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McIntosh C 22, MR-67, MC-2505 all with original boxes and docs...
Coming soon - some near mint McIntosh pieces from the original owner (retired
Physics Prof.) who still has the original boxes and manuals. These pieces have been safely residing inside a cabinet for over 40 years. A McIntosh lovers dream come true. Nonsmoking, no children household! Stay tuned for details. What an opportunity for the Mac collector. I plan to let my tech. give them a thorough check out before marketing these classics. C 22 Tube Preamp, MR-67 Tube Tuner, MC-2505 Solid State Power Amp Current inventory is one click away (descriptions and images): http://members.aol.com/KDresch/audio.net.html We are entering our 8th year of offering used audio on this group. Thanks for your support! Pa href=http://members.aol.com/KDresch/audio.net.htmlaudio.net/a, Used Audio ShopPBrands: Marantz, Pioneer, Kenwood, Advent, Apt, JBL, Technics, Magnepan, Harman Kardon, AR and many others.P100% Customer Satisfaction Guaranteed since 1995. |
#2
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On 10/12/03 11:24 AM, in article
, "Ken Drescher" wrote: Coming soon - some near mint McIntosh pieces from the original owner (retired Physics Prof.) who still has the original boxes and manuals. So he's terminal? And you've made a deal with the executor? You realize that 40 year old McIntosh stuff needs to be completely recapped and realigned, don't you? What about your "tech"? Can he do this and repair lawn mowers at the same time? RIPOFF ALERT! - SOON! Robert Morein http://www.ledger-enquirer.com/mld/l...ws/4853918.htm Doctoral student takes intellectual property case to Supreme Court By L. STUART DITZEN Philadelphia Inquirer PHILADELPHIA -Even the professors who dismissed him from a doctoral program at Drexel University agreed that Robert Morein was uncommonly smart. They apparently didn't realize that he was uncommonly stubborn too - so much so that he would mount a court fight all the way to the U.S. Supreme Court to challenge his dismissal. The Supremes have already rejected this appeal, btw. "It's a personality trait I have - I'm a tenacious guy," said Morein, a pleasantly eccentric man regarded by friends as an inventive genius. "And we do come to a larger issue here." An "inventive genius" that has never invented anything. And hardly "pleasantly" eccentric. A five-year legal battle between this unusual ex-student and one of Philadelphia's premier educational institutions has gone largely unnoticed by the media and the public. Because no one gives a **** about a 50 year old loser. But it has been the subject of much attention in academia. Drexel says it dismissed Morein in 1995 because he failed, after eight years, to complete a thesis required for a doctorate in electrical and computer engineering. Not to mention the 12 years it took him to get thru high school! BWAAAAAAHAHAHAHAHAHAHAHAHA! Morein, 50, of Dresher, Pa., contends that he was dismissed only after his thesis adviser "appropriated" an innovative idea Morein had developed in a rarefied area of thought called "estimation theory" and arranged to have it patented. A contention rejected by three courts. From a 50 YEAR OLD that has done NOTHING PRODUCTIVE with his life. In February 2000, Philadelphia Common Pleas Court Judge Esther R. Sylvester ruled that Morein's adviser indeed had taken his idea. An idea that was worth nothing, because it didn't work. Just like Robert Morein, who has never worked a day in his life. Sylvester held that Morein had been unjustly dismissed and she ordered Drexel to reinstate him or refund his tuition. Funnily enough, Drexel AGREED to reinstate Morein, who rejected the offer because he knew he was and IS a failed loser. Spending daddy's money to cover up his lack of productivity. That brought roars of protest from the lions of academia. There is a long tradition in America of noninterference by the courts in academic decisions. Backed by every major university in Pennsylvania and organizations representing thousands of others around the country, Drexel appealed to the state Superior Court. The appellate court, by a 2-1 vote, reversed Sylvester in June 2001 and restored the status quo. Morein was, once again, out at Drexel. And the time-honored axiom that courts ought to keep their noses out of academic affairs was reasserted. The state Supreme Court declined to review the case and, in an ordinary litigation, that would have been the end of it. But Morein, in a quixotic gesture that goes steeply against the odds, has asked the highest court in the land to give him a hearing. Daddy throws more money down the crapper. His attorney, Faye Riva Cohen, said the Supreme Court appeal is important even if it fails because it raises the issue of whether a university has a right to lay claim to a student's ideas - or intellectual property - without compensation. "Any time you are in a Ph.D. program, you are a serf, you are a slave," said Cohen. Morein "is concerned not only for himself. He feels that what happened to him is pretty common." It's called HIGHER EDUCATION, honey. The students aren't in charge, the UNIVERSITY and PROFESSORS are. Drexel's attorney, Neil J. Hamburg, called Morein's appeal - and his claim that his idea was stolen - "preposterous." "I will eat my shoe if the Supreme Court hears this case," declared Hamburg. "We're not even going to file a response. He is a brilliant guy, but his intelligence should be used for the advancement of society rather than pursuing self-destructive litigation." No **** sherlock. The litigation began in 1997, when Morein sued Drexel claiming that a committee of professors had dumped him after he accused his faculty adviser, Paul Kalata, of appropriating his idea. His concept was considered to have potential value for businesses in minutely measuring the internal functions of machines, industrial processes and electronic systems. The field of "estimation theory" is one in which scientists attempt to calculate what they cannot plainly observe, such as the inside workings of a nuclear plant or a computer. My estimation theory? There is NO brain at work inside the head of Robert Morein, only sawdust. Prior to Morein's dismissal, Drexel looked into his complaint against Kalata and concluded that the associate professor had done nothing wrong. Kalata, through a university lawyer, declined to comment. At a nonjury trial before Sylvester in 1999, Morein testified that Kalata in 1990 had posed a technical problem for him to study for his thesis. It related to estimation theory. Kalata, who did not appear at the trial, said in a 1998 deposition that a Cherry Hill company for which he was a paid consultant, K-Tron International, had asked him to develop an alternate estimation method for it. The company manufactures bulk material feeders and conveyors used in industrial processes. Morein testified that, after much study, he experienced "a flash of inspiration" and came up with a novel mathematical concept to address the problem Kalata had presented. Without his knowledge, Morein said, Kalata shared the idea with K-Tron. K-Tron then applied for a patent, listing Kalata and Morein as co-inventors. Morein said he agreed "under duress" to the arrangement, but felt "locked into a highly disadvantageous situation." As a result, he testified, he became alienated from Kalata. As events unfolded, Kalata signed over his interest in the patent to K-Tron. The company never capitalized on the technology and eventually allowed the patent to lapse. No one made any money from it. Because it was bogus. Even Kalata was mortified that he was a victim of this SCAMSTER, Robert Morein. In 1991, Morein went to the head of Drexel's electrical engineering department, accused Kalata of appropriating his intellectual property, and asked for a new faculty adviser. The staff at Drexel laughed wildly at the ignorance of Robert Morein. He didn't get one. Instead, a committee of four professors, including Kalata, was formed to oversee Morein's thesis work. Four years later, the committee dismissed him, saying he had failed to complete his thesis. So Morein ****s up his first couple