're building speakers, why not use a chamber, or at least approximate one. -- Les Cargill |
#20
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You need to test frequency response, phase response, time offset, and maybe
more. http://www.siasoft.com , http://www.prosoundweb.com/live/arti...artbegin.shtml , http://www.prosoundweb.com/live/labb...t/smaart.shtml , http://www.prosoundweb.com/studyhall/am_index.php "mark" wrote in message ... What's an alternative to testing a speakers frequency response besides using an anechoic chamber? Could we use MLS to manage the effects of room reflections What is MLS exactly ? What does it involve? Do we need a special software package that outputs a pulse through the soundcard for the speaker amp, and listens through the mike for a set period, then applies fourier analysis to the wave that comes back from the mike? Would anyone know of the following method: putting a pulse through a speaker, and then gate the mike off after 50 milliseconds, or whatever, before the echos are back. But to use this method we'd need to feed the mike to the sound card and have a fourier analysis software? Anyone ? Thanks for any help, Mark |
#21
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You need to test frequency response, phase response, time offset, and maybe
more. http://www.siasoft.com , http://www.prosoundweb.com/live/arti...artbegin.shtml , http://www.prosoundweb.com/live/labb...t/smaart.shtml , http://www.prosoundweb.com/studyhall/am_index.php "mark" wrote in message ... What's an alternative to testing a speakers frequency response besides using an anechoic chamber? Could we use MLS to manage the effects of room reflections What is MLS exactly ? What does it involve? Do we need a special software package that outputs a pulse through the soundcard for the speaker amp, and listens through the mike for a set period, then applies fourier analysis to the wave that comes back from the mike? Would anyone know of the following method: putting a pulse through a speaker, and then gate the mike off after 50 milliseconds, or whatever, before the echos are back. But to use this method we'd need to feed the mike to the sound card and have a fourier analysis software? Anyone ? Thanks for any help, Mark |
#22
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mark wrote: What's an alternative to testing a speakers frequency response besides using an anechoic chamber? Do it outside. Could we use MLS to manage the effects of room reflections What is MLS exactly ? What does it involve? There aren't any reflections outside. Swept sin is better than MLS because it discards any harmonic distortion products. Both are better than any real impulse methods because they contain so much more energy that they reject a very large amount of any ambient noise that might trouble the testing otherwise. Do we need a special software package that outputs a pulse through the soundcard for the speaker amp, and listens through the mike for a set period, then applies fourier analysis to the wave that comes back from the mike? Would anyone know of the following method: putting a pulse through a speaker, and then gate the mike off after 50 milliseconds, or whatever, before the echos are back. But to use this method we'd need to feed the mike to the sound card and have a fourier analysis software? Anyone ? Windowed methods for speakers is difficult because the impulse response of the speaker itself can easily extend beyond your window. But with the swept sin approach, you can still window the impulse response after it is calculated. Anything that results from the room still shows as reflections. I use Acoustic Modeler that was once a stand alone DX plug but now is integrated with Sound Forge. It contains the necessasary sweeps and will do the impulse response calculation from the measured response to the sweep. I think there are other options these days but don't know them off the top of my head. Once you get the impulse response then you are right, an FFT of it will show you the response. Bob -- "Things should be described as simply as possible, but no simpler." A. Einstein |
#23
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mark wrote: What's an alternative to testing a speakers frequency response besides using an anechoic chamber? Do it outside. Could we use MLS to manage the effects of room reflections What is MLS exactly ? What does it involve? There aren't any reflections outside. Swept sin is better than MLS because it discards any harmonic distortion products. Both are better than any real impulse methods because they contain so much more energy that they reject a very large amount of any ambient noise that might trouble the testing otherwise. Do we need a special software package that outputs a pulse through the soundcard for the speaker amp, and listens through the mike for a set period, then applies fourier analysis to the wave that comes back from the mike? Would anyone know of the following method: putting a pulse through a speaker, and then gate the mike off after 50 milliseconds, or whatever, before the echos are back. But to use this method we'd need to feed the mike to the sound card and have a fourier analysis software? Anyone ? Windowed methods for speakers is difficult because the impulse response of the speaker itself can easily extend beyond your window. But with the swept sin approach, you can still window the impulse response after it is calculated. Anything that results from the room still shows as reflections. I use Acoustic Modeler that was once a stand alone DX plug but now is integrated with Sound Forge. It contains the necessasary sweeps and will do the impulse response calculation from the measured response to the sweep. I think there are other options these days but don't know them off the top of my head. Once you get the impulse response then you are right, an FFT of it will show you the response. Bob -- "Things should be described as simply as possible, but no simpler." A. Einstein |
#24
