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#161
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Iain Churches said: Arny. Please remind me. Which one of us has made 1000 recordings without a single one being published or being accepted for commercial release??? Irrelevant. Krooger has "been there done, that" LoT"s. I fear it must be your goodself who is turning out the crap :-))) Crap is not wasted chez Krooger. It's not just the worms that benefit from the surplus. In classical recording proper, client, artist and listener all have very high expectations indeed. Unfair, Iain. Krooger's "audio career" exists entirely on Usenet. When you or others remind Mr. **** of how real music is recorded in the real world, that's equivalent to beating a cripple with his own crutches. |
#162
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"Iain Churches" wrote in message ti.fi... Arny. Please remind me. Which one of us has made 1000 recordings without a single one being published or being accepted for commercial release??? Well Iain, since admit that you've never made a recording that you could say was your own personal creation as I have, the answer is... |
#163
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"Arny Krueger" wrote in message news "Iain Churches" wrote in message ti.fi... Arny. Please remind me. Which one of us has made 1000 recordings without a single one being published or being accepted for commercial release??? Well Iain, since admit that you've never made a recording that you could say was your own personal creation as I have, the answer is... Personal creation?? Is that what you call that hideous racket? LOL:-) If your work was of any merit whatsoever, at any level, someone would have tried to make money with it. It is not. They did not. With your Been There, Done That attitude, you still do not understand that recording production requires a small but highly skilled team of professionals. One needs production, recording, editing, pre-production, mastering, sleeve notes with translation into four languages, photography, marketing etc etc. You and your tambourine bashers are in another world:-) |
#164
Posted to rec.audio.opinion,rec.audio.tech,rec.audio.tubes
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"Iain Churches" wrote in message i.fi... "Arny Krueger" wrote in message news "Iain Churches" wrote in message ti.fi... Arny. Please remind me. Which one of us has made 1000 recordings without a single one being published or being accepted for commercial release??? Well Iain, since admit that you've never made a recording that you could say was your own personal creation as I have, the answer is... Personal creation?? Is that what you call that hideous racket? LOL:-) If your work was of any merit whatsoever, at any level, someone would have tried to make money with it. It is not. They did not. With your Been There, Done That attitude, you still do not understand that recording production requires a small but highly skilled team of professionals. Sue me for knowing better than that. One needs production, recording, editing, pre-production, mastering, sleeve notes with translation into four languages, photography, marketing etc etc. Tell that to any number of legendary one-man production groups that did it all themselves. BTW, it is quite clear Iain that you've lost perspective with your deification of the last 4 items on your list. Note that in the US liner notes need only be done in 1 language, because we've managed to agree among ourselves about that! Europe should try it! You and your tambourine bashers are in another world:-) |
#165
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On 9 Sep, 21:54, "Iain Churches" wrote:
"Arny Krueger" wrote in message news "Iain Churches" wrote in message hti.fi... Arny. Please remind me. Which one of us has made 1000 recordings without a single one being published or being accepted for commercial release??? Well Iain, since admit that you've never made a recording that you could say was your own personal creation as I have, the answer is... Personal creation?? Is that what you call that hideous racket? LOL:-) If your work was of any merit whatsoever, at any level, someone would have tried to make money with it. It is not. They did not. With your Been There, Done That attitude, you still do not understand that recording production requires a small but highly skilled team of professionals. One needs production, recording, editing, pre-production, mastering, sleeve notes with translation into four languages, photography, marketing etc etc. You and your tambourine bashers are in another world:-) Arny worships at The Church of The Holy Castenet. Tamborines are a heresy. |
#166
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On 9 Sep, 21:54, "Iain Churches" wrote:
"Arny Krueger" wrote in message news "Iain Churches" wrote in message hti.fi... Arny. Please remind me. Which one of us has made 1000 recordings without a single one being published or being accepted for commercial release??? Well Iain, since admit that you've never made a recording that you could say was your own personal creation as I have, the answer is... Personal creation?? Is that what you call that hideous racket? LOL:-) If your work was of any merit whatsoever, at any level, someone would have tried to make money with it. It is not. They did not. With your Been There, Done That attitude, you still do not understand that recording production requires a small but highly skilled team of professionals. One needs production, recording, editing, pre-production, mastering, sleeve notes with translation into four languages, photography, marketing etc etc. You and your tambourine bashers are in another world:-) Besides, what would you know about "Churches", anyway? |
#167
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On 9 Sep, 23:50, "Arny Krueger" wrote:
Tell that to any number of legendary one-man production groups that did it all themselves. So, now you are comparing yourself to Pierre Sprey. Besides, "at least" he designed the ashtray for the F-15, not for some pathetic Omni. |
#168
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In article .com,