years, gets new faculty advisers (a TEAM), and then ****s up again! Brilliant! Morein claimed that the committee intentionally had undermined him. Morein makes LOTS of claims that are nonsense. One look thru the usenet proves it. Judge Sylvester agreed. In her ruling, Sylvester wrote: "It is this court's opinion that the defendants were motivated by bad faith and ill will." So much for political machine judges. The U.S. Supreme Court receives 7,000 appeals a year and agrees to hear only about 100 of them. Hamburg, Drexel's attorney, is betting the high court will reject Morein's appeal out of hand because its focal point - concerning a student's right to intellectual property - was not central to the litigation in the Pennsylvania courts. Morein said he understands it's a long shot, but he feels he must pursue it. Just like all the failed "causes" Morein pursues. Heck, he's been chasing another "Brian McCarty" for years and yet has ZERO impact on anything. Failure. Look it up in Websters. You'll see a picture of Robert Morein. The poster boy for SCAMMING LOSERS. "I had to seek closure," he said. Without a doctorate, he said, he has been unable to pursue a career he had hoped would lead him into research on artificial intelligence. Who better to tell us about "artificial intelligence". BWAAAAAAAAAHAHAHAHAHAHAHAHAHAHA! As it is, Morein lives at home with his father and makes a modest income from stock investments. He has written a film script that he is trying to make into a movie. And in the basement of his father's home he is working on an invention, an industrial pump so powerful it could cut steel with a bulletlike stream of water. FAILED STUDENT FAILED MOVIE MAKER FAILED SCREENWRITER FAILED INVESTOR FAILED DRIVER FAILED SON FAILED PARENTS FAILED INVENTOR FAILED PLAINTIFF FAILED HOMOSEXUAL FAILED HUMAN FAILED FAILED But none of it is what he had imagined for himself. "I don't really have a replacement career," Morein said. "It's a very gnawing thing." Doomed to another miserable 10 years or so as a failed member of what is mostly a productive human race. Most of us have successes and failures, but the tough get up and succeed again. And again. And again. But a twisted few are forever failures. Thanks for the kind summary of Robert Morein's failed existence from the Philadelphia Inquirer. A Real Brian McCarty Successful |
#3
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On 10/12/03 11:24 AM, in article
, "Ken Drescher" wrote: Coming soon - some near mint McIntosh pieces from the original owner (retired Physics Prof.) who still has the original boxes and manuals. So he's terminal? And you've made a deal with the executor? You realize that 40 year old McIntosh stuff needs to be completely recapped and realigned, don't you? What about your "tech"? Can he do this and repair lawn mowers at the same time? RIPOFF ALERT! - SOON! Robert Morein http://www.ledger-enquirer.com/mld/l...ws/4853918.htm Doctoral student takes intellectual property case to Supreme Court By L. STUART DITZEN Philadelphia Inquirer PHILADELPHIA -Even the professors who dismissed him from a doctoral program at Drexel University agreed that Robert Morein was uncommonly smart. They apparently didn't realize that he was uncommonly stubborn too - so much so that he would mount a court fight all the way to the U.S. Supreme Court to challenge his dismissal. The Supremes have already rejected this appeal, btw. "It's a personality trait I have - I'm a tenacious guy," said Morein, a pleasantly eccentric man regarded by friends as an inventive genius. "And we do come to a larger issue here." An "inventive genius" that has never invented anything. And hardly "pleasantly" eccentric. A five-year legal battle between this unusual ex-student and one of Philadelphia's premier educational institutions has gone largely unnoticed by the media and the public. Because no one gives a **** about a 50 year old loser. But it has been the subject of much attention in academia. Drexel says it dismissed Morein in 1995 because he failed, after eight years, to complete a thesis required for a doctorate in electrical and computer engineering. Not to mention the 12 years it took him to get thru high school! BWAAAAAAHAHAHAHAHAHAHAHAHA! Morein, 50, of Dresher, Pa., contends that he was dismissed only after his thesis adviser "appropriated" an innovative idea Morein had developed in a rarefied area of thought called "estimation theory" and arranged to have it patented. A contention rejected by three courts. From a 50 YEAR OLD that has done NOTHING PRODUCTIVE with his life. In February 2000, Philadelphia Common Pleas Court Judge Esther R. Sylvester ruled that Morein's adviser indeed had taken his idea. An idea that was worth nothing, because it didn't work. Just like Robert Morein, who has never worked a day in his life. Sylvester held that Morein had been unjustly dismissed and she ordered Drexel to reinstate him or refund his tuition. Funnily enough, Drexel AGREED to reinstate Morein, who rejected the offer because he knew he was and IS a failed loser. Spending daddy's money to cover up his lack of productivity. That brought roars of protest from the lions of academia. There is a long tradition in America of noninterference by the courts in academic decisions. Backed by every major university in Pennsylvania and organizations representing thousands of others around the country, Drexel appealed to the state Superior Court. The appellate court, by a 2-1 vote, reversed Sylvester in June 2001 and restored the status quo. Morein was, once again, out at Drexel. And the time-honored axiom that courts ought to keep their noses out of academic affairs was reasserted. The state Supreme Court declined to review the case and, in an ordinary litigation, that would have been the end of it. But Morein, in a quixotic gesture that goes steeply against the odds, has asked the highest court in the land to give him a hearing. Daddy throws more money down the crapper. His attorney, Faye Riva Cohen, said the Supreme Court appeal is important even if it fails because it raises the issue of whether a university has a right to lay claim to a student's ideas - or intellectual property - without compensation. "Any time you are in a Ph.D. program, you are a serf, you are a slave," said Cohen. Morein "is concerned not only for himself. He feels that what happened to him is pretty common." It's called HIGHER EDUCATION, honey. The students aren't in charge, the UNIVERSITY and PROFESSORS are. Drexel's attorney, Neil J. Hamburg, called Morein's appeal - and his claim that his idea was stolen - "preposterous." "I will eat my shoe if the Supreme Court hears this case," declared Hamburg. "We're not even going to file a response. He is a brilliant guy, but his intelligence should be used for the advancement of society rather than pursuing self-destructive litigation." No **** sherlock. The litigation began in 1997, when Morein sued Drexel claiming that a committee of professors had dumped him after he accused his faculty adviser, Paul Kalata, of appropriating his idea. His concept was considered to have potential value for businesses in minutely measuring the internal functions of machines, industrial processes and electronic systems. The field of "estimation theory" is one in which scientists attempt to calculate what they cannot plainly observe, such as the inside workings of a nuclear plant or a computer. My estimation theory? There is NO brain at work inside the head of Robert Morein, only sawdust. Prior to Morein's dismissal, Drexel looked into his complaint against Kalata and concluded that the associate professor had done nothing wrong. Kalata, through a university lawyer, declined to comment. At a nonjury trial before Sylvester in 1999, Morein testified that Kalata in 1990 had posed a technical problem for him to study for his thesis. It related to estimation theory. Kalata, who did not appear at the trial, said in a 1998 deposition that a Cherry Hill company for which he was a paid consultant, K-Tron International, had asked him to develop an alternate estimation method for it. The company manufactures bulk material feeders and conveyors used in industrial