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RobbH
 
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Default Misrepresentation and Malfeasance By Audiophile Label Technical Staff?

On Fri, 25 Jun 2004 08:35:14 -0400, Arny Krueger wrote:

One little dirty not-so-secret dirty aspect of the production of dual-format
high resolution recordings has been the fact that the legacy (CD) and
high-resolution (DVD-A or SACD) portions of virtually all of these
recordings distributed until recently, have been produced in ways that are
sufficiently different that it is reasonable to expect them to sound
different. This audible difference would be aside from any purported
benefits of high resolution formats.

IOW, the high resolution layers sound different from the legacy format
layers because they were produced in such a way that they would sound
different, even if distributed in the same format. On the one hand they
invite comparison of the two formats, but behind the scenes they stack the
deck.


So, what do you get when you convert the DVD-A or SACD audio to 16-bit,
44.1KHz? If you A-B it with the original CD layer, which sounds better?