[Frank Stearns]

Roy W. Rising writes:

snips

reed leakage and repeatedly had to ask my A2 to fix it. Finally, when the
musicians were returning from a break, my A2 appeared to be tuning the
violinist's instrument. After a brief hissy fit, the musician agreed not
to touch *our* instruments.

What an amusing way to handle that!! Dangerous, but great!


The show was a great laboratory, it helped me refine techniques.

So it was *all live*, no pre-records?

How did you happen to land the gig for those three years?

Any over-arching thoughts on how this experience contributed to those refinements?

Thanks again for the history,

Frank
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