processes. Morein testified that, after much study, he experienced "a flash of inspiration" and came up with a novel mathematical concept to address the problem Kalata had presented. Without his knowledge, Morein said, Kalata shared the idea with K-Tron. K-Tron then applied for a patent, listing Kalata and Morein as co-inventors. Morein said he agreed "under duress" to the arrangement, but felt "locked into a highly disadvantageous situation." As a result, he testified, he became alienated from Kalata. As events unfolded, Kalata signed over his interest in the patent to K-Tron. The company never capitalized on the technology and eventually allowed the patent to lapse. No one made any money from it. Because it was bogus. Even Kalata was mortified that he was a victim of this SCAMSTER, Robert Morein. In 1991, Morein went to the head of Drexel's electrical engineering department, accused Kalata of appropriating his intellectual property, and asked for a new faculty adviser. The staff at Drexel laughed wildly at the ignorance of Robert Morein. He didn't get one. Instead, a committee of four professors, including Kalata, was formed to oversee Morein's thesis work. Four years later, the committee dismissed him, saying he had failed to complete his thesis. So Morein ****s up his first couple years, gets new faculty advisers (a TEAM), and then ****s up again! Brilliant! Morein claimed that the committee intentionally had undermined him. Morein makes LOTS of claims that are nonsense. One look thru the usenet proves it. Judge Sylvester agreed. In her ruling, Sylvester wrote: "It is this court's opinion that the defendants were motivated by bad faith and ill will." So much for political machine judges. The U.S. Supreme Court receives 7,000 appeals a year and agrees to hear only about 100 of them. Hamburg, Drexel's attorney, is betting the high court will reject Morein's appeal out of hand because its focal point - concerning a student's right to intellectual property - was not central to the litigation in the Pennsylvania courts. Morein said he understands it's a long shot, but he feels he must pursue it. Just like all the failed "causes" Morein pursues. Heck, he's been chasing another "Brian McCarty" for years and yet has ZERO impact on anything. Failure. Look it up in Websters. You'll see a picture of Robert Morein. The poster boy for SCAMMING LOSERS. "I had to seek closure," he said. Without a doctorate, he said, he has been unable to pursue a career he had hoped would lead him into research on artificial intelligence. Who better to tell us about "artificial intelligence". BWAAAAAAAAAHAHAHAHAHAHAHAHAHAHA! As it is, Morein lives at home with his father and makes a modest income from stock investments. He has written a film script that he is trying to make into a movie. And in the basement of his father's home he is working on an invention, an industrial pump so powerful it could cut steel with a bulletlike stream of water. FAILED STUDENT FAILED MOVIE MAKER FAILED SCREENWRITER FAILED INVESTOR FAILED DRIVER FAILED SON FAILED PARENTS FAILED INVENTOR FAILED PLAINTIFF FAILED HOMOSEXUAL FAILED HUMAN FAILED FAILED But none of it is what he had imagined for himself. "I don't really have a replacement career," Morein said. "It's a very gnawing thing." Doomed to another miserable 10 years or so as a failed member of what is mostly a productive human race. Most of us have successes and failures, but the tough get up and succeed again. And again. And again. But a twisted few are forever failures. Thanks for the kind summary of Robert Morein's failed existence from the Philadelphia Inquirer. A Real Brian McCarty Successful |
#4
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"Robert Morein" wrote in message ws.com... On 10/12/03 11:24 AM, in article , "Ken Drescher" wrote: Coming soon - some near mint McIntosh pieces from the original owner (retired Physics Prof.) who still has the original boxes and manuals. So he's terminal? And you've made a deal with the executor? You realize that 40 year old McIntosh stuff needs to be completely recapped and realigned, don't you? No, it doesn't. If the stuff powers up, the electrolytics will reform in 24 hours. What about your "tech"? Can he do this and repair lawn mowers at the same time? RIPOFF ALERT! - SOON! VALUE ALERT!!! Robert Morein The above is, of course, a forgery by Brian L. McCarty, r.a.m.'s great pestilence and disease. Brian is secretary of the Far North Queensland Film and Television Association (FNQFTA) in Cairns, Queensland, Australia. Brian L. McCarty resides in a condo at 65 Vasey Esplanade, Trinty Beach, Cairns, Queensland, Australia. It is with great pleasure that I announce that Brian L. McCarty's "Coral Seas" studio project, an obvious scam, is now officially dead. The remains may be viewed at http://www.coralseastudios.com . Brian, we are celebrating your 49th birthday with news that the Coral Seas project has gone belly-up. We watch with great anticipation for the collapse of your WorldJAZZ Scam. It's obvious that WorldJAZZ (http://www.worldjazz.com) is a nonperforming non-asset, simply an invitation for the gullible to lose money. Coral Sea Studios, on the other hand, which McCarty (author of the above post) also maintains, has already sunk beneath the waves. The project is officially dead. Brian, why do you keep around a zombie website? Surely no business partners for Brian L. McCarty! "WorldJAZZ JAZZ MUSIC TELEVISION S NATIONAL CABLE COMING SOON! SPECIAL ANNOUNCEMENT DAILY JAZZ PROGRAMMING TO BE SUPPLIED BY WORLDJAZZ TO MOSCOW CENTRAL TV BEGINNING DECEMBER 2004" Whoops! The above appears to be a pack of lies from the "WorldJAZZ" website, http://www.worldjazz.com. Moscow Central TV is being informed about this travesty. The website goes on to say, "WorldJAZZ has been named OFFICIAL CO-SPONSOR of the 2004 Jersey Jazz Bass Festival SEPTEMBER 22-25 2004 LIVE BROADCAST PLANNED" But there is no "Jersey Jazz Bass Festival" ! It's a complete fiction! There IS a fishing tournament called the "Jersey Bass Festival". And there's no "PETER THLIVEROSKI". It's a play on the name of Peter Thliveros, a sports fisherman. Lying is Brian's vocation. WorldJAZZ.com is built on the principle of the "Big Lie", first enunciated by Joseph Goebbels. Unfortunately, Brian doesn't know when to stop. The fact of his lying on rec.audio.marketplace results in his constant exposure on Google, which drives away the very suckers he would like to get for WorldJAZZ. We help this process of awareness along with a very active information program. Bluebook Value of Coral Sea Studios = MINUS $270,000. Bluebook Value of WorldJAZZ Scam = Less Than Zero, precise numbers are under INVESTIGATION. The Face Behind the Mask:Scammer Brian L. McCarty, Moscow Central TV, David C.L. Feng, David Ellison, Ying Hong Huang, Lee Hodges, Anthony Ramallo, Melinda Hsu, Melinda Shu 80 Raffles Place, Coral Sea Studios, WorldJazz, Enron, K1 Ventures, Trinity Beach, Cairns, Australia, Boomerang McCarty had an early scheme for Internet radio. He claims to have sold musical performance properties and/or a business plan to Black Entertainment Television for $9.2M. Subsequently, he left Los Angeles. One unsubstantiated rumor is that he left to avoid prosecution for a sex crime, presumably by paying off the victim or family. Once in Australia, he made the acquaintance of the brother of P.M. John Howard, who introduced him to contacts at ABN Amro, an investment banking firm. They created a business plan for some kind of a sound studio, still represented by the website http://www.coralseastudios.com. After approximately a year, ABN withdrew from partnership, but left the studio project still solvent. Some time later, it went bankrupt or nearly so, owing $270,000 to it's employees. At this point, Australia's entitlement law kicked in, paying the employees monies owed them, with the exception of codirectors McCarty and Jeff Wexler. It would appear that McCarty's enterprises failed because he has some kind of mental imbalance, which exhibits signs of both schizophrenia and obsessive-compulsive disorder. The impersonations which he makes of me are a fraction of the numerous identities which he has