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mark wrote: We are using a Earthworks M30 BX microphone. It's calibrated from factory isn't it? It's not tracable to the NIST but it is more than flat enough for your purposes. As you point out, the speaker devaitions will swamp those from that mic. Do we still have to consider the room we do the test in. Or should we consider doing it outside? If you want any kind of reasonable low frequency data that's about the only way. With either MLS or my preferred method, swept sin, the noise factor of being outside is really pretty negligable. You will probably need a good wind shield for the mic, though. The noise that comes from wind is too great for the longer methods to deal with, especially at the lower frequencies. Bob -- "Things should be described as simply as possible, but no simpler." A. Einstein |
#25
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mark wrote: We are using a Earthworks M30 BX microphone. It's calibrated from factory isn't it? It's not tracable to the NIST but it is more than flat enough for your purposes. As you point out, the speaker devaitions will swamp those from that mic. Do we still have to consider the room we do the test in. Or should we consider doing it outside? If you want any kind of reasonable low frequency data that's about the only way. With either MLS or my preferred method, swept sin, the noise factor of being outside is really pretty negligable. You will probably need a good wind shield for the mic, though. The noise that comes from wind is too great for the longer methods to deal with, especially at the lower frequencies. Bob -- "Things should be described as simply as possible, but no simpler." A. Einstein |
#26
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mark wrote: We have no means of powering the equipment outside in a grassy field. It would be a good aquisition. A reasonable quality automobile amplifier and a 12V gel cell handles the drive and a modest laptop with a Tascam US-122 will do both the signal drive and the measurement. Once the data is in the laptop you have all kinds of options for its analysis. Bob -- "Things should be described as simply as possible, but no simpler." A. Einstein |
#27
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mark wrote: We have no means of powering the equipment outside in a grassy field. It would be a good aquisition. A reasonable quality automobile amplifier and a 12V gel cell handles the drive and a modest laptop with a Tascam US-122 will do both the signal drive and the measurement. Once the data is in the laptop you have all kinds of options for its analysis. Bob -- "Things should be described as simply as possible, but no simpler." A. Einstein |
#28
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In article ,
"Tim Padrick" wrote: You need to test frequency response, phase response, time offset, and maybe more. http://www.siasoft.com , http://www.prosoundweb.com/live/arti...artbegin.shtml , http://www.prosoundweb.com/live/labb...t/smaart.shtml , http://www.prosoundweb.com/studyhall/am_index.php You should also consider WinMLS, by Lars Moriset: http://www.winmls.com/ The TEF analyzer is still alive and kicking, and the TDS swept sinewave will provide pseudo anechoic measurements, with a high signal to noise ratio. Also available for the TEF is Polar software, and MLS. http://www.gold-line.com/tef/t-ship.htm http://www.gold-line.com/tef/t-slsoft.htm Soon to be available via Renkus Heinz, is EaseRA. This package was developed by Acoustic Design Ahnert, the same group that created the EASE modelling, and EARS auralization packages. This is a very comprehensive measurement software, capable of performing both MLS and TDS measurements. http://www.renkus-heinz.com/news/news_easera.html |
#29
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In article ,
"Tim Padrick" wrote: You need to test frequency response, phase response, time offset, and maybe more. http://www.siasoft.com , http://www.prosoundweb.com/live/arti...artbegin.shtml , http://www.prosoundweb.com/live/labb...t/smaart.shtml , http://www.prosoundweb.com/studyhall/am_index.php You should also consider WinMLS, by Lars Moriset: http://www.winmls.com/ The TEF analyzer is still alive and kicking, and the TDS swept sinewave will provide pseudo anechoic measurements, with a high signal to noise ratio. Also available for the TEF is Polar software, and MLS. http://www.gold-line.com/tef/t-ship.htm http://www.gold-line.com/tef/t-slsoft.htm Soon to be available via Renkus Heinz, is EaseRA. This package was developed by Acoustic Design Ahnert, the same group that created the EASE modelling, and EARS auralization packages. This is a very comprehensive measurement software, capable of performing both MLS and TDS measurements. http://www.renkus-heinz.com/news/news_easera.html |
#30
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"philicorda" wrote in message
newsan.2004.05.16.16.40.48.350073@nospnospamspaa mmntlworld.com... On Sun, 16 May 2004 10:00:33 -0400, mark wrote: What's an alternative to testing a speakers frequency response besides using an anechoic chamber? Test them outdoors? A grassy field is fairly anechoic. Wind noise might cause a few problems. Sounds like you need a room that is opaque to wind, but transparent to sound. A big test tent. dtk |
#31
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"philicorda" wrote in message
newsan.2004.05.16.16.40.48.350073@nospnospamspaa mmntlworld.com... On Sun, 16 May 2004 10:00:33 -0400, mark wrote: What's an alternative to testing a speakers frequency response besides using an anechoic chamber? Test them outdoors? A grassy field is fairly anechoic. Wind noise might cause a few problems. Sounds like you need a room that is opaque to wind, but transparent to sound. A big test tent. dtk |
#32
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mark wrote:
