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wrote:
Does anyone have experience comparing Shure E2, E3 and E5 in-ear
monitors?

I am using these for location recording (amplified rock/folk music in
small
venues), so I need both isolation and good sound. I am experimenting
with
keeping these on for the whole show, so I can detect any mic
problems.

Right now I'm using the E2's, but I'm not happy with the high end
response.
Would the E3 be much better or do I need to go to the E5? Also, has
anyone
tried to improve the isolation, either using custom ear molds? There
are also
these "triple flange" things that fit on the E3 and E5's.

Thanks for any pointers,
Richard

I've used both Etymotic ER6 and the E2 - for my own live on-stage
vocals, which, of course, is different from the application you're
using them for. I ended up using the E2's over the ER6s, because the
ER6s were too trebly for me (they have a strong peak at around 3k). For
me, the ER6s had better isolation, but the E2s aren't bad. I've not
used custom molds, but I'm sure others here will tell you that it's a
big step up toward better isolation and fidelity. You may want to check
out the Etymotic ER4 (not 6), and custom molds. Futuresonics and
Westone also make products well-regarded by others here.

If you're just recording, and not running the PA, they may work. If
you're running the house sound AND recording - you have my sympathy.

Mikey
Nova Music Productions