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Scott Dorsey wrote: "He's an engineer who knows about audio, which is something you're not.

You have no clue about either the social background or the physics behind
the loudness wars, as witnessed by your continually coming in here with
articles about reference levels (which have absolutely nothing to do with
compression or the loudness wars). This has become clear. "


What I do know: Dynamic range compression lowers the level of the loudest parts of a piece of audio. You can then apply gain to the remaining, quieter audio to take advantage of the headroom achieved via the prior dynamics processing.

My cats could get that.