Modern Reviewing Practices In Audio Rags Have Become Useless
On Sunday, August 4, 2013 6:34:54 PM UTC-7, Audio_Empire wrote:
On Sunday, August 4, 2013 12:48:51 PM UTC-7, Scott wrote:
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On Sunday, August 4, 2013 6:27:55 AM UTC-7, Audio_Empire wrote:
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On Saturday, August 3, 2013 6:50:38 AM UTC-7, Scott wrote:
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On Friday, August 2, 2013 3:55:15 PM UTC-7, Audio_Empire wrote:
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In article ,
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Scott wrote:
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snip
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Again, it does not matter how the imaging got onto the recording.
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What matters is how it images during playback. This phenomenon we
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call imaging is not limited to music played on acoustic instruments=
..
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This shows absolutely how out of touch with the reality of recording
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and playback of music that this poster is.
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So says the guy who flaunts his disdain for the music he claims to
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know so much about.
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Where did I say or even intimate that I knew much about rock/pop?
Post #3 KH "This would appear to say volumes about your knowledge of pop mu=
sic."
You: "I know enough =AD more than I want to. And if you are saying that I a=
m
wrong here, then I believe it says more about your knowledge of music
and reproduction than it does about mine."
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I know
about studio recording, but I never claimed to know much about rock excep=
t
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that I find the sound of it - anything with solid-body electric guitars, =
really - offensive
You basically said you knew enough about it to support your many assertions=
about it and how it has been recorded over the years.Nothing ambiguous whe=
n your knowledge was challenged and your response was "I know enough, more =
than I want to."
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How many professional rock recordings have you made (or even had a hand i=
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again? I'd love to know.
How many have you? But more significantly how many have you actually looked=
into? I may not have made any rock recordings but I certainly have done my=
homework on how a good many of them actually were made. It doesn't jive wi=
th your assertions that is for sure. Did you even bother to look up Bill Po=
rter? I bet not....
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