You mean it hasn't been "re-calibrated"? We are using a Earthworks M30 BX microphone. It's calibrated from factory isn't it? And it's new. You'd send it for re-calibration every couple of years, or once a year if you're really really anal retentive. You may want to consider using an IEC Type I microphone. I do not think that the Earthworks comes close to meeting even the loose IEC Type II specs. Besides, the peaks and valleys in a speaker span a good number of decibels, and most of the time there's nothing you can do about it; so does it really matter if we we're off by plus or minus 0.2 dB here and there? Can't even hear such subtle differences. With a sweep test it won't matter a bit, but with MLSSA or an impulse response test, you need a microphone that has extremely good impulse response. The problem with these methods is that they require much more accurate mikes than sweep methods do. Do we still have to consider the room we do the test in. Or should we consider doing it outside? The floor at the back is a cement floor, firmly attached to the planet. All we need is something soft to put under the speaker, like the foam pad? Can we place the speaker box on the cement floor flush with a open garage door and point the speaker box outside? If you're talking a place with a 50-foot ceiling, and you suspend the speaker 25 foot in the air, then you can accurately work down to wavelengths of 25 feet or so without having to treat the room significantly in any way. The question is how far you can get your device under test from any surfaces. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#33
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mark wrote:
You mean it hasn't been "re-calibrated"? We are using a Earthworks M30 BX microphone. It's calibrated from factory isn't it? And it's new. You'd send it for re-calibration every couple of years, or once a year if you're really really anal retentive. You may want to consider using an IEC Type I microphone. I do not think that the Earthworks comes close to meeting even the loose IEC Type II specs. Besides, the peaks and valleys in a speaker span a good number of decibels, and most of the time there's nothing you can do about it; so does it really matter if we we're off by plus or minus 0.2 dB here and there? Can't even hear such subtle differences. With a sweep test it won't matter a bit, but with MLSSA or an impulse response test, you need a microphone that has extremely good impulse response. The problem with these methods is that they require much more accurate mikes than sweep methods do. Do we still have to consider the room we do the test in. Or should we consider doing it outside? The floor at the back is a cement floor, firmly attached to the planet. All we need is something soft to put under the speaker, like the foam pad? Can we place the speaker box on the cement floor flush with a open garage door and point the speaker box outside? If you're talking a place with a 50-foot ceiling, and you suspend the speaker 25 foot in the air, then you can accurately work down to wavelengths of 25 feet or so without having to treat the room significantly in any way. The question is how far you can get your device under test from any surfaces. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#34
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Scott Dorsey wrote: With a sweep test it won't matter a bit, but with MLSSA or an impulse response test, you need a microphone that has extremely good impulse response. The problem with these methods is that they require much more accurate mikes than sweep methods do. I don't believe this is true, Scott. If the mic is linear the nature of the stimulus doesn't matter. Both methods just form the cross correlation of the stimulus with the recorded response to get the impulse response. The main advantage of the swept sin over the MLS is the impact of distortion products. With MLS they are distributed throughout the cross correlation whereas with the swept sin, they appear as little impulse responses separated from the main one in time and in advance of it. The other advantage which is exploited by Acoustic Modeler is that time synchronization between the stimulus and response can be removed as a requirement with the swept sin because, being an analytic mathematical function, it can be regenerated at a rate that will match the actual length of the recorded response. Bob -- "Things should be described as simply as possible, but no simpler." A. Einstein |
#35
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Scott Dorsey wrote: With a sweep test it won't matter a bit, but with MLSSA or an impulse response test, you need a microphone that has extremely good impulse response. The problem with these methods is that they require much more accurate mikes than sweep methods do. I don't believe this is true, Scott. If the mic is linear the nature of the stimulus doesn't matter. Both methods just form the cross correlation of the stimulus with the recorded response to get the impulse response. The main advantage of the swept sin over the MLS is the impact of distortion products. With MLS they are distributed throughout the cross correlation whereas with the swept sin, they appear as little impulse responses separated from the main one in time and in advance of it. The other advantage which is exploited by Acoustic Modeler is that time synchronization between the stimulus and response can be removed as a requirement with the swept sin because, being an analytic mathematical function, it can be regenerated at a rate that will match the actual length of the recorded response. Bob -- "Things should be described as simply as possible, but no simpler." A. Einstein |
#36
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Does "Speaker Workshop" software have any known issues doing gated mike MLS
measurements? |
#37
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Does "Speaker Workshop" software have any known issues doing gated mike MLS
measurements? |
#38