used in the past, and continues to use, on occasion, in the present. McCarty may actually believe he is the person who he impersonates. Many of the identities are of elaborate construction, taking some six months or more to take shape. McCarty seems to have a magical belief that use of false identities provides a shield. Since his business failure, McCarty has tried to obtain new financing. These methods characteristically rely on false identities and false business fronts. His domain registrations are in the names of nonexistent people, and his websites advertise nonexistent associations and companies, frequently by theft of trademark. For example, my name, Robert Morein, was used as a fictitious endorsement on his website http://www.coraseastudios.com. Since he was caught some three months ago claiming to be a producer for a syndicated jazz music program, his name has not appeared publicly on any of his business enterprises. McCarty is currently attempting to revive his Internet radio scheme, WorldJAZZ, under the name http://www.worldjazz.com. This webpage currently consists completely of false associations and endorsements. There is no "Jersey Jazz Bass Festival", and "Peter Thliveroski" is a modification of "Peter Thliveros", a sports bass fisherman! McCarty has certain bizarre beliefs regarding the pricing of used audio equipment appearing on rec.audio.marketplace. He refers constantly to a book known as the "Orion Bluebook", which reports surveys of audio dealers for prices they paid for used equipment, and prices at which sold. Anyone who advertises on rec.audio.marketplace with prices in excess of the "wholesale average condition" price is subject to attack by McCarty, who does so with the vigor of the Red Brigades. Tactics he has employed against victims are the filing of false crime reports with local police departments alleging that the seller deals in stolen goods and alleged zoning violations. Anyone can become a McCarty victim by disagreeing with him in a public forum. In the past, consequences have been virus attacks, email bomb attacks, defamatory postings, and chronic impersonation. All this is contradictory to McCarty's apparent goal of obtaining finance for his business projects. An intelligent scammer works quietly, while McCarty may be the best known scammer of all time. McCarty is 49 years old, and appears to be ill, requiring intermittent hospital care. He apparently lacks mobility. It is possible that this contributes to his mental imbalance. Among McCarty's aliases, we have: Anthony Ramallo, David Ellison, David C.L. Feng, Ying Hong Huang, Lee Hodges, Melinda Hsu, Melinda Shu, Robert Morein, Robert X Morein, Sylvan Morein, Sylvan X Morein, et al. |
#5
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"Robert Morein" wrote in message ws.com... On 10/12/03 11:24 AM, in article , "Ken Drescher" wrote: Coming soon - some near mint McIntosh pieces from the original owner (retired Physics Prof.) who still has the original boxes and manuals. So he's terminal? And you've made a deal with the executor? You realize that 40 year old McIntosh stuff needs to be completely recapped and realigned, don't you? No, it doesn't. If the stuff powers up, the electrolytics will reform in 24 hours. What about your "tech"? Can he do this and repair lawn mowers at the same time? RIPOFF ALERT! - SOON! VALUE ALERT!!! Robert Morein The above is, of course, a forgery by Brian L. McCarty, r.a.m.'s great pestilence and disease. Brian is secretary of the Far North Queensland Film and Television Association (FNQFTA) in Cairns, Queensland, Australia. Brian L. McCarty resides in a condo at 65 Vasey Esplanade, Trinty Beach, Cairns, Queensland, Australia. It is with great pleasure that I announce that Brian L. McCarty's "Coral Seas" studio project, an obvious scam, is now officially dead. The remains may be viewed at http://www.coralseastudios.com . Brian, we are celebrating your 49th birthday with news that the Coral Seas project has gone belly-up. We watch with great anticipation for the collapse of your WorldJAZZ Scam. It's obvious that WorldJAZZ (http://www.worldjazz.com) is a nonperforming non-asset, simply an invitation for the gullible to lose money. Coral Sea Studios, on the other hand, which McCarty (author of the above post) also maintains, has already sunk beneath the waves. The project is officially dead. Brian, why do you keep around a zombie website? Surely no business partners for Brian L. McCarty! "WorldJAZZ JAZZ MUSIC TELEVISION S NATIONAL CABLE COMING SOON! SPECIAL ANNOUNCEMENT DAILY JAZZ PROGRAMMING TO BE SUPPLIED BY WORLDJAZZ TO MOSCOW CENTRAL TV BEGINNING DECEMBER 2004" Whoops! The above appears to be a pack of lies from the "WorldJAZZ" website, http://www.worldjazz.com. Moscow Central TV is being informed about this travesty. The website goes on to say, "WorldJAZZ has been named OFFICIAL CO-SPONSOR of the 2004 Jersey Jazz Bass Festival SEPTEMBER 22-25 2004 LIVE BROADCAST PLANNED" But there is no "Jersey Jazz Bass Festival" ! It's a complete fiction! There IS a fishing tournament called the "Jersey Bass Festival". And there's no "PETER THLIVEROSKI". It's a play on the name of Peter Thliveros, a sports fisherman. Lying is Brian's vocation. WorldJAZZ.com is built on the principle of the "Big Lie", first enunciated by Joseph Goebbels. Unfortunately, Brian doesn't know when to stop. The fact of his lying on rec.audio.marketplace results in his constant exposure on Google, which drives away the very suckers he would like to get for WorldJAZZ. We help this process of awareness along with a very active information program. Bluebook Value of Coral Sea Studios = MINUS $270,000. Bluebook Value of WorldJAZZ Scam = Less Than Zero, precise numbers are under INVESTIGATION. The Face Behind the Mask:Scammer Brian L. McCarty, Moscow Central TV, David C.L. Feng, David Ellison, Ying Hong Huang, Lee Hodges, Anthony Ramallo, Melinda Hsu, Melinda Shu 80 Raffles Place, Coral Sea Studios, WorldJazz, Enron, K1 Ventures, Trinity Beach, Cairns, Australia, Boomerang McCarty had an early scheme for Internet radio. He claims to have sold musical performance properties and/or a business plan to Black Entertainment Television for $9.2M. Subsequently, he left Los Angeles. One unsubstantiated rumor is that he left to avoid prosecution for a sex crime, presumably by paying off the victim or family. Once in Australia, he made the acquaintance of the brother of P.M. John Howard, who introduced him to contacts at ABN Amro, an investment banking firm. They created a business plan for some kind of a sound studio, still represented by the website http://www.coralseastudios.com. After approximately a year, ABN withdrew from partnership, but left the studio project still solvent. Some time later, it went bankrupt or nearly so, owing $270,000 to it's employees. At this point, Australia's entitlement law kicked in, paying the employees monies owed them, with the exception of codirectors McCarty and Jeff Wexler. It would appear that McCarty's enterprises failed because he has some kind of mental imbalance, which exhibits signs of both schizophrenia and obsessive-compulsive disorder. The impersonations which he makes of me are a fraction of the numerous identities which he has used in the past, and continues to use, on occasion, in the present. McCarty may actually believe he is the person who he impersonates. Many of the identities are of elaborate construction, taking some six months or more to take shape. McCarty seems to have a magical belief that use of false identities provides a shield. Since his business failure, McCarty has tried to obtain new financing. These methods characteristically rely on false identities and false business fronts. His domain registrations are in the names of nonexistent people, and his websites advertise nonexistent associations and companies, frequently by theft of trademark. For example, my name, Robert Morein, was used as a fictitious endorsement on his website http://www.coraseastudios.com. Since he was caught some three months ago claiming to be a producer for a syndicated jazz music program, his name has not appeared publicly on any of his business enterprises. McCarty