Richard Kuschel
July 10th 03, 11:13 PM
>I am not a professional at this by any means. But one way to go is to line
>the
>room/stage with dampening material. This provides the raw music and the
>acoustics can be simulated with mixing process. However, it really just
>depends
>on the type of music. Music with many tracks like metal, rock, or punk usually
>overall acoustics are less important. If are recording an artist who only
>sings
>and plays acoustic guitar, room acoustics matter much more as they will
>be
>heard in the final recording. Like I said, i am no expert, I dont have a
>recording studio or have ever recorded an artist(s).
>
>
Bad idea.
Completely killing the acoustics in a room and then thinking that you can
recreate them from a box in the mixing process is not a great way to get good
sound.
It works for some stuff, but really stinks on a lot of stuff.
Richard H. Kuschel
"I canna change the law of physics."-----Scotty
>the
>room/stage with dampening material. This provides the raw music and the
>acoustics can be simulated with mixing process. However, it really just
>depends
>on the type of music. Music with many tracks like metal, rock, or punk usually
>overall acoustics are less important. If are recording an artist who only
>sings
>and plays acoustic guitar, room acoustics matter much more as they will
>be
>heard in the final recording. Like I said, i am no expert, I dont have a
>recording studio or have ever recorded an artist(s).
>
>
Bad idea.
Completely killing the acoustics in a room and then thinking that you can
recreate them from a box in the mixing process is not a great way to get good
sound.
It works for some stuff, but really stinks on a lot of stuff.
Richard H. Kuschel
"I canna change the law of physics."-----Scotty