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"mark" wrote in message ... : What's an alternative to testing a speakers frequency response besides using : an anechoic chamber? : : Could we use MLS to manage the effects of : room reflections What is MLS exactly ? What does it involve? : : Do we need a special software package that outputs a pulse through the : soundcard for the speaker amp, and : listens through the mike for a set period, then applies fourier analysis to : the wave that comes back from the mike? Would anyone know of the following : method: putting a pulse through a speaker, and then gate : the mike off after 50 milliseconds, or whatever, before the echos are back. : But to use this method we'd need to feed the mike to the sound card and have : a fourier analysis software? : Anyone ? : : Thanks for any help, : Mark : Before I recommend anything it is important for me to understand what benefit an accurate measurement of the speaker is expected to do for you. The answer will be affected by the following. 1) are you building a loudspeaker and crossover? 2) are you attempting to equalize a room with a "manufactured" pair of speakers in it? 3) What exactly are you trying to accomplish by measuring the speaker. 4) other than not having the expertise in measuring a loudspeaker, do you have some specific expertise or experience in doing something with speakers that you want to improve on. I can provide a lot of answers, but I need to know what you are looking to accomplish. Phil Abbate LspCAD Dealer www.philsaudio.com |
#39
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"mark" wrote in message ... : What's an alternative to testing a speakers frequency response besides using : an anechoic chamber? : : Could we use MLS to manage the effects of : room reflections What is MLS exactly ? What does it involve? : : Do we need a special software package that outputs a pulse through the : soundcard for the speaker amp, and : listens through the mike for a set period, then applies fourier analysis to : the wave that comes back from the mike? Would anyone know of the following : method: putting a pulse through a speaker, and then gate : the mike off after 50 milliseconds, or whatever, before the echos are back. : But to use this method we'd need to feed the mike to the sound card and have : a fourier analysis software? : Anyone ? : : Thanks for any help, : Mark : Before I recommend anything it is important for me to understand what benefit an accurate measurement of the speaker is expected to do for you. The answer will be affected by the following. 1) are you building a loudspeaker and crossover? 2) are you attempting to equalize a room with a "manufactured" pair of speakers in it? 3) What exactly are you trying to accomplish by measuring the speaker. 4) other than not having the expertise in measuring a loudspeaker, do you have some specific expertise or experience in doing something with speakers that you want to improve on. I can provide a lot of answers, but I need to know what you are looking to accomplish. Phil Abbate LspCAD Dealer www.philsaudio.com |
#40
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Before I recommend anything it is important for me to understand what
benefit an accurate measurement of the speaker is expected to do for you. The answer will be affected by the following. 1) are you building a loudspeaker and crossover? Yes. Crossover is in the preamp, phase coherent, subtraction type; we're "tri-amping". We're going to change the crossover to a Linkwitz-Riley soon; waiting for the PCB's. 2) are you attempting to equalize a room with a "manufactured" pair of speakers in it? No 3) What exactly are you trying to accomplish by measuring the speaker. We want to: 1) Know how flat the 18" woofer speaker (bass reflex) cabinet response really is. Same for the 8" mid range. Same for the titanium tweeter. 2) Know how much we need to adjust gains to balance the SPL of the three drivers 3) Know whether we need to reverse driver phases for smooth crossovers, and/or whether we need an all pass filter for phase correction on the tweeter channel. Then, once SPL and phase issues are settled, we want to 4) Verify how flat the whole speaker's response is, just on axis, for now. 4) other than not having the expertise in measuring a loudspeaker, do you have some specific expertise or experience in doing something with speakers that you want to improve on. Our speakers sound good so far, but we maybe biased, since we built them , so we want to know exactly how good they are. I can provide a lot of answers, but I need to know what you are looking to accomplish. Phil Abbate LspCAD Dealer www.philsaudio.com "anybody-but-bush" Anybody But wrote in message hlink.net... "mark" wrote in message ... : What's an alternative to testing a speakers frequency response besides using : an anechoic chamber? : : Could we use MLS to manage the effects of : room reflections What is MLS exactly ? What does it involve? : : Do we need a special software package that outputs a pulse through the : soundcard for the speaker amp, and : listens through the mike for a set period, then applies fourier analysis to : the wave that comes back from the mike? Would anyone know of the following : method: putting a pulse through a speaker, and then gate : the mike off after 50 milliseconds, or whatever, before the echos are back. : But to use this method we'd need to feed the mike to the sound card and have : a fourier analysis software? : Anyone ? : : Thanks for any help, : Mark : Before I recommend anything it is important for me to understand what benefit an accurate measurement of the speaker is expected to do for you. The answer will be affected by the following. 1) are you building a loudspeaker and crossover? 2) are you attempting to equalize a room with a "manufactured" pair of speakers in it? 3) What exactly are you trying to accomplish by measuring the speaker. 4) other than not having the expertise in measuring a loudspeaker, do you have some specific expertise or experience in doing something with speakers that you want to improve on. I can provide a lot of answers, but I need to know what you are looking to accomplish. Phil Abbate LspCAD Dealer www.philsaudio.com |
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