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#41
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ampex 440 record alignment
Paul Stamler wrote: What digital control? My humidifier is a piece of rubber tubing with a sponge in it. You mean you don't keep your guitars in those fancy display cases with the climate control system? I saw one at a NAMM show a couple of years back that cost more than most of my guitars are worth, but I guess if you have a $100,000 guitar that you want to keep on display, it's worth putting it in a $3500 case. But don't forget the batteries for the backup UPS. g |
#42
Posted to rec.audio.pro
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ampex 440 record alignment
bill "just use comcast", "you know the drill for no spam bots." wrote:
Scott Dorsey wrote: bill "just use comcast", "you know the drill for no spam bots." wrote: If you are thinking anything much below about 10 KHz an A/D converter into the computer might make for a better graphing instrument. Latency becomes a nightmare. For the azimuth adjustment, you are looking an an X-Y plot display, and adjusting the physical head angle until you see a nice line on the lissajous display. A 1/10 sec delay between turning the greenie and seeing something on the screen is intolerable. I tried to peak a radio IF strip with an HP digital scope and it was just incredibly frustrating because it took so long for any change to get displayed that I'd constantly overshoot the peak. You said the magic word to me, H.P., High Priced junk scopes. They were never the equals of Tektronix. I have worked at both companies and while at H.P. I would have killed for a Tek scope. I dunno, I had an old HP160 for years (well, the AN/USM-141 that was the militarized version) and I was happy with it. The newer Tek digitals are a lot more convenient than the HP digitals, but even so I think I'll stay away from digital scopes for tweaking. No, the Tek storage scopes actually have a charged plate so that once you write on the screen, it stays there indefinitely until you press the clear button. Invaluable for looking at momentary glitches in servo circuits. Total overkill for alignment. I remember those now, but I don't think it was indefinite, just a really slow fade until you reset it. I never actually worked with one in good shape. I bought one to fix up but it was a goner and wound up being a parts unit. Well, it will last for a few hours, anyway. And a lot more convenient than trying to trace down intermittent glitches with a Polaroid camera with the shutter left open. This sort of thing IS a whole lot easier with a digital scope, though... the digital scope makes working on random glitch problems on digital circuits a thousand times easier. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#43
Posted to rec.audio.pro
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ampex 440 record alignment
Scott Dorsey wrote:
bill "just use comcast", "you know the drill for no spam bots." wrote: Scott Dorsey wrote: bill "just use comcast", "you know the drill for no spam bots." wrote: If you are thinking anything much below about 10 KHz an A/D converter into the computer might make for a better graphing instrument. Latency becomes a nightmare. For the azimuth adjustment, you are looking an an X-Y plot display, and adjusting the physical head angle until you see a nice line on the lissajous display. A 1/10 sec delay between turning the greenie and seeing something on the screen is intolerable. I tried to peak a radio IF strip with an HP digital scope and it was just incredibly frustrating because it took so long for any change to get displayed that I'd constantly overshoot the peak. You said the magic word to me, H.P., High Priced junk scopes. They were never the equals of Tektronix. I have worked at both companies and while at H.P. I would have killed for a Tek scope. I dunno, I had an old HP160 for years (well, the AN/USM-141 that was the militarized version) and I was happy with it. The newer Tek digitals are a lot more convenient than the HP digitals, but even so I think I'll stay away from digital scopes for tweaking. I have really never liked digitals since you can get totally screwed up if you have the sample rate wrong. I have a 4 channel Tektronix 2245, 100 MHz and would not trade it for a digital, period. No, the Tek storage scopes actually have a charged plate so that once you write on the screen, it stays there indefinitely until you press the clear button. Invaluable for looking at momentary glitches in servo circuits. Total overkill for alignment. I remember those now, but I don't think it was indefinite, just a really slow fade until you reset it. I never actually worked with one in good shape. I bought one to fix up but it was a goner and wound up being a parts unit. Well, it will last for a few hours, anyway. And a lot more convenient than trying to trace down intermittent glitches with a Polaroid camera with the shutter left open. This sort of thing IS a whole lot easier with a digital scope, though... the digital scope makes working on random glitch problems on digital circuits a thousand times easier. --scott Yes to that. I worked at a fiber optic communications place where they were doing overnight analysis of eye patterns for bit error testing and the digital scopes just kept adding all night long. If there was even one error overnight it was still there in the morning. -- Bill (Sleepless biker) Baka |
#44
Posted to rec.audio.pro
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ampex 440 record alignment
"Mike Rivers" wrote in message
oups.com... Paul Stamler wrote: What digital control? My humidifier is a piece of rubber tubing with a sponge in it. You mean you don't keep your guitars in those fancy display cases with the climate control system? I saw one at a NAMM show a couple of years back that cost more than most of my guitars are worth, but I guess if you have a $100,000 guitar that you want to keep on display, it's worth putting it in a $3500 case. But don't forget the batteries for the backup UPS. g The cost of the truck needed to haul the display case to gigs would be prohibitive. And playing inside a glass case is so artistically confining. Peace, Paul |
#45
Posted to rec.audio.pro
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ampex 440 record alignment
Paul Stamler wrote:
And playing inside a glass case is so artistically confining. But Rick Ruskin nailed that @ AES '98 in SF. g -- ha |
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