Clyde Slick wrote: On 9 Sep, 21:54, "Iain Churches" wrote: "Arny Krueger" wrote in message news "Iain Churches" wrote in message hti.fi... Arny. Please remind me. Which one of us has made 1000 recordings without a single one being published or being accepted for commercial release??? Well Iain, since admit that you've never made a recording that you could say was your own personal creation as I have, the answer is... Personal creation?? Is that what you call that hideous racket? LOL:-) If your work was of any merit whatsoever, at any level, someone would have tried to make money with it. It is not. They did not. With your Been There, Done That attitude, you still do not understand that recording production requires a small but highly skilled team of professionals. One needs production, recording, editing, pre-production, mastering, sleeve notes with translation into four languages, photography, marketing etc etc. You and your tambourine bashers are in another world:-) Arny worships at The Church of The Holy Castenet. Tamborines are a heresy. And keys... don't forget the keys! ;-) |
#169
Posted to rec.audio.opinion,rec.audio.tech,rec.audio.tubes
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"Arny Krueger" wrote in message . .. "Iain Churches" wrote in message i.fi... "Arny Krueger" wrote in message news "Iain Churches" wrote in message ti.fi... Arny. Please remind me. Which one of us has made 1000 recordings without a single one being published or being accepted for commercial release??? Well Iain, since admit that you've never made a recording that you could say was your own personal creation as I have, the answer is... Personal creation?? Is that what you call that hideous racket? LOL:-) If your work was of any merit whatsoever, at any level, someone would have tried to make money with it. It is not. They did not. With your Been There, Done That attitude, you still do not understand that recording production requires a small but highly skilled team of professionals. Sue me for knowing better than that. You probably don't have a cent:-) One needs production, recording, editing, pre-production, mastering, sleeve notes with translation into four languages, photography, marketing etc etc. Tell that to any number of legendary one-man production groups that did it all themselves. BTW, it is quite clear Iain that you've lost perspective with your deification of the last 4 items on your list. Note that in the US liner notes need only be done in 1 language, because we've managed to agree among ourselves about that! Europe should try it! By definition, one man cannot be a production group! The EU is, I am told, a larger and probably in cultural terms a richer ecomomy than the US. It has been standard practice here for classical recordings to have sleeve notes in three or four languages since the late 1960s. |
#170
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"Mr.T" MrT@home wrote in message u... "Iain Churches" wrote in message ti.fi... The public do not need to know (and probably don't ca-) that there are quite many pop CD's which have been re-mastered in this way. Those more used to CD quality though, DO find it annoying when they buy a reissue on CD that has some of the noise of a vinyl pressing, plus the artefacts of single ended noise reduction attempts, plus the extra distortion etc. If you are foolish enough to buy CD's with the artefacts you describe, then you are deserve exactly what you get. You are so lucky then that you can listen to every single CD you have before you buy it. Most people are not so lucky. Or maybe you just don't buy any? I get sent some 10CDs a month as complimentary evaluation or review copies. I buy five or six (often boxed sets) at trade price. Personally I am ****ed off, especially if I already have it on vinyl and was hoping for something a step closer to the master tapes.´ Having never heard the master tapes, how can you possibly know? LOL:-) Well the noise and distortion is a give away to those who can tell. I guess that doesn't include you. Can't tell? LOL. You are the one who is buying sub-standard product:-) I see there is a competition on at the moment to guess what the "T" in Mr.T might stand for. Most of the suggestions seem to have (how should I put it?) "anatomical connotations" Your fellow audiophiles do not seem to hold you in high esteem! Is that why you choose to cower behind anonymity and a false e-mail address, and never post anything of value, (a link to a schematic, one of your audio projects, or an answer to a question) ? I shall not bother to reply to your drivel in future. Iain |
#171
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"Iain Churches" wrote in message i.fi... The public do not need to know (and probably don't ca-) that there are quite many pop CD's which have been re-mastered in this way. Having never heard the master tapes, how can you possibly know? LOL:-) Well the noise and distortion is a give away to those who can tell. I guess that doesn't include you. Can't tell? LOL. You are the one who is buying sub-standard product:-) That's what you are delivering unfortunately. And *IF* you can tell, why are you so arrogant as to assume no one else can???? But I'll bet you can't tell simply because your head is stuck too far up your arse! I shall not bother to reply to your drivel in future. We can only hope, at least we will be spared your drivel. MrT. |
#172
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On 10 Sep, 09:22, "Iain Churches" wrote:
"Arny Krueger" wrote in message . .. "Iain Churches" wrote in message ti.fi... "Arny Krueger" wrote in message news Sue me for knowing better than that. You probably don't have a cent:-) "at least" he has a scent, but an unpleasant one, at that. I see that Arny is begging for a second lawsuit against him. |
#173
Posted to rec.audio.opinion,rec.audio.tech,rec.audio.pro,rec.audio.tubes
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"Iain Churches" wrote in message i.fi... Isn't Arny a born again Baptist? Arny says he's a xtian but doesn't lead by example and is a very poor example of what a xtian should be. He only goes to church because they let him play with their mixing desk which is the only way he gets to fulfil his dream of doing live sound. He so desperately wants to be a real engineer, sort of like the Pinocchio of the live sound world. Phildo |
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