is currently attempting to revive his Internet radio scheme, WorldJAZZ, under the name http://www.worldjazz.com. This webpage currently consists completely of false associations and endorsements. There is no "Jersey Jazz Bass Festival", and "Peter Thliveroski" is a modification of "Peter Thliveros", a sports bass fisherman! McCarty has certain bizarre beliefs regarding the pricing of used audio equipment appearing on rec.audio.marketplace. He refers constantly to a book known as the "Orion Bluebook", which reports surveys of audio dealers for prices they paid for used equipment, and prices at which sold. Anyone who advertises on rec.audio.marketplace with prices in excess of the "wholesale average condition" price is subject to attack by McCarty, who does so with the vigor of the Red Brigades. Tactics he has employed against victims are the filing of false crime reports with local police departments alleging that the seller deals in stolen goods and alleged zoning violations. Anyone can become a McCarty victim by disagreeing with him in a public forum. In the past, consequences have been virus attacks, email bomb attacks, defamatory postings, and chronic impersonation. All this is contradictory to McCarty's apparent goal of obtaining finance for his business projects. An intelligent scammer works quietly, while McCarty may be the best known scammer of all time. McCarty is 49 years old, and appears to be ill, requiring intermittent hospital care. He apparently lacks mobility. It is possible that this contributes to his mental imbalance. Among McCarty's aliases, we have: Anthony Ramallo, David Ellison, David C.L. Feng, Ying Hong Huang, Lee Hodges, Melinda Hsu, Melinda Shu, Robert Morein, Robert X Morein, Sylvan Morein, Sylvan X Morein, et al. |
#7
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On 10/12/03 11:24 AM, in article
, "Ken Drescher" wrote: What an opportunity for the Mac collector. I plan to let my tech. give them a thorough check out before marketing these classics. This is the kind of experience most have with this old Mac junk. http://www.circlestereo.com/mx110.shtml CAVEAT EMPTOR! |
#8
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"Robert Morein" wrote in message ws.com... On 10/12/03 11:24 AM, in article , "Ken Drescher" wrote: What an opportunity for the Mac collector. I plan to let my tech. give them a thorough check out before marketing these classics. This is the kind of experience most have with this old Mac junk. http://www.circlestereo.com/mx110.shtml CAVEAT EMPTOR! The above is a forgery by Brian L. McCarty, but I like what the link says at the end: "but they are awfully nice when complete." MacIntosh equipment is beautiful, with unequaled engineering. I advise anyone with an interest to take advantage of dealing with Ken Drescher. He is one of the most responsible individuals on Usenet. And since McCarty is currently lying at a prolific rate in his attempt to finance his "WorldJAZZ" scam, I'm going to repost the following. The more times it shows up in Google, the more likely potential investors will become aware of the situation: Brian is secretary of the Far North Queensland Film and Television Association (FNQFTA) in Cairns, Queensland, Australia. Brian L. McCarty resides in a condo at 65 Vasey Esplanade, Trinty Beach, Cairns, Queensland, Australia. It is with great pleasure that I announce that Brian L. McCarty's "Coral Seas" studio project, an obvious scam, is now officially dead. The remains may be viewed at http://www.coralseastudios.com . Brian, we are celebrating your 49th birthday with news that the Coral Seas project has gone belly-up. We watch with great anticipation for the collapse of your WorldJAZZ Scam. It's obvious that WorldJAZZ (http://www.worldjazz.com) is a nonperforming non-asset, simply an invitation for the gullible to lose money. Coral Sea Studios, on the other hand, which McCarty (author of the above post) also maintains, has already sunk beneath the waves. The project is officially dead. Brian, why do you keep around a zombie website? Surely no business partners for Brian L. McCarty! "WorldJAZZ JAZZ MUSIC TELEVISION S NATIONAL CABLE COMING SOON! SPECIAL ANNOUNCEMENT DAILY JAZZ PROGRAMMING TO BE SUPPLIED BY WORLDJAZZ TO MOSCOW CENTRAL TV BEGINNING DECEMBER 2004" Whoops! The above appears to be a pack of lies from the "WorldJAZZ" website, http://www.worldjazz.com. Moscow Central TV is being informed about this travesty. The website goes on to say, "WorldJAZZ has been named OFFICIAL CO-SPONSOR of the 2004 Jersey Jazz Bass Festival SEPTEMBER 22-25 2004 LIVE BROADCAST PLANNED" But there is no "Jersey Jazz Bass Festival" ! It's a complete fiction! There IS a fishing tournament called the "Jersey Bass Festival". And there's no "PETER THLIVEROSKI". It's a play on the name of Peter Thliveros, a sports fisherman. Lying is Brian's vocation. WorldJAZZ.com is built on the principle of the "Big Lie", first enunciated by Joseph Goebbels. Unfortunately, Brian doesn't know when to stop. The fact of his lying on rec.audio.marketplace results in his constant exposure on Google, which drives away the very suckers he would like to get for WorldJAZZ. We help this process of awareness along with a very active information program. Bluebook Value of Coral Sea Studios = MINUS $270,000. Bluebook Value of WorldJAZZ Scam = Less Than Zero, precise numbers are under INVESTIGATION. The Face Behind the Mask:Scammer Brian L. McCarty, Moscow Central TV, David C.L. Feng, David Ellison, Ying Hong Huang, Lee Hodges, Anthony Ramallo, Melinda Hsu, Melinda Shu 80 Raffles Place, Coral Sea Studios, WorldJazz, Enron, K1 Ventures, Trinity Beach, Cairns, Australia, Boomerang McCarty had an early scheme for Internet radio. He claims to have sold musical performance properties and/or a business plan to Black Entertainment Television for $9.2M. Subsequently, he left Los Angeles. One unsubstantiated rumor is that he left to avoid prosecution for a sex crime, presumably by paying off the victim or family. Once in Australia, he made the acquaintance of the brother of P.M. John Howard, who introduced him to contacts at ABN Amro, an investment banking firm. They created a business plan for some kind of a sound studio, still represented by the website http://www.coralseastudios.com. After approximately a year, ABN withdrew from partnership, but left the studio project still solvent. Some time later, it went bankrupt or nearly so, owing $270,000 to it's employees. At this point, Australia's entitlement law kicked in, paying the employees monies owed them, with the exception of codirectors McCarty and Jeff Wexler. It would appear that McCarty's enterprises failed because he has some kind of mental imbalance, which exhibits signs of both schizophrenia and obsessive-compulsive disorder. The impersonations which he makes of me are a fraction of the numerous identities which he has used in the past, and continues to use, on occasion, in the present. McCarty may actually believe he is the person who he impersonates. Many of the identities are of elaborate construction, taking some six months or more to take shape. McCarty seems to have a magical belief that use of false identities provides a shield. Since his business failure, McCarty has tried to obtain new financing. These methods characteristically rely on false identities and false business fronts. His domain registrations are in the names of nonexistent people, and his websites advertise nonexistent associations and companies, frequently by theft of trademark. For example, my name, Robert Morein, was used as a fictitious endorsement on his website http://www.coraseastudios.com. Since he was caught some three months ago claiming to be a producer for a syndicated jazz music program, his name has not appeared publicly on any of his business enterprises. McCarty is currently attempting to revive his Internet radio scheme, WorldJAZZ, under the name http://www.worldjazz.com. This webpage currently consists completely of false associations and endorsements. There is no "Jersey Jazz Bass Festival", and "Peter Thliveroski" is a modification of "Peter Thliveros", a sports bass fisherman! McCarty has certain bizarre beliefs regarding the pricing of used audio equipment appearing on rec.audio.marketplace. He refers constantly to a book known as the "Orion Bluebook", which reports surveys of audio dealers for prices they paid for used equipment, and prices at which sold. Anyone who advertises on rec.audio.marketplace with prices in excess of the "wholesale average condition" price is subject to attack by McCarty, who does so with the vigor of the Red Brigades. Tactics he has employed against victims are the filing of false crime reports with local police departments alleging that the seller deals in stolen goods and alleged zoning violations. Anyone can become a McCarty victim by disagreeing with him in a public forum. In the past, consequences have been virus attacks, email bomb attacks, defamatory postings, and chronic impersonation. All this is contradictory to McCarty's apparent goal of obtaining finance for his business projects. An intelligent scammer works quietly, while McCarty may be the best known scammer of all time. McCarty is 49 years old, and appears to be ill, requiring intermittent hospital care. He apparently lacks mobility. It is possible that this contributes to his mental imbalance. Among McCarty's aliases, we have: Anthony Ramallo, David Ellison, David C.L. Feng, Ying Hong Huang, Lee Hodges, Melinda Hsu, Melinda Shu, Robert Morein, Robert X Morein, Sylvan Morein, Sylvan X Morein, et al. |
#9
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"Robert Morein" wrote in message ws.com... On 10/12/03 11:24 AM, in article , "Ken Drescher" wrote: What an opportunity for the Mac collector. I plan to let my tech. give them a thorough check out before marketing these classics. This is the kind of experience most have with this old Mac junk. http://www.circlestereo.com/mx110.shtml CAVEAT EMPTOR! The above is a forgery by Brian L. McCarty, but I like what the link says at the end: "but they are awfully nice when complete." MacIntosh equipment is beautiful, with unequaled engineering. I advise anyone with an interest to take advantage of dealing with Ken Drescher. He is one of the most responsible individuals on Usenet. And since McCarty is currently lying at a prolific rate in his attempt to finance his "WorldJAZZ" scam, I'm going to repost the following. The more times it shows up in Google, the more likely potential investors will become aware of the situation: Brian is secretary of the Far North Queensland Film and Television Association (FNQFTA) in Cairns, Queensland, Australia. Brian L. McCarty resides in a condo at 65 Vasey Esplanade, Trinty Beach, Cairns, Queensland, Australia. It is with great pleasure that I announce that Brian L. McCarty's "Coral Seas" studio project, an obvious scam, is now officially dead. The remains may be viewed at http://www.coralseastudios.com . Brian, we are celebrating your 49th birthday with news that the Coral Seas project has gone belly-up. We watch with great anticipation for the collapse of your WorldJAZZ Scam. It's obvious that WorldJAZZ (http://www.worldjazz.com) is a nonperforming non-asset, simply an invitation for the gullible to lose money. Coral Sea Studios, on the other hand, which McCarty (author of the above post) also maintains, has already sunk beneath the waves. The project is officially dead. Brian, why do you keep around a zombie website? Surely no business partners for Brian L. McCarty! "WorldJAZZ JAZZ MUSIC TELEVISION S NATIONAL CABLE COMING SOON! SPECIAL ANNOUNCEMENT DAILY JAZZ PROGRAMMING TO BE SUPPLIED BY WORLDJAZZ TO MOSCOW CENTRAL TV BEGINNING DECEMBER 2004" Whoops! The above appears to be a pack of lies from the "WorldJAZZ" website, http://www.worldjazz.com. Moscow Central TV is being informed about this travesty. The website goes on to say, "WorldJAZZ has been named OFFICIAL CO-SPONSOR of the 2004 Jersey Jazz Bass Festival SEPTEMBER 22-25 2004 LIVE BROADCAST PLANNED" But there is no "Jersey Jazz Bass Festival" ! It's a complete fiction! There IS a fishing tournament called the "Jersey Bass Festival". And there's no "PETER THLIVEROSKI". It's a play on the name of Peter Thliveros, a sports fisherman. Lying is Brian's vocation. WorldJAZZ.com is built on the principle of the "Big Lie", first enunciated by Joseph Goebbels. Unfortunately, Brian doesn't know when to stop. The fact of his lying on rec.audio.marketplace results in his constant exposure on Google, which drives away the very suckers he would like to get for WorldJAZZ. We help this process of awareness along with a very active information program. Bluebook Value of Coral Sea Studios = MINUS $270,000. Bluebook Value of WorldJAZZ Scam = Less Than Zero, precise numbers are under INVESTIGATION. The Face Behind the Mask:Scammer Brian L. McCarty, Moscow Central TV, David C.L. Feng, David Ellison, Ying Hong Huang, Lee Hodges, Anthony Ramallo, Melinda Hsu, Melinda Shu 80 Raffles Place, Coral Sea Studios, WorldJazz, Enron, K1 Ventures, Trinity Beach, Cairns, Australia, Boomerang McCarty had an early scheme for Internet radio. He claims to have sold musical performance properties and/or a business plan to Black Entertainment Television for $9.2M. Subsequently, he left Los Angeles. One unsubstantiated rumor is that he left to avoid prosecution for a sex crime, presumably by paying off the victim or family. Once in Australia, he made the acquaintance of the brother of P.M. John Howard, who introduced him to contacts at ABN Amro, an investment banking firm. They created a business plan for some kind of a sound studio, still represented by the website http://www.coralseastudios.com. After approximately a year, ABN withdrew from partnership, but left the studio project still solvent. Some time later, it went bankrupt or nearly so, owing $270,000 to it's employees. At this point, Australia's entitlement law kicked in, paying the employees monies owed them, with the exception of codirectors McCarty and Jeff Wexler. It would appear that McCarty's enterprises failed because he has some kind of mental imbalance, which exhibits signs of both schizophrenia and obsessive-compulsive disorder. The impersonations which he makes of me are a fraction of the numerous identities which he has used in the past, and continues to use, on occasion, in the present. McCarty may actually believe he is the person who he impersonates. Many of the identities are of elaborate construction, taking some six months or more to take shape. McCarty seems to have a magical belief that use of false identities provides a shield. Since his business failure, McCarty has tried to obtain new financing. These methods characteristically rely on false identities and false business fronts. His domain registrations are in the names of nonexistent people, and his websites advertise nonexistent associations and companies, frequently by theft of trademark. For example, my name, Robert Morein, was used as a fictitious endorsement on his website http://www.coraseastudios.com. Since he was caught some three months ago claiming to be a producer for a syndicated jazz music program, his name has not appeared publicly on any of his business enterprises. McCarty is currently attempting to revive his Internet radio scheme, WorldJAZZ, under the name http://www.worldjazz.com. This webpage currently consists completely of false associations and endorsements. There is no "Jersey Jazz Bass Festival", and "Peter Thliveroski" is a modification of "Peter Thliveros", a sports bass fisherman! McCarty has certain bizarre beliefs regarding the pricing of used audio equipment appearing on rec.audio.marketplace. He refers constantly to a book known as the "Orion Bluebook", which reports surveys of audio dealers for prices they paid for used equipment, and prices at which sold. Anyone who advertises on rec.audio.marketplace with prices in excess of the "wholesale average condition" price is subject to attack by McCarty, who does so with the vigor of the Red Brigades. Tactics he has employed against victims are the filing of false crime reports with local police departments alleging that the seller deals in stolen goods and alleged zoning violations. Anyone can become a McCarty victim by disagreeing with him in a public forum. In the past, consequences have been virus attacks, email bomb attacks, defamatory postings, and chronic impersonation. All this is contradictory to McCarty's apparent goal of obtaining finance for his business projects. An intelligent scammer works quietly, while McCarty may be the best known scammer of all time. McCarty is 49 years old, and appears to be ill, requiring intermittent hospital care. He apparently lacks mobility. It is possible that this contributes to his mental imbalance. Among McCarty's aliases, we have: Anthony Ramallo, David Ellison, David C.L. Feng, Ying Hong Huang, Lee Hodges, Melinda Hsu, Melinda Shu, Robert Morein, Robert X Morein, Sylvan Morein, Sylvan X Morein, et al. |
#10
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Robert Morein wrote in
ws.com: On 10/12/03 11:24 AM, in article , "Ken Drescher" wrote: Coming soon - some near mint McIntosh pieces from the original owner (retired Physics Prof.) who still has the original boxes and manuals. A Real Brian McCarty Brian you jealous, lying gash. You wish you had some prime Mc pieces. I predict that the C22 alone will for for at least $1700.00 and it might even go for $3450.00 or more. The C22 is probably the most sought after, coveted preamp in the world. It is a standard that has no equal and has only been surpassed by the Mc C2200. But you are so ****ed off that if anyone has something that you don't, you try to slam them with lies, lies, and more lies. I have never seen or heard *anyone* complain about Ken and his products (you do not count as you are a no count liar) so one can purchase from Ken with confidence. I just priced some caps for a Mc unit, and they run about $4.00 each. Tubes in storage don't go bad and like a classic car the Mc will appreciate in value as it has for the last 40 years. The MR67 would most likely *not* need an alignment. They are incredibly stable units. I have one MR67 here that has never had a single tube replaced, nor cap and I recently touched up the RF and mixer sections for the forst time in 40 years. The IF was perfect and I was able to exceed factory specs with that minor touch up. The C22 at *most* might require a new PS cap but I doubt it. I am willing to bet that it will work right out of the box after a 30 second warmup. To get a mint C22 with the orignal boxes, manuals, etc is a rare opportunity. You can try too trash Ken all you want Brian, but the fact of the matter is that you are green with envy and if you can't have something, you try to prevent other from having it too. Stuff it Brian. Your lame forgeries, lies, and innuendos don't work. ----------------------------------------------------------------------- Ken et al, Mc gear is not just a purchase, but an investment. No piece has had the long term appreciation like the C22 preamp. Originally selling for $279.00, these preamps have been steadily increasing in value every year. I saw one sell on Ebay sell for $3475.00 this year and it did not have the original boxes but the preamp certainly was mint. The MR67 is one of the nicest sounding tuners available at ANY price. I have heard people say that it sounds better than the MR71 or the MR78. Here is a quote from one respected reviewer who had this to say about the C22, "The best preamp you never heard". The C22 was designed by Mr. Sidney Corderman who designed the MC275, the MC275 reissue, the MC2000 and more. I leave you with one thought. "If you don't buy McIntosh, you will regret it, maybe not today and maybe not tomorrow, but soon, and for the rest of your life!" I may regret it later, but I should probably buy that preamp and I just might.... Ken, I will call you asap. r -- Nothing beats the bandwidth of a station wagon filled with DLT tapes. |
#11
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Robert Morein wrote in
ws.com: On 10/12/03 11:24 AM, in article , "Ken Drescher" wrote: Coming soon - some near mint McIntosh pieces from the original owner (retired Physics Prof.) who still has the original boxes and manuals. A Real Brian McCarty Brian you jealous, lying gash. You wish you had some prime Mc pieces. I predict that the C22 alone will for for at least $1700.00 and it might even go for $3450.00 or more. The C22 is probably the most sought after, coveted preamp in the world. It is a standard that has no equal and has only been surpassed by the Mc C2200. But you are so ****ed off that if anyone has something that you don't, you try to slam them with lies, lies, and more lies. I have never seen or heard *anyone* complain about Ken and his products (you do not count as you are a no count liar) so one can purchase from Ken with confidence. I just priced some caps for a Mc unit, and they run about $4.00 each. Tubes in storage don't go bad and like a classic car the Mc will appreciate in value as it has for the last 40 years. The MR67 would most likely *not* need an alignment. They are incredibly stable units. I have one MR67 here that has never had a single tube replaced, nor cap and I recently touched up the RF and mixer sections for the forst time in 40 years. The IF was perfect and I was able to exceed factory specs with that minor touch up. The C22 at *most* might require a new PS cap but I doubt it. I am willing to bet that it will work right out of the box after a 30 second warmup. To get a mint C22 with the orignal boxes, manuals, etc is a rare opportunity. You can try too trash Ken all you want Brian, but the fact of the matter is that you are green with envy and if you can't have something, you try to prevent other from having it too. Stuff it Brian. Your lame forgeries, lies, and innuendos don't work. ----------------------------------------------------------------------- Ken et al, Mc gear is not just a purchase, but an investment. No piece has had the long term appreciation like the C22 preamp. Originally selling for $279.00, these preamps have been steadily increasing in value every year. I saw one sell on Ebay sell for $3475.00 this year and it did not have the original boxes but the preamp certainly was mint. The MR67 is one of the nicest sounding tuners available at ANY price. I have heard people say that it sounds better than the MR71 or the MR78. Here is a quote from one respected reviewer who had this to say about the C22, "The best preamp you never heard". The C22 was designed by Mr. Sidney Corderman who designed the MC275, the MC275 reissue, the MC2000 and more. I leave you with one thought. "If you don't buy McIntosh, you will regret it, maybe not today and maybe not tomorrow, but soon, and for the rest of your life!" I may regret it later, but I should probably buy that preamp and I just might.... Ken, I will call you asap. r -- Nothing beats the bandwidth of a station wagon filled with DLT tapes. |
#12
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Robert Morein wrote in
ws.com: On 10/12/03 11:24 AM, in article , "Ken Drescher" wrote: What an opportunity for the Mac collector. I plan to let my tech. give them a thorough check out before marketing these classics. This is the kind of experience most have with this old Mac junk. http://www.circlestereo.com/mx110.shtml CAVEAT EMPTOR! Brian, You really don't know what the hell you are talking about on top of being a liar. r -- Nothing beats the bandwidth of a station wagon filled with DLT tapes. |
#13
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Robert Morein wrote in
ws.com: On 10/12/03 11:24 AM, in article , "Ken Drescher" wrote: What an opportunity for the Mac collector. I plan to let my tech. give them a thorough check out before marketing these classics. This is the kind of experience most have with this old Mac junk. http://www.circlestereo.com/mx110.shtml CAVEAT EMPTOR! Brian, You really don't know what the hell you are talking about on top of being a liar. r -- Nothing beats the bandwidth of a station wagon filled with DLT tapes. |
#14
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On Sun, 12 Oct 2003 05:05:48 -0000, Rich Andrews
wrote: Robert Morein wrote in ews.com: On 10/12/03 11:24 AM, in article , "Ken Drescher" wrote: What an opportunity for the Mac collector. I plan to let my tech. give them a thorough check out before marketing these classics. This is the kind of experience most have with this old Mac junk. http://www.circlestereo.com/mx110.shtml CAVEAT EMPTOR! Brian, You really don't know what the hell you are talking about on top of being a liar. Looks like his mental disease has advanced to the point of no return. He now attacks just about anyone posting here of scamming. Referring to vintage Mac as 'junk' is beyond run-of-the-mill stupidity -- it's a clear sign of dementia. -- Ron |
#15
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On Sun, 12 Oct 2003 05:05:48 -0000, Rich Andrews
wrote: Robert Morein wrote in ews.com: On 10/12/03 11:24 AM, in article , "Ken Drescher" wrote: What an opportunity for the Mac collector. I plan to let my tech. give them a thorough check out before marketing these classics. This is the kind of experience most have with this old Mac junk. http://www.circlestereo.com/mx110.shtml CAVEAT EMPTOR! Brian, You really don't know what the hell you are talking about on top of being a liar. Looks like his mental disease has advanced to the point of no return. He now attacks just about anyone posting here of scamming. Referring to vintage Mac as 'junk' is beyond run-of-the-mill stupidity -- it's a clear sign of dementia. -- Ron |
#16
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Brian, get a life. Good used Mac pieces can bring premium prices to the
right people and in the right condition. It is decent stuff. "Ron" wrote in message ... On Sun, 12 Oct 2003 05:05:48 -0000, Rich Andrews wrote: Robert Morein wrote in ews.com: On 10/12/03 11:24 AM, in article , "Ken Drescher" wrote: What an opportunity for the Mac collector. I plan to let my tech. give them a thorough check out before marketing these classics. This is the kind of experience most have with this old Mac junk. http://www.circlestereo.com/mx110.shtml CAVEAT EMPTOR! Brian, You really don't know what the hell you are talking about on top of being a liar. Looks like his mental disease has advanced to the point of no return. He now attacks just about anyone posting here of scamming. Referring to vintage Mac as 'junk' is beyond run-of-the-mill stupidity -- it's a clear sign of dementia. -- Ron |
#17
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Brian, get a life. Good used Mac pieces can bring premium prices to the
right people and in the right condition. It is decent stuff. "Ron" wrote in message ... On Sun, 12 Oct 2003 05:05:48 -0000, Rich Andrews wrote: Robert Morein wrote in ews.com: On 10/12/03 11:24 AM, in article , "Ken Drescher" wrote: What an opportunity for the Mac collector. I plan to let my tech. give them a thorough check out before marketing these classics. This is the kind of experience most have with this old Mac junk. http://www.circlestereo.com/mx110.shtml CAVEAT EMPTOR! Brian, You really don't know what the hell you are talking about on top of being a liar. Looks like his mental disease has advanced to the point of no return. He now attacks just about anyone posting here of scamming. Referring to vintage Mac as 'junk' is beyond run-of-the-mill stupidity -- it's a clear sign of dementia. -- Ron |
#18
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"tap1n" wrote in message newsBkib.547930$Oz4.476988@rwcrnsc54... Brian, get a life. Good used Mac pieces can bring premium prices to the right people and in the right condition. It is decent stuff. I just gave him a life. Check out http://www.worldjazz.tv |
#19
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"tap1n" wrote in message newsBkib.547930$Oz4.476988@rwcrnsc54... Brian, get a life. Good used Mac pieces can bring premium prices to the right people and in the right condition. It is decent stuff. I just gave him a life. Check out http://www.worldjazz.tv |
#20
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"tap1n" wrote in newsBkib.547930$Oz4.476988
@rwcrnsc54: Brian, get a life. Good used Mac pieces can bring premium prices to the right people and in the right condition. It is decent stuff. There are many reasons why a C22 can sell for more than 1 order of magnitude than the last MSRP but the primary reason is for how it sounds. The Telefunken 12AX7 tubes used in the the C22 is just one small part of it. A quick check of used Telekunken 12AX7 tube prices indictate that these sell for about $40.00 each. Since this unit Ken is going to offer is original, it has 6 12AX7 Telefunkens in it. That comes to $240.00 in just tubes. As I have said before, the C22 is the most desired of the McIntosh preamps. Nothing else comes close except for the C22 reissue or the C2200. Mc quit making the C22 in 1968 (almost everything bad happened in 1968). Nearly 30 years later McIntosh decides to revisit the C22 and the C22 Commemorative Edition is released in 1995 and its last MSRP is $2500. Then Mc decides to go all out and create the C2200. FWIW the C2200 was the 2002 S'phile product of the year. http://www.stereophile.com/showarchives.cgi?724:2 The review is at http://www.stereophile.com/showarchives.cgi?577. And here is the other part. The C2200 uses 12AX7 tubes and 12AT7s too. The McIntosh C22 is a legend and rightfully so. r "Ron" wrote in message ... On Sun, 12 Oct 2003 05:05:48 -0000, Rich Andrews wrote: Robert Morein wrote in ews.com: On 10/12/03 11:24 AM, in article , "Ken Drescher" wrote: What an opportunity for the Mac collector. I plan to let my tech. give them a thorough check out before marketing these classics. This is the kind of experience most have with this old Mac junk. http://www.circlestereo.com/mx110.shtml CAVEAT EMPTOR! Brian, You really don't know what the hell you are talking about on top of being a liar. Looks like his mental disease has advanced to the point of no return. He now attacks just about anyone posting here of scamming. Referring to vintage Mac as 'junk' is beyond run-of-the-mill stupidity -- it's a clear sign of dementia. -- Ron -- Nothing beats the bandwidth of a station wagon filled with DLT tapes. |
#21
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"tap1n" wrote in newsBkib.547930$Oz4.476988
@rwcrnsc54: Brian, get a life. Good used Mac pieces can bring premium prices to the right people and in the right condition. It is decent stuff. There are many reasons why a C22 can sell for more than 1 order of magnitude than the last MSRP but the primary reason is for how it sounds. The Telefunken 12AX7 tubes used in the the C22 is just one small part of it. A quick check of used Telekunken 12AX7 tube prices indictate that these sell for about $40.00 each. Since this unit Ken is going to offer is original, it has 6 12AX7 Telefunkens in it. That comes to $240.00 in just tubes. As I have said before, the C22 is the most desired of the McIntosh preamps. Nothing else comes close except for the C22 reissue or the C2200. Mc quit making the C22 in 1968 (almost everything bad happened in 1968). Nearly 30 years later McIntosh decides to revisit the C22 and the C22 Commemorative Edition is released in 1995 and its last MSRP is $2500. Then Mc decides to go all out and create the C2200. FWIW the C2200 was the 2002 S'phile product of the year. http://www.stereophile.com/showarchives.cgi?724:2 The review is at http://www.stereophile.com/showarchives.cgi?577. And here is the other part. The C2200 uses 12AX7 tubes and 12AT7s too. The McIntosh C22 is a legend and rightfully so. r "Ron" wrote in message ... On Sun, 12 Oct 2003 05:05:48 -0000, Rich Andrews wrote: Robert Morein wrote in ews.com: On 10/12/03 11:24 AM, in article , "Ken Drescher" wrote: What an opportunity for the Mac collector. I plan to let my tech. give them a thorough check out before marketing these classics. This is the kind of experience most have with this old Mac junk. http://www.circlestereo.com/mx110.shtml CAVEAT EMPTOR! Brian, You really don't know what the hell you are talking about on top of being a liar. Looks like his mental disease has advanced to the point of no return. He now attacks just about anyone posting here of scamming. Referring to vintage Mac as 'junk' is beyond run-of-the-mill stupidity -- it's a clear sign of dementia. -- Ron -- Nothing beats the bandwidth of a station wagon filled with DLT tapes. |
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