How consistent are studio monitors of the same make and model?
John Williamson wrote:
If it still sounds good and the bass driver cone doesn't distort too
badly on the NS-10, then the mix is okay for any sensible listening system.
They were the archetypal cheap and nasty speaker.
But they were (and still are) a consistent and reliable cheap and nasty
speaker. They are the same in every studio. That was a big deal back in
the days of big soffit-mounted systems that sounded different in every
control room, and even though it's not as big a deal today it's still a
thing people like.
I'm not sure it's as good a mix check as it used to be... people are more
often listening on desktop 2.1 systems that are awful in different ways
than the NS-10 is awful.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."
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