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phase correction
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Chris Hornbeck
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On 20 Oct 2004 14:15:27 -0700,
(apa) wrote:
The delay created by mic distance introduces different degrees of
phase shift across the frequency spectrum IN ADDITION to the time
delay whereas a delay created by an electronic delay line (or by
shifting a digitally recorded track) introduces only a time delay and
preserves the phase relationship of the original and hence the second
can not be used to compensate fully for the first.
This is not correct for the direct sound, but all bets are off for
all reflected sound.
Chris Hornbeck
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