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#81
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geoff > wrote:
> >Disappointed most prefer slamming and/or don't seem to have any major >experience or opinions of AA's new CKR12 capsule which is a relatively >major change in manufacturing and materials for condenser mic capsules, >which according to them makes the concept of individually matched pairs >redundant. AKG has had a history for a few years now of making beautifully-engineered terrible-sounding microphones. So many times I have asked the engineering folks why particular microphones sound the way they do, to receive the politic answer that the sound was part of the design requirements. What you are seeing now is what happens when you take AKG engineering people and free them from the AKG marketing people. And it's a beautiful thing. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
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#82
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Paul Dorman > wrote:
> > Just listen to live concerts on YouTube, using a good >set of studio monitors, or headphones. > > You'll be able to easily tell if the recording was done >with tape, or digitally recorded. Tape recordings sound >dull, and mushy, compared to digital recordings. It's like >night and day. I'm sorry. I thought you were actually serious until I read this. I don't actually think this is funny. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#83
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On 1/4/2021 5:27 PM, Scott Dorsey wrote:
> Paul Dorman > wrote: >> >> Just listen to live concerts on YouTube, using a good >> set of studio monitors, or headphones. >> >> You'll be able to easily tell if the recording was done >> with tape, or digitally recorded. Tape recordings sound >> dull, and mushy, compared to digital recordings. It's like >> night and day. > > I'm sorry. I thought you were actually serious until I read this. > > I don't actually think this is funny. I am serious. Live tape recordings suck compared to digital, or at least the recordings I have